KATHLEEN EDWARDS  Digging herself out of a familiar hole, with a hand from a new friend  Since her 2003 debut album, Failer, Kathleen Edwards has gradually honed her craft as a singer and songwriter whose finely wrought character sketches teem with both sardonic humor and knife’s-edge emotional danger. “And then part of me felt like I had fallen a little bit too complacent,” says Edwards, an Ottawa, Ontario, native who now lives in Toronto.... 

KATE BUSH For this pioneering songstress, inspiration literally fell from the sky   “Shimmerglisten.” “Creaky-creaky.” “Boomerangablanca.” The Eskimos don’t really have 50 words for snow, but Kate Bush does. Featuring guest turns from Elton John, Stephen Fry and Bush’s 12-year-old son Bertie, her new 50 Words for Snow album is a quietly riveting meditation on the white stuff. “I started thinking about how it feels when it snows,... 

THE FRAY The journey to success was tough—and they have the scars to prove it “This is the first time we got to make the record we wanted to,” declares Isaac Slade of the Fray’s third album, Scars & Stories. The group went through plenty to reach that point. Formed by singer and pianist Slade, guitarists Dave Welsh and Joe King and drummer Ben Wysocki in the early-2000s church-music scene in Denver, the Fray found its secular breakthrough... 

KEITH JARRETT After four decades, a piano giant still plucks inspiration from thin air By Jeff Tamarkin Jazz is in part the art of improvisation—and legendary pianist Keith Jarrett takes the concept to its extreme. Up until the moment he presses down the keys, he hasn’t a clue as to how he will begin or what will follow. “There’s this nanosecond, or maybe it’s an eternity, between sitting at the piano ready to play something and actually... 

SEAN GARRETT    Does this R&B hitmaker want to change the world through music? Yeah!             By Michael Gallant Atlanta native Sean Garrett grew up the son of an Army man, moving along with his family to wherever his father might be stationed. Everywhere he found himself, including a variety of military bases across England and Germany, young Garrett had his ears wide open. “Living abroad and listening to so many variations of music... 

ANI DiFRANCO  A hard-driving, hard-rocking modern folk pioneer learns to take her time  For a decade and a half, Ani DiFranco was among the most prolific acts you could name. Between 1990 and 2007, the Buffalo, N.Y., native released 16 studio albums of new material, not to mention a handful of live collections, compilations and EPs. But the latest, ¿Which Side Are You On?, is her first new offering in almost four years—and the primary reason... 

THE LITTLE WILLIES Norah Jones, Richard Julian and company take a side trip into the country    “It’s like eating a big bowl of my grandma’s macaroni and cheese,” jazz-pop superstar Norah Jones says of her childhood love for country music. “It feels nostalgic.” Today she expresses that fondness in part with the Little Willies, the group she first helped form in 2003 with singer and guitarist Richard Julian, guitarist Jim Campilongo,... 

ANDY TIMMONS Interpreting one of rock’s sacred texts, armed with  experience, reverence and blazing guitar    Guitarist Andy Timmons is well aware that it takes a lot of nerve to approach the crown jewel of the Beatles catalog. Nonetheless he and his longtime backing group—bass player Mike Daane and drummer Mitch Marine—summoned up the courage to offer their new rocked-up instrumental rendition of the Beatles’ landmark Sgt. Pepper’s... 

DC VILLAINS Rock trio, comic-book characters, video-game entrepreneurs or TV stars? These guys want it all     If their name conjures up images of scheming politicians or comic-book ne’er-do-wells, the members of the Nashville-based rock band DC Villains don’t mind at all. “Bad guys are often cooler than the good guys,” says frontman Damon Carroll (the first part of the moniker is derived from his initials). “And sometimes the bad guys... 

JUDY COLLINS Looking back honestly on the bitter and sweet, in song and otherwise  Not many lives would include enough excitement for three memoirs, but Judy Collins’ is the exception. She has been a troubadour of the ’60s folk boom; accomplished composer; interpreter for the likes of Leonard Cohen, Bob Dylan and Joni Mitchell; founder of her own Wildflower Records label and relentless social advocate. She was famously the inspiration for the... 

CHRIS THILE AND YO-YO MA Two master musicians (plus two more) throw a genre-busting rodeo The rhythmic cascade of Chris Thile’s mandolin kicks off “Attaboy,” the first track of a new album with the unlikely title The Goat Rodeo Sessions. Thile is known for virtuosity and whimsy, so neither the bluegrass chops nor the album title is a surprise. But 32 seconds into “Attaboy,” a deeper-toned, bowed instrument unexpectedly takes the melody.... 

STANLEY JORDAN Still reinventing the sound of jazz, with the aid of some talented friends  By Jeff Tamarkin “To me, I’m just playing guitar,” says Stanley Jordan. “Then somebody points out the technique and I remember, ‘Yeah, it’s weird.’” Most musicians would be loath to describe their own performance method as “weird.” But Jordan, who first astonished the jazz world more than a quarter-century ago, is well aware that his trademark... 

JIMMY JAM AND TERRY LEWIS    The time is always right for this iconic R&B production partnership            By Michael Gallant “Production is about getting it done and getting it to be the best it can possibly be,” says James “Jimmy Jam” Harris III. Over the last several decades he and partner Terry Lewis have racked up a stunning roster of production credits for names including Michael Jackson, Usher, Mariah Carey, Celine Dion,... 

RAY MANZAREK From the Doors to the blues, a keyboard legend finds poetry in music   By Russell Hall  “I’ve been lucky to have lots of poet friends,” says Ray Manzarek. “Poets are great to work with.” For example, the legendary keyboardist’s new album with slide guitar great Roy Rogers, Translucent Blues, features lyrics from some of rock’s finest wordsmiths, including Michael McClure, Jim Carroll and Warren Zevon. That string of luck... 

PETER GABRIEL  Injecting new blood into familiar songs with his biggest band ever Peter Gabriel has been exploring rhythm for practically his entire life. He played drums in rock bands as a teen, before his legendary stint as lead singer for English progressive-rock band Genesis. Since his departure from that group, he has relentlessly incorporated rhythms from around the world and from the cutting edge of technology into his solo music—be it... 

MARTINA McBRIDE A country powerhouse finds a new attitude south of Nashville   “I don’t claim to be Kris Kristofferson,” says Martina McBride. “I’m still learning to express myself.” After two decades of performing hits written mostly by others, the country superstar co-penned six tracks for Eleven (eight on the 15-track “deluxe edition”). The Kansas native makes other changes, too: The new album finds her embracing styles like... 

LOU REED AND METALLICA Two giants of rock ’n’ roll team for a controversial collaboration Lou Reed is the first to admit that Lulu, his collaborative concept album with Metallica, is “not a normal recording by any stretch.” First there is the very idea of the pairing, which left many wondering where the legendary Velvet Underground founder and the iconic heavy metal band would find common ground. Then there’s the subject matter: Lulu is... 

CHRIS CORNELL  Soundgarden’s frontman strips down to show off his songbook  Seattle native Chris Cornell has lived several musical lives. He rose to fame in the 1990s as the leader of grunge giant Soundgarden, then spent much of the 2000s belting rock hits with Audioslave. That group’s breakup cleared the way for both the resumption of his on-and-off solo career and the return of Soundgarden, now completing its first new album since 1997’s... 

WILLIAM SHATNER  An unlikely music maker’s bold new mission:  to create a sci-fi-concept album William Shatner’s philosophy toward his life and career has served him well. At the very least, it’s kept things interesting. “I’d suggest that saying yes to opportunity is the way to lead your life, with some discretion,” says Shatner, 80. “So I said yes to an album I called The Transformed Man.” That misunderstood 1968 spoken-word effort,... 

RUTHIE FOSTER  Making the time to pour her soul into some of her favorite songs  Ruthie Foster is running a little late. “Pardon my tardiness,” she says. “I was getting a head start on dinner and tending to my six-month-old all at the same time. I keep it challenging when I’m at home.” Multitasking is but one of her talents, although it does have its limits—a desire to help raise her daughter, Maya, who she and her partner, Katie, adopted... 

GYM CLASS HEROES After a much-needed break, a hip-hop heavyweight rocks with a hot sequel Gym Class Heroes fans who feared your favorite hip-hop group was gone forever during the long wait for a new album since 2008’s The Quilt: Co-founder and drummer Matt McGinley feels your pain. “I know the passion I feel for other bands that I get ridiculously excited about when they put out new albums,” says McGinley, enjoying a rare day off the road... 

