Posts tagged with "MUSICIAN"
JOE HENRY
JOE HENRY
Being himself helps this artist-turned-producer help others do the same
By Michael Gallant
“When I listen to music, all I want to know is what works and why it works,” says Joe Henry. “I don’t care about genre distinctions. I’m happy to do anything that’s of quality.” Apt words from a prolific producer who has helped craft distinctive albums for artists as diverse as Elvis Costello, Aimee Mann, Mavis Staples, Brad Mehldau,...
BÉLA FLECK
BÉLA FLECK
The banjo virtuoso breaks boundaries again with his original Flecktones
By Steven Rosen
Béla Fleck made the banjo dangerous. Before he picked it up, the instrument was mostly consigned to the province of old-fashioned country and bluegrass tunes. But all that changed in 1979 when the native New Yorker recorded his first solo album, Crossing the Tracks. “I was really intent on being good on the banjo,” Fleck says. “So I learned...
BRUCE HORNSBY
BRUCE HORNSBY
For this restless keyboard innovator, the only constant is change
By Russell Hall
“It’s been 25 years since my first album,” observes Bruce Hornsby. “Most fans who got on this train early on aren’t there anymore. And that’s fine. Those who wanted me to stay the same or keep making the same album were probably disappointed a long time ago.” While many of Hornsby’s peers have become nostalgia acts, his own career has indeed...
JOE BONAMASSA
JOE BONAMASSA
Goodbye to the rib joints, hello to blues-rock guitar hero status
By Russell Hall
“People told me I was destined to play rib joints and biker rallies all my life,” says Joe Bonamassa, reflecting on his early years as a struggling blues-rock guitarist. “But I knew there had to be a better way.” But more than a decade and a half into his career, today Bonamassa has arrived at the pinnacle of the blues-rock world—and he’s...
ALISON KRAUSS
ALISON KRAUSS
Two decades along, bluegrass’ conquering angel is still on the move
By Russell Hall
If there’s one lesson Alison Krauss learned from working with producer T Bone Burnett on Raising Sand, the album she and Robert Plant made together in 2007, it’s the importance of being in the moment. “I’ve always believed I could get a better vocal by re-singing it, or manufacturing a vocal by putting together multiple takes,” she says....
ERIC JOHNSON
ERIC JOHNSON
To shred or not to shred? For this guitar hero, that is the question
By Russell Hall
Eric Johnson might be the world’s most reluctant guitar hero. In the 1980s, as his star was first rising, the Austin native earned a reputation as a white-hot shredder. But from the start, Johnson has emphasized that technique is just part of a larger musical landscape. “If you play a show where you shred for two hours, you’ll see a lot of the...
GREGG ALLMAN
GREGG ALLMAN
After a brush with mortality, a rock legend gets back to the blues
By Chris Neal
It’s been a few months since doctors used a device to spread Gregg Allman’s rib cage as part of his treatment for cancer, but he still winces at the thought. “That hurt so damn bad,” he says. “Unh! All the rib bones that go back and connect to your spine, they disrupt all that. Boy, that hurts. They can cut and sew muscles and skin, and that’s...
WARREN HAYNES
WARREN HAYNES
Gov’t Mule’s fearless leader adapts and survives
By Chris Neal
If playing in a rock ’n’ roll band is a full-time job, Warren Haynes is successfully holding down three full-time jobs at once. He has fronted his own band, Gov’t Mule, for the last 16 years; he continues to bring his virtuoso lead guitar work to the Allman Brothers Band; and since 2004 he has performed alongside several former members of the Grateful Dead in...
SLASH
SLASH
He’s back with a few new friends—and one very special old one
By Chris Neal
As recording progressed on Guns N’ Roses’ first album in 1986, the up-and-coming hard-rock band’s lead guitarist was getting anxious. He was OK recording basic tracks with the three guitars he had on hand—a BC Rich and two Jacksons, for the record—but he didn’t feel confident using any of them to lay down his leads. He couldn’t afford to buy a new...
STEVE LUKATHER
STEVE LUKATHER
Toto’s guitar giant steps out on his own with an emotional new album
By Russell Hall
Steve Lukather is feeling a little philosophical these days. The reason, he admits, is because he’s just come through an especially tumultuous year. “I’ve reassessed things,” says the veteran guitarist. “I stopped drinking and stopped smoking, and started going to therapy. It’s like the warranty is up at age 50. I have lots of friends...
KEVIN EUBANKS
KEVIN EUBANKS
Leaving the Tonight Show behind him, a jazz guitar master looks ahead
By Jeff Tamarkin
When a 30-foot hole opened up in the basement of Kevin Eubanks’ home in the notoriously unstable terrain of Hollywood, he wasn’t sure what to do at first. “It was a massive problem with my house,” he says. “I didn’t know whether I was going to sell it or rebuild the foundation.” A contractor suggested it might be a nice place to build...
RICHARD THOMPSON
RICHARD THOMPSON
An eclectic guitar slinger continues a four-decade journey through music
By Bob Cannon
Over the course of his long career, Richard Thompson has become accustomed to hearing fans tell him they prefer the live versions of his songs over the studio takes. So for his latest album, Dream Attic, Thompson elected to cut out the middleman—all 13 songs were recorded live during a two-week American tour last February. “We basically chop...
DEREK TRUCKS
DEREK TRUCKS
He learned from the masters how to make his guitar sing
By Russell Hall
Derek Trucks was born to make music. The nephew of Allman Brothers Band drummer Butch Trucks, he was named after Eric Clapton’s early-1970s outfit Derek and the Dominos. So it was only natural when Trucks took up slide guitar at 9, formed the Derek Trucks Band at 14 and sat in with the likes of Bob Dylan, John Lee Hooker and Buddy Guy while still in his teens....
CARLOS SANTANA
CARLOS SANTANA
An iconic guitarist wholeheartedly embraces a past he helped to create
By Jeff Tamarkin
A few months ago, Carlos Santana walked on stage at the Bethel Woods Center for the Arts in New York—a modern venue built on the site of 1969’s fabled Woodstock festival—and wasted no time delivering his audience a chill-inducing moment. He opened the concert with “Soul Sacrifice,” the same combustible jam that launched him into the rock...