CAPSULA In the Land of Silver Souls capsula.us Forged under an Argentinean dictatorship and now based in Spain, this magnificently noisy trio traverses time and space, folding the finest rebel guitar sounds—rockabilly, garage, glam and art-school droning—into one shiny package. Imagine the Stooges on Mars with Spanish accents.  Read More →

I SEE HAWKS IN L.A. New Kind of Lonely iseehawks.com On their first acoustic album, these L.A. country-rockers muse on the Grateful Dead and mourn the literal dead. They also celebrate life—a parade of humor and sadness that, with its immigrant strivers, hopeless drug takers and doomed lovers, is especially colorful in their hometown.  Read More →

GEORGE SARAH Who Sleep the Sleep of Peace myspace.com/georgesarahmusic The year is young, so 2012 could see other electro-orchestral tropical dance records—but only Sarah’s is likely to feature members of the Pogues, Bauhaus and Save Ferris. No wonder this guy makes music for the Discovery Channel; his is a world of wonder and possibility.  Read More →

TONIGHT ALIVE What Are You So Scared of? tonightaliveofficial.com Bearing the unmistakable stamp of Mark Trombino—the producer whose high-gloss, hyper-precise pop-punk sound has become an industry standard—the debut from this Aussie quintet bristles with adolescent emotion. When singer Jenna McDougall’s feelings get messy, the music stays tidy and on target.  Read More →

MARSHALL CATCH Make Noise marshallcatch.com It’s hip to reference Pavement and Teenage Fanclub, but back in the ’90s the rock bands people actually listened to sounded more like Marshall Catch. These big-hearted Montana boys do Hootie hooks with Collective Soul punch. You forgot how much you missed this stuff.  Read More →

RISA BINDER Paper Heart risabinder.com On “You Made It Rain,” the song that opens her debut album, Risa Binder gets caught between cynicism and belief. As her crush leans in for a kiss, the skies open up—and while she wants to live in a world where such things magically happen, she’s suspicious. “It was so perfect, like the world was a movie set,” the Maryland native sings, perhaps revealing a bit of where she’s been. Before moving to... 

BAD WEATHER CALIFORNIA Sunkissed badweathercalifornia.com Bad Weather California packs several decades’ worth of good vibrations into a compact package. That goes for the sun—the thematic centerpiece of this aptly named album—and for the half-century of sounds these Denver dudes draw from. With its slippery bass and unlikely blend of wah-wah and chicken-scratch guitars, opener “I’ll Reach out My Hand” kicks things off in a funky fog. From... 

AMY RAY Lung of Love amy-ray.com A few songs after “From Haiti,” whose stabbing guitars evoke “London Calling,” Amy Ray makes an even more direct reference to that classic’s creators in the Clash. “There’s a little Joe Strummer in my DNA,” she sings on “Little Revolution,” an organ-driven pop nugget about embracing—and therefore overcoming—pain and suffering. Indeed, the longtime Indigo Girl shares much in common with Strummer—most... 

WALTER ROSE Cast Your Stone walterrosemusic.com As a teenager, this native Hawaiian underwent brain surgeries that left him with partial vision in one eye. Later, after he’d found work teaching special-needs kids, he lost a girlfriend to a motorcycle accident. So he’s entitled to sing songs like “Times Are Hard,” a nervous country-noir number about “dusty dreams.” Of course, if entitlement were enough, the world would be filled with country... 

JIOSA On the Edge dennyjiosa.com Even acclaimed smooth-jazz musicians must stand at the mirror and dream of rocking out. Here, Grammy-nominated guitarist Denny Jiosa gets his chance by positioning himself at the head of a mighty power trio. While the versatile virtuoso breaks up his shredding with ballads and even a Beatles cover, it’s the blustery, bluesy hard-rock tunes—the ones you could most imagine David Lee Roth high-kicking along to—that... 

SUNNY TAYLOR Sunny Taylor sunnytaylormusic.com Just four songs and 20 minutes long, the latest from this Indiana singer-songwriter offers four distinct stories and asks one overarching question: “When do you get to getting over it?” That line comes from “Paper Tiger (Getting Over It),” a song whose narrator really ought to grab a coffee with the protagonist from “Trucker.” That one is about someone who drives all night, pondering regrets... 

LUTHEA SALOM Kick in the Head lutheasalom.com Somewhere between Canada and Spain (the countries in which she grew up) and New York City (where she now lives), Luthea Salom surely experienced some heartbreak. She loved, lost and learned, putting her in the same boat as 99.9 percent of the world’s population. So Kick in the Head, her third album, is the sound of an exceptional songwriter coming to terms with the unexceptional nature of her own “little... 

CORNFLOWER BLUE Run Down the Rails cornflowerbluemusic.com Just as the “country” in country music need not refer only to America, such instruments as mandolins, fiddles and twangy guitars aren’t just for hat-clad, boot-scooting genre purists. That’s the takeaway from Run Down the Rails, the sophomore effort from this Canadian duo. Theresa McInerney and Trevor May know their Hank, Johnny and Willie, but they come at Americana via ’90s R.E.M.... 

KOFFIN KATS Our Way & the Highway koffinkatsrock.com With a few notable exceptions—the grisly murder tale “A Terrible Way” and apocalyptic rager “The Devil Asked” among them—the Koffin Kats spend much of their sixth album singing about boozing and touring. If the songs are autobiographical, the Detroit psychobilly trio hasn’t let its lifestyle become a hindrance. The production is pomade-slick, and the playing is tighter than sopping-wet... 

KIRK WHALUM Romance Language kirkwhalum.com With Romance Language Kirk Whalum and his brother Kevin have created a musical mash note to one of their favorite albums, 1963’s mood-music landmark John Coltrane and Johnny Hartman. Kirk, an acclaimed smooth-jazz saxophonist with nearly two dozen albums to his credit, handles Coltrane’s parts, blowing in his reed as he might his lady’s ear. Kevin, meanwhile, plays lover-man extraordinaire in the... 

WHITTON Rare Bird whittonmusic.com Much in the same way Amy Winehouse played on ’60s soul and girl-group sounds, Jaime Whitton draws on ’40s jazz, positioning herself as a kind of Billie Holiday—minus the tragic undertones of either Winehouse or Holiday—for modern pop audiences. Whitton keeps her retro references subtle, using just enough tinkling piano, warbled phrasing and quacking brass to glance backward without risking whiplash. The... 

ROBERT DEEBLE Heart Like Feathers robertdeeble.com In the six years since his last album, this Seattle singer-songwriter earned a master’s in psychology. That explains lines like, “I feel the guilt, I feel the shame of an existential rush of temporal things.” Deeble is obviously a keen observer of human behavior, but what’s remarkable about Heart Like Feathers is how conversational and easygoing he sounds. This is true even when he’s at... 

THE WEE TRIO Ashes to Ashes theweetrio.com Finally, David Bowie gets the vibraphone-driven free-jazz tribute he deserves. The Wees turn the classic “The Man Who Sold the World” into funky supermarket music and 2002’s “Sunday” into as somber a meditation as three zany jazz brainiacs are likely to come up with.  Read More →

MAC McANALLY Live in Muscle Shoals macmcanally.com Performing live at the University of North Alabama, this enduring country songwriter and Jimmy Buffet sideman shares the stories behind his best tunes. Better yet, he plays them, demonstrating how aw-shucks personality and serious musicianship can make for a swell evening—and an enviable career.  Read More →

AUDREY SPILLMAN Part of Me audreyspillmanmusic.com On the title track, this Nashville newcomer wonders whether the relationship she’s just ended might have been worth saving. It’s heartfelt and complex—and as with the other four country-soul tunes on this EP, she sings it with conviction and elegance.  Read More →

EXDETECTIVES Take My Forever exdetectives.com Faris McReynolds, the young L.A. musician behind ExDetectives, ends this disc by repeating the words “drift forward.” Sure enough, he sounds like a psychedelic ’60s rocker who’s taken a magic carpet ride through time and landed in the alt-rock ’90s—finding nirvana in the age of Nirvana.  Read More →

REBECCA SAYRE Play rebeccasayre.com Best known for jazzy pop, Sayre takes more of a down-home country turn on this four-song EP. Luckily she retains her signature pep, bouncing between pragmatism (“I’m gonna leave it up to love”) and optimism (“Today, I’m basking in my own light”).  Read More →

JUSTIN ROBINSON & THE MARY ANNETTES Bones for Tinder justinrobinsonandthemaryannettes.com   From the Carter Family to Outkast, Robert Johnson to R.E.M., there’s a long, proud tradition of weirdness in Southern music. A key feature has always been contradiction—joy and pain, humor and dread, God and Satan—and there’s plenty to be found on Justin Robinson’s debut album with backing band the Mary Annettes. Previously known for his... 

BR’ER City of Ice fullgrownman.com By the fourth track of this harrowing collection, it’s high time for some sunlight—the tune in question is called “Hope,” but even that title turns out to be misleading. “Now there’s no hope for one,” sings Benjamin Schurr, the Philly auteur behind Br’er. “He lives in songs that are sung of pity and empathy and all in between.” That’s putting it lightly. Schurr funnels heartbreak, resentment,... 

DARRELL SCOTT Long Ride Home darrellscott.com For decades Darrell Scott’s father, recently deceased, played roadhouse bars, singing country hits while squirreling away his own material. That explains Darrell’s fondness for classic country and fascination with the musician’s lifestyle, both of which are celebrated on this disc—a literally down-home collection he cut in his house with a team of Nashville aces. Scott is a respected Music City... 

THE MARSHMALLOW GHOSTS The Marshmallow Ghosts myspace.com/themarshmallowghosts On their third straight Halloween-inspired release, the Marshmallow Ghosts move beyond singles and stretch their spookadelic aesthetic across an entire album. The band includes members of Dreamend, Hospital Ships and Black Moth Super Rainbow—bizarro pop acts from the aptly named Graveface label—but the men and women behind the instruments might as well be swirly-eyed... 

GLOSSARY Long Live All of Us glossary.us After a month holed up in a rural Tennessee house, this veteran quintet emerged with an album’s worth of revelatory self-help rock ’n’ roll. Singer Joey Kneiser comes on like a Springsteenian Southern preacher man, piling positive exhortations and affirmations (”Crawl with me out of the dark,” “You don’t have to know what got you here to be happy you’re alive”) atop Stones-via-Skynyrd guitar... 

ALERT NEW LONDON Youth facebook.com/alertnewlondon Alert old London—as in the British capital—and tell the city’s nostalgic 25-year-olds that there’s an American band reviving the sound of their teen years. On their debut, Alert New London harks back to the chiming, heroic turn-of-the-millennium U.K. rock of Travis, Doves and early Coldplay. Another reason 20-something Brits (and Americans) might dig this? The Ohio quintet packs Youth with... 

KID SAVANT Drop It on the Stereo kidsavant.net Four years after forming in Indianapolis, this electro-rock quartet has finally released its debut EP. The long delay might explain “4 Years,” in which frontman Ryan Weisberger seems intent on putting the past behind him. “Let’s let loose and forget,” he sings, but the band—now based in Brooklyn—sounds neither loose nor forgetful. All pointy guitars and walls of synth, “4 Years” recalls... 

BRETT NETSON Simple Work for the Dead thisisthenewblack.com Acoustic guitars anchor Brett Netson’s solo debut, but it’s his electric tones—coarse, buzzing and intended to agitate—that give this album its post-apocalyptic feel. The Built to Spill guitarist and longtime Caustic Resin leader plays through amps that sound as if they’re powered by iffy generators, and indeed given this disc’s major themes—greed, war, environmental and economic... 

SORRY EVER AFTER Meet Us When the Lights Go Low sorryeverafter.com Nostalgia for the ’90s was all the rage this year, and while much of it centered on Pearl Jam and Nirvana, there was more to the alt-rock era than oversensitive dudes in flannel. The Clinton years also gave us Magnapop, Letters to Cleo and the Muffs—female-fronted pop-punk bands whose spirits live on in the music of SorryEverAfter. Formed in August 2011 in San Francisco, this... 

ADRIAN YOUNGE PRESENTS VENICE DAWN Something About April waxpoetics.com/tag/adrian-younge Before he earned plaudits for scoring the 2008 neo-blaxploitation flick Black Dynamite, Adrian Younge released Venice Dawn, conceptualized as a soundtrack for a film that didn’t exist. Something About April is the sequel—and again the producer and multi-instrumentalist reveals a crate-digger sensibility, using electric pianos, organs, fuzz-tone guitars,... 

WUSSY Strawberry wussy.org The way it’s described throughout Strawberry, if love were a piece of produce you’d give it a squeeze, frown and think better of the purchase. That’s the metaphor suggested by the title, but on the rest of their fourth full-length these Cincinnati alt-rock stalwarts come up with cleverer ways of expressing romantic disappointment. Singer and guitarist Chuck Cleaver (formerly of Ass Ponys) digs space metaphors, and... 

DAN BLAKE The Aquarian Suite danielblake.net Dan Blake doesn’t need chords to hold his music together. Working with trumpet, bass and drums, the Brooklyn saxophonist and composer dabbles in formalism—you can whistle “The Whistler”—and digs deep into formlessness. Marvel as he and trumpeter Jason Palmer take turns racing into the rhythmic churn.  Read More →

JASON REEVES The Lovesick myspace.com/jasonreeves Having crunched the numbers, Jason Reeves knows the odds of finding true love and happiness are pretty slim—roughly “Infinity to One.” But that doesn’t stop him from singing the sunniest pop songs this side of Gavin DeGraw. Leave math to the mathematicians, and love to the lovers.  Read More →

DREW WILLIAMS Engineerium listn.to/drewwilliams Like a toned-down Tom Waits or T Bone Burnett, this wily Georgian does Americana with murky textures and a willingness to get weird. There are songs about hobos and migrants, and on the feral blues sketch “Wigwam” he pitches his tent as far from the suburbs as possible.  Read More →

BURAKA SOM SISTEMA Komba buraka.tv A byproduct of our shrinking world, this Portuguese dance collective comes with fierce Angolan beats and synths that blare like sirens and blip like cheap digital watches. The disc’s anthem, “(We Stay) Up All Night,” is thrilling, if redundant—with this stuff blasting, who could sleep?  Read More →

THE ICARUS LINE Wildlife theicarusline.org Born and brined in L.A. sleaze, these garage-punk miscreants draw strength from defeat and depravity. (Sample titles: “We Sick,” “Sin Man Sick Blues,” “Like a Scab.”) Catch them at their thorniest, though, and they’re all shriek, fuzz and thrust: Iggy and the Stooges for the Sunset Strip.  Read More →

WILLIE NILE The Innocent Ones willienile.com If there were a version of the Traveling Wilburys for unfairly overlooked singer-songwriters, Willie Nile could be its very own Tom Petty. A rock ’n’ roll lifer who’s earned endorsements from Bruce Springsteen, Elvis Costello, