Posts tagged with "Justin Timberlake"

THE FRINGE / NICK D’VIRGILIO – VIDEO FEATURE

VIDEO FEATURE & WEB-EXCLUSIVE INTERVIEW Band: THE FRINGE Musician: NICK D’VIRGILIO Song: “A Second or Two” Songwriters: Jonas Reingold, Randy McStine, Nick D’Virgilio Video by: Nigel Dick The Fringe is a power prog rock trio, a supergroup if you will, consisting of prog veterans Nick D’Virgilio (Spock’s Beard, Big Big Train) on drums, Jonas Reingold (Karmakanic, The Flower Kings) on bass, and Randy McStine (Lo-Fi Resistance) on... 

CUTTING THE CORD

CUTTING THE CORD Wireless sound offers freedom to roam the stage,but is it the right option for you? Anyone who’s caught a major live act in the last decade has seen and heard wireless technology in action. From stage-diving rock stars to tightly choreographed pop groups, wireless mics and instrument systems have redefined the live music experience. Long gone are the days of performers tethered to the stage with restricting cords. But is wireless... 

The Senate Hosts Pre-Grammy Party LA / Thurs

“The Senate Music Group, LLC hosts annual star-studded Pre-Grammy gala at  The Conga Room at L.A. Live FEB 7, 2013 Doors open 9pm at The Conga Room in LA Live. It’s going to be a great night! Special performance By Neyo’s new Recording Artist RAVAUGHN Music Provided By World Famous DJ Aktive DJ Aktive   About The Senate Music Group, LLC The Senate Music Group, LLC, is a collective alliance of extremely talented music... 

LIVE MICS

LIVE MICS Selecting the right microphone for your stage show is crucial to a sound performance “The microphone is the core of everything,” says veteran front-of-house engineer Andy Meyer. “If you don’t have your source properly miked, what good is a $2 million PA or a state-of-the-art mixing console? If the mics are terrible, a great performance doesn’t mean a thing.” It’s a challenge nearly all musicians face, from coffeehouse singer-songwriters... 

PLAYING IT BY EAR

PLAYING IT BY EAR How the right live monitor can take your stage show to the next level  Whether you’re playing a grungy blues set at a local club or headlining a stadium rock festival, delivering a show to remember is impossible if you can’t hear what you’re doing. What sounds perfectly harmonious to you could sound like a broken chainsaw out in the crowd—and vice versa. So how can you ensure you’re getting the onstage mix that you need... 
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