JOE NICHOLS  Can a neo-traditionalist find his way in modern country? It’s all good   Since his platinum-selling debut Man With a Memory in 2002, Joe Nichols’ earthy baritone and easygoing charm have made him one of Nashville’s most reliable neo-traditionalist singers. But the 35-year-old Arkansas native admits those talents were almost dimmed by personal drama at the beginning of his career. “I’ve had a lot of straightening up to do,... 

UH HUH HER  Post-label living means unprecedented artistic freedom—and maybe a second job  Life without a record label has its ups and downs. After parting ways with Nettwerk in 2009, Camila Grey and Leisha Hailey of Uh Huh Her decided to go the indie route and self-release their sophomore album, Nocturnes. While creativity was never in short supply, funding was. “We were running out of money, so I was like, ‘I need to get a job!’” says... 

M83 Why Anthony Gonzalez left France to seek his fortune in California  Before starting work on ambient pop act M83’s latest album, Hurry Up, We’re Dreaming, bandleader Anthony Gonzalez uprooted himself and moved from his native France to Los Angeles. The essence of his new surroundings seeped into the project, an ambitious two-CD set comprising 22 songs. “Sometimes you need to be driven by something new,” Gonzalez says. “I was surrounded... 

MEGADETH After three decades of metal, Dave Mustaine and company still won’t be stopped  Just a few months ago, Megadeth leader Dave Mustaine wasn’t sure he’d ever play guitar again. He experienced crushing neck and back pain when the band entered the studio to record its new Th1rt3en album in May, but soldiered through. While touring as part of the traveling Mayhem Festival this summer, he could barely stand onstage and at one point was nearly... 

FAY WOLF HOMETOWN: Fairfield, Conn. INFLUENCES: Tori Amos, Ani DiFranco, Joni Mitchell ALBUM: Spiders, out now WEBSITE: faywolfmusic.com Fay Wolf first drew attention as an actress,  appearing in roles on TV shows from All My Children to Terminator: The Sarah Connor Chronicles as well as the well-received online series Rose by Any Other Name … (She is classically trained in acting, holding a Bachelor of Fine Arts degree from Boston University.)... 

GRAFFITI6  HOMETOWN: London MEMBERS: Jamie Scott (vocals, guitar), TommyD (guitar, production) ALBUM: Free EP, out now WEBSITE: graffiti6.com Jamie Scott had already established himself as an acoustic-based singer-songwriter in Europe and Asia when he met producer and multi-instrumentalist Tommy “TommyD” Danvers—and his music took a surprising turn into electronica-based pop and soul territory. “For me, the unexpectedness of the sound... 

SONIA LEIGH  HOMETOWN: Atlanta, Ga. INFLUENCES: Bob Dylan, Melissa Etheridge, Bruce Springsteen ALBUM: 1978 December, out now WEBSITE: sonialeigh.com Sonia Leigh first began playing guitar at age 10, learning chords from her father. “I’d come home every day and practice after school and use his guitar,” she says. “Finally he saw I was getting good and he was actually tired of me using his guitar, because I’d be playing and he’d be wanting... 

LYLE LOVETT  Release Me [Lost Highway/Curb] Release Me marks the end of Lyle Lovett’s career-long run with Curb Records—he first signed with the label in 1985, at age 28. While its hodgepodge of holiday songs, covers, duets, ballads, rockers, swing, bluegrass and even an instrumental initially smacks of randomness, it also points toward the open-minded eclecticism that has sustained Lovett throughout his career. He has never been a conventional... 

GUIDED BY VOICES Let’s Go Eat the Factory [Guided by Voices] This is Guided by Voices’ 16th studio album, but it might as well be their 160th. It’s also their first since 2004, but thanks to comically prolific bandleader Robert Pollard, who spent the interim years releasing solo records and leading various similar-sounding bands, it’s as if they never really went away. The twist here is that Let’s Go marks the reunion of the beloved... 

