HOW TO DESTROY ANGELS An Omen [Columbia] Nine Inch Nails mastermind Trent Reznor continues to play mad chemist with industrial music, this time via a side project featuring his wife, Mariqueen Maandig. Her soothing voice lends a twisted effect to this EP. The largely acoustic “Ice Age” is oddly folksy, and for a six-song set, An Omen boasts a wide emotional spectrum. There are periods of tranquility that give way to invocations of disaster—something... 

BOB DYLAN Tempest [Columbia] Bob Dylan’s 35th studio effort isn’t his “death album.” He’s been singing about kicking the bucket since his 1962 debut, and fans looking for evidence of Dylan facing mortality will find more clues on 1997’s Time Out of Mind—though there’s plenty of life on that one, too. What’s funny about Tempest is how comfortable Bob sounds staring into the abyss. Whether detailing a deadly love triangle (“Tin... 

AEROSMITH Music From Another Dimension [Columbia] Having weathered interpersonal issues, health problems and frontman Steven Tyler’s American Idol stint, Aerosmith return with their first album of all-original material since 2001. Working with Jack Douglas, who produced Get Your Wings, Toys in the Attic and other records from their prime, the band delivers a slick album, trying hard to meet high expectations. On the Diane Warren-penned “We All... 

BAND OF HORSES Mirage Rock [Columbia] Band of Horses wasted no time following up 2010’s Grammy-nominated Infinite Arms, and on Mirage Rock, the intention to move forward is clear. The band focuses on ramshackle alt-country, seldom playing straight rock songs and occasionally forgoing the “alternative” altogether. After recording their first three albums with Phil Ek, the group recruited producer Glyn Johns. The slight country twang frontman... 

PATTI SMITH Banga [Columbia] The first lady of ’70s bohemian New York City makes another remarkable comeback with her 11th studio album. Her first collection of original songs since wowing literary circles with her 2010’s National Book Award-winning memoir Just Kids sees Smith’s mastery of language in full bloom. Though passionate as ever, the now 65-year-old Smith has largely stepped back from the howls and growls of her early days in favor... 

JOHN MAYER Born and Raised [Columbia] On his fifth album, John Mayer continues his slow shift away from the pop-rock mainstream and back into the singer-songwriter territory of his early days. The mostly mellow tone evinces some country leanings, with his gentle fingerpicked guitar, pedal steel and even some ’60s folk harmonica. But there are a couple of low-key classic-rock jams with quiet, rambling electric guitar leads and subtle Hammond organ... 

THE TING TINGS Sounds from Nowheresville [Columbia] In the first 10 seconds of “Hang It Up,” the leadoff single from their sophomore album, the Ting Tings swipe the opening chord from Nirvana’s “Smells Like Teen Spirit” and an almost equally recognizable beat from Jay-Z. This British electro-pop duo may have 99 problems, but absorbing and expressing their influences ain’t one. Opener “Silence” is a gift to New Wave geeks—a three-minute... 

LEONARD COHEN Old Ideas [Columbia]  It’s a funny thing to say about a septuagenarian, but Leonard Cohen has really grown into his voice. What was always a distinctive instrument has deepened on his new album into a resonant purr capable of insinuating itself into the deepest part of you. Old Ideas is only the 12th studio album in a musical career stretching back to 1967, but Cohen chooses his words with considerable care. He’s become more... 

ADELE Live at the Royal Albert Hall [Columbia] After issuing two mega-selling albums before the tender age of 21, Adele Adkins has had fans raving about her as the second coming of Dusty Springfield. And she makes a pretty good case for that opinion on this full-length concert DVD recorded at London’s most venerable venue. Adele displays expert pitch and control, and a rare ability to wring visceral emotion out of a simple lyric like “I won’t... 

THE VACCINES What Did You Expect From the Vaccines? [Columbia] By the sound of it, the Vaccines love a lot of Ramones songs—but if they had to pick a favorite, they might go with the Tom Waits cover “I Don’t Wanna Grow Up.” The title could be a motto for the Vaccines—four good-natured British 20-somethings wary of the adult world. “I’m perfectly aware of what I’m yet to know,” Justin Young sings on “Under Your Thumb,” putting... 

BEYONCÉ 4 [Columbia] Of course Beyoncé can move your booty: She is, after all, the auteur behind radio mega-jams like “Crazy in Love” and “Single Ladies (Put a Ring on It).” But Beyoncé is more interested in moving your heart on her latest, a collection of songs that focuses on her smoldering side with little of the speaker-rattling sonic bombast of previous efforts. She’s coming from the heart on 4, delivering persuasive takes on heartache,... 

JOHNNY CASH Bootleg Vol. II: From Memphis to Hollywood [Columbia/Legacy] The deluge of Johnny Cash vault material (and endless repackagings) released since he ceased to walk the line on this earthly plane shows no sign of abating. The first set in this “bootleg” series, Personal File, only scratched the surface of the hundreds of demos, outtakes and home recordings accumulated by the man over his lifetime. From Memphis to Hollywood dips into... 

BEYONCÉ I Am … World Tour [Columbia] I Am … World Tour gathers two dozen of Beyoncé’s best-loved songs from various stops on a 78-city world tour. All her biggest hits are here: “Crazy in Love,” “Single Ladies (Put a Ring on It)” and a sleek version of Destiny’s Child’s “Say My Name” just for starters. The live setting strips away some of the hyperactive sheen of the studio versions and lets you hear Beyoncé put her ringing... 

NEIL DIAMOND Dreams [Columbia] Neil Diamond has made a remarkable resurgence as a songwriter during the past decade, but this album of covers finds him paying tribute to material that helped shape that songwriting brilliance in the first place. Diamond instills these classic tunes from the ’60s and ’70s with an after-hours ambiance that spotlights their melodic strength and lyrical power. High points include an Americana-tinged take on the Beatles’... 

VARIOUS ARTISTS Glee: The Power of Madonna [Columbia] So long has “Like a Virgin” been a camp classic that to see it performed on TV by characters actually contemplating their sexual awakening is astonishingly moving. That’s the kind of reinvention that Glee, the music-packed hit show about a high-school glee club, does best. It’s no surprise, then, that the standouts on this EP featuring the seven songs from the show’s April all-Madonna... 

GOGOL BORDELLO Trans-Continental Hustle [Columbia] Hearing no style of music manic or multicultural enough to express his lusts for life and travel, Ukrainian native Eugene Hutz was forced to create one. The result is Gogol Bordello, a band whose brand of  “gypsy punk”—a propulsive ska-polka-thrash fusion—is as divisive as it is distinctive. Since 1999, Gogol Bordello has released a series of albums whose neon covers speak volumes about the... 

COURT YARD HOUNDS Court Yard Hounds [Columbia] A side project of Dixie Chicks’ Martie Maguire and Emily Robison, Court Yard Hounds delivers much-anticipated insight—both musical and personal—into the sisters who have for so long ceded center stage to Chicks singer Natalie Maines. Though steeped in familiar instrumentation, the album offers little of the barn-burning brashness that made the Chicks famous (save perhaps the gutsy “Ain’t No...