SESAC Signs Kings of Leon Members of Grammy-Winning Group Join Nation’s Only MRO The members of internationally-acclaimed and Grammy-winning rock band Kings of Leon, best known for the singles “Use Somebody,” “Sex on Fire,” and “Radioactive,” have signed with SESAC, the nation’s most progressive PRO and the only Music Rights Organization in the country, for representation. “Few rock bands have garnered... 

SESAC Signs Randy Newman Legendary songwriter/film composer joins nation’s only Music Rights Organization Legendary songwriter and film composer Randy Newman, whose musical compositions have earned Oscars, Grammys and Emmys, has signed with SESAC, the nation’s most progressive PRO and the only Music Rights Organization in the country, for representation. “There is no question that Randy Newman’s contribution to music is unparalleled, with... 

GOO GOO DOLLS   The moody alternative rockers look at the brighter side on their new set   “I’m an artist as much as anybody’s an artist,” says Goo Goo Dolls frontman John Rzeznik, placing air quotes around the word artist. “Sometimes I can be a bit of a precious little bitch about my work. But not being precious about it, digging in and putting the sweat into it, is where the really good stuff comes from. And being determined to not... 

GREEN DAY ¡Tré!  [Warner Bros.]  After diving into political and social commentary with concept albums in 2004 and 2009, Green Day lightened the mood in 2012 with a trilogy of less weighty records, released a few months apart. ¡Tré! wraps the triptych in characteristic fashion: There are no grand philosophical statements or particular points of view, just punchy pop songs that echo elements of the band’s career to now. “Missing You,” “Amanda”... 

GREEN DAY ¡Uno!  [Reprise] Fourth act, same as the first: That’s the story Green Day aims to tell with ¡Uno!, the first installment in a trilogy of albums they’ll roll out over the next few months. Having played alt-rock heroes in the post-Cobain ’90s and unlikely political rock-opera dramatists in the Bush ’00s, the trio inches back toward its punk roots, crafting restless power-pop tunes that—modern studio sheen notwithstanding—might...