LEONARD COHEN Old Ideas [Columbia]  It’s a funny thing to say about a septuagenarian, but Leonard Cohen has really grown into his voice. What was always a distinctive instrument has deepened on his new album into a resonant purr capable of insinuating itself into the deepest part of you. Old Ideas is only the 12th studio album in a musical career stretching back to 1967, but Cohen chooses his words with considerable care. He’s become more... 

INGRID MICHAELSON Human Again [Mom+Pop]  “I’ve got to say goodbye to the pieces of me that have already died,” sings Ingrid Michaelson on the moody new single “Ghost.” Eschewing the lighthearted sound of her earlier albums, Michaelson has indeed made her most mature and expansive work to date with the deeply personal Human Again. Her albums have become progressively slicker as she’s transformed from coffee-shop singer-songwriter to... 

JOE COCKER Hard Knocks [429 Records] Joe Cocker’s latest marks a 180-degree turn from his rough-and-ready previous record, 2007’s Hymn for My Soul. Produced by Matt Serletic, best known for his work with Matchbox Twenty, Hard Knocks is spit-shined and glossy to a fault. Comprised mostly of pop-flavored R&B, the album emits an ’80s vibe, and often brings to mind Robert Palmer’s broad-strokes discs of that era. Typical is “Stay the... 

HUGH MASEKELA Jabulani [Razor & Tie] As far as most Americans are concerned, Hugh Masekela was a one-hit wonder who scored a fluke pop chart-topper in 1968 with his jazzy take on the grooving “Grazing in the Grass,” and hasn’t done much since. In truth, the South African trumpeter, flugelhornist and vocalist has been recording and performing steadily for some five decades now—and if his public profile isn’t as high as it once was,... 

DIERKS BENTLEY Home [Capitol Nashville] Contemporary country success is often about establishing a persona and then reiterating it at every turn. Become the “I’m from the country” guy, the “I love America” guy, the “I love to party” guy or the “I’m free to party in the country ’cause I live in America” guy and hammer that home. Dierks Bentley is a big-tent, big-idea exception to all that. He’s comfortable on stages with... 

SHARON VAN ETTEN Tramp [Jagjaguwar] It’s not like she carried her stuff around in a bindle, but Sharon Van Etten did do some couch surfing while recording her third album. Fortunately, the fluctuations of her life outside the studio only seemed to underpin her consistency inside it. Tramp is a masterful collection that broadens the gripping sound of Van Etten’s understated 2010 album Epic. Produced by the National’s Aaron Dessner, these songs... 

THE DOORS  L.A. Woman: 40th Anniversary Edition  [Elektra/Rhino] Doors keyboardist Ray Manzarek idly runs through the chords of his band’s evocative new number, “Riders on the Storm,” a brooding meditation on the inherent madness of humanity, as drummer John Densmore quietly gets a feel for the groove. As Jim Morrison steps up to the mic to prepare for a take, Manzarek’s pattern triggers an unexpected synapse in the young singer and poet’s... 

CRAIG FINN Clear Heart Full Eyes [Vagrant] After five albums with Brooklyn indie rockers the Hold Steady, frontman Craig Finn has made his first foray into solo territory. While Clear Heart Full Eyes is a down-tempo, alt-country departure from Finn’s usual classic-rock oeuvre, this is no throwaway acoustic cop-out. In lieu of electric guitar we find pedal steel warbling to fill in the negative space. The album’s production sounds thin and almost... 

SNOW PATROL Fallen Empires [Interscope] Despite considerable success in the U.K. and Ireland, Snow Patrol’s popularity in America lags behind fellow Brit-rockers like Coldplay. But while Coldplay’s albums have come to feel increasingly hollow in their grandiosity, Snow Patrol’s latest continues to hone the cinematic, downhearted sound that has yielded a string of platinum albums abroad. The band experiments a little here with pounding drums... 

CANDI STATON Who’s Hurting Now? [Honest Jon’s] Candi Staton earned the title “first lady of Southern soul” for the sides she recorded 40 years ago before turning to disco and then forsaking the secular for gospel music. Her sublime 2006 comeback record, His Hands, begged for a follow-up. Who’s Hurting Now? came out overseas in 2009, but label and licensing complications prevented its release stateside until now. Better late than never—it’s... 

TODD RUNDGREN Todd [S’More Entertainment] Last year Todd Rundgren delighted fans by performing a series of shows featuring three of his most beloved albums—1973’s A Wizard, A True Star, 1974’s Todd and 1981’s Healing—in their entirety. This DVD captures a run-through of Todd staged in September at the historic Keswick Theater in Rundgren’s hometown of Philadelphia, and it sizzles with the same progressive spirit the original double-LP... 

RHETT MILLER The Interpreter: Live at Largo [Maximum Sunshine]  Covers albums and live records both tend to be mixed bags, so it follows that making a quality album of live covers would be difficult. Rhett Miller, however, is largely successful on The Interpreter, an intimate collection recorded over two nights in 2008 at Largo, before the Los Angeles club changed locations (there are also two studio bonus tracks). Miller plays solo for much of... 

MITCH RYDER The Promise [Michigan Broadcasting Corporation] Detroit’s Mitch Ryder lays down old-school grooves with a vengeance on his first American album in nearly 30 years, singing the blue-collar blues over catchy bass and guitar riffs. Ryder lets out the Motor City funk on numbers such as “The Way We Were” and “Junkie Love,” aided by producer and fellow Detroiter Don Was. Ryder addresses the personal and political with equal ease.... 

THE BIG PINK Future This [4AD] Hyping this follow-up to their stunner of a debut, A Brief History of Love, U.K. duo Robbie Furze and Milo Cordell have talked a lot about the influence of pop and hip-hop. Indeed, synths and samples here fill space once reserved for fuzz guitar and live drums, but the Big Pink was never a traditional rock band. Like its predecessor, Future This points back to 1991, when groups like EMF, Jesus Jones and most notably... 

MESHELL NDEGEOCELLO Weather [Naïve] Meshell Ndegeocello has been pushing the limits of her genre-bending ambition for 20 years, and in the process the agile bassist has gained a reputation as a must-have session player and a solo artist whose skills are matched only by her daring. Produced by the ever-eclectic Joe Henry, Ndegeocello’s ninth album (and first since 2009’s Devil’s Halo) blends pulsating rhythms, atmospheric arrangements and... 

VARIOUS ARTISTS Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International [Shangri-La] Featuring 76 Bob Dylan covers from more than 80 artists to celebrate Amnesty International’s 50th anniversary, the four-disc Chimes of Freedom is a compilation whose intimidating breadth manages to bring unexpected acts like Ke$ha (“Don’t Think Twice, It’s All Right”) and Miley Cyrus (“You’re Gonna Make Me Lonesome When... 

LADYSMITH BLACK MAMBAZO Ladysmith Black Mambazo & Friends [Razor & Tie] Following quickly on the heels of their last studio album, Songs from a Zulu Farm, this exceptional two-disc anthology finds South African vocal group Ladysmith Black Mambazo rounding up many of its stellar collaborations with other artists. After reaping international acclaim for its performances on Paul Simon’s 1986 landmark Graceland, the group continued to stretch... 

THE WHITE BUFFALO Once Upon a Time in the West [Unison Music Group] Given his ramshackle narratives and sober sentiments, Jake Smith (a.k.a. the White Buffalo) seems to fit comfortably into the alt-country lineage of Uncle Tupelo and its offspring, Wilco and Son Volt. But if the album title suggests an Ennio Morricone film score, it’s also true that the dark characters Smith imagines are not unlike Clint Eastwood’s Man With No Name—fueled... 

JUSTIN ROBINSON & THE MARY ANNETTES Bones for Tinder justinrobinsonandthemaryannettes.com   From the Carter Family to Outkast, Robert Johnson to R.E.M., there’s a long, proud tradition of weirdness in Southern music. A key feature has always been contradiction—joy and pain, humor and dread, God and Satan—and there’s plenty to be found on Justin Robinson’s debut album with backing band the Mary Annettes. Previously known for his... 

BR’ER City of Ice fullgrownman.com By the fourth track of this harrowing collection, it’s high time for some sunlight—the tune in question is called “Hope,” but even that title turns out to be misleading. “Now there’s no hope for one,” sings Benjamin Schurr, the Philly auteur behind Br’er. “He lives in songs that are sung of pity and empathy and all in between.” That’s putting it lightly. Schurr funnels heartbreak, resentment,...