Behind the Classics
BEE GEES
“Jive Talkin’”
BEE GEES
Thank the public works department of Biscayne Bay, Fla. One of their bridges—the Julia Tuttle Causeway—inspired the song that redefined the Bee Gees’ career and became the first of their disco-era No. 1 hits.
Barry Gibb recalled that he and brothers Robin and Maurice were working on the Main Course album. “We were trying to make a comeback. It was 1975—and we were sort of out of vogue at that time,” said...
HEARTBREAK HOTEL
“Heartbreak Hotel”
ELVIS PRESLEY
A suicide note was the unlikely inspiration behind the song that became Elvis’ first No. 1 hit and million-selling single. Steel guitarist and session musician Tommy Durden read a newspaper article about a man who had killed himself, leaving behind a note with the haunting words: “I walk a lonely street.”
Durden brought the article to his friend and co-writer Mae Boren Axton. A 41-year-old high school...
Crying
“Crying”
ROY ORBISON
Roy Orbison’s ultimate aria of love and loss had its roots in a real-life episode. “I was dating this girl and we broke up,” the singer recalled. “Two or three years later, I went to the barber shop to get a haircut and looked across the street, and there was the girl I had split up with. I wanted to go over and say, ‘Let’s forget about what happened and carry on.’ But I was very stubborn. So I got in...
AMERICAN PIE
“American Pie”
DON MCLEAN
When Don McLean wrote “American Pie” in 1971, he was thinking far beyond the usual scope of a pop song. “I was conscious of the fact that I was trying to create a rock ’n’ roll dream sequence,” said McLean. “But it was way more than rock ’n’ roll. It was about an America that was coming apart at the seams. I was trying to create this song that connected with parts of America that mattered to me,...
CHICAGO
THE FACES OF CHICAGO WERE UNKNOWN TO MANY when photographer Norman Seeff shot this L.A. session for the band’s 1978 album, Hot Streets. “All their previous covers featured graphic renditions of their logo,” he says. “No one ever saw the band.” When a “mob of guys” arrived at his studio, Seeff feared he had his work cut out for him. “When you have a large group—and a square album cover—one challenge is how to squeeze everyone in,”...
“(I Can’t Get No) Satisfaction”
“(I Can’t Get No) Satisfaction”
THE ROLLING STONES
On May 7, 1965, Keith Richards woke up in the middle of the night at a Florida hotel with a melody in his head. Fumbling in the dark, he grabbed his guitar next to the bed and a cassette recorder on the nightstand—and played an eight-note riff into it. It was accompanied by the mumbled vocal line, “I can’t get no satisfaction.” Then he fell back asleep.
“On the tape you can hear...
BLONDIE
WRITTEN BY: Debbie Harry, Chris Stein
RECORDED: RECORD PLANT, NEW YORK
PRODUCED BY: MIKE CHAPMAN
DEBBIE HARRY: VOCALS
NIGEL HARRISON: BASS
CLEM BURKE: DRUMS, DRUM MACHINE
CHRIS STEIN: ELECTRIC GUITAR
JIMMY DESTRI: KEYBOARDS
FRANK INFANTE: GUITAR
FROM THE ALBUM: PARALLEL LINES (1978)
“Heart of Glass”
BLONDIE
“Everyone was like, ‘Blondie’s gone disco!’” drummer Clem Burke recalled of the group’s first No. 1 hit.
It was spring...
DEEP PURPLE
WRITTEN BY: RITCHIE BLACKMORE, IAN GILLAN,
ROGER GLOVER, JON LORD, IAN PAICE
RECORDED: THE PAVILION AND GRAND HOTEL, MONTREUX, SWITZERLAND
PRODUCED BY: DEEP PURPLE
IAN GILLAN: VOCALS
ROGER GLOVER: BASS
IAN PAICE: DRUMS
RITCHIE BLACKMORE: ELECTRIC GUITAR
JON LORD: ORGAN
FROM THE ALBUM: MACHINE HEAD (1972)
“Smoke on the Water”
DEEP PURPLE
It’s the riff that will not die. It’s the heavy metal version of “Chopsticks.” Metallica’s...
MARVIN GAYE
WRITTEN BY: NORMAN WHITFIELD
AND BARRETT STRONG
RECORDED: MOTOWN, DETROIT
PRODUCED BY: NORMAN WHITFIELD
MARVIN GAYE: VOCALS
JAMES JAMERSON: BASS
RICHARD “PISTOL” ALLEN: DRUMS
ROBERT WHITE: ELECTRIC GUITAR
EARL VAN DYKE: ORGAN
THE ANDANTES: BACKING VOCALS
PAUL RISER: STRINGS
FROM THE ALBUM: I HEARD IT THROUGH
THE GRAPEVINE!
“I Heard It Through the Grapevine”
MARVIN GAYE
Though it has become one of Motown’s signature songs...
DAVID BOWIE
WRITTEN BY: DAVID BOWIE
RECORDED: TRIDENT STUDIOS, LONDON
PRODUCED BY: GUS DUDGEON
DAVID BOWIE: VOCALS, ACOUSTIC GUITAR,
STYLOPHONE
HERBIE FLOWERS: BASS
TERRY COX: DRUMS
MICK WAYNE: ELECTRIC GUITAR
RICK WAKEMAN: MELLOTRON, PIANO
PAUL BUCKMASTER: STRINGS
FROM THE ALBUM: DAVID BOWIE (1969)
“Space Oddity”
DAVID BOWIE
In the dark of London’s Cinerama theater, 22-year-old David Bowie stared at the space embryo floating across the theater’s...
THE KINKS
“Waterloo Sunset”
THE KINKS
WRITTEN BY: RAY DAVIES
RECORDED: PYE RECORDS STUDIO,
LONDON, MARCH 1967
PRODUCED BY: SHEL TALMY AND
RAY DAVIES
RAY DAVIES: VOCALS, ACOUSTIC GUITAR
DAVE DAVIES: ELECTRIC GUITAR,
BACKING VOCALS
PETE QUAIFE: BASS, BACKING VOCALS
MICK AVORY: DRUMS
NICKY HOPKINS: PIANO, HARPSICHORD
RASA DAVIES: BACKING VOCALS
DAVID WHITAKER: STRINGS
FROM THE ALBUM: SOMETHING ELSE (1967)
One morning in February 1967, Ray Davies rolled out...
“Bohemian Rhapsody” QUEEN
Brian May, John Deacon, Roger Taylor, Freddie Mercury
“Bohemian Rhapsody”
QUEEN
“Bohemian Rhapsody” is one of rock’s most beloved hits—and yet for all its brilliance, the song is only more remarkable considering it breaks every rule. There is no chorus. The form is odd and asymmetrical. The title never once appears in the lyric. It’s more than six minutes long. And it has an opera section with mock Italian lyrics.
That the disparate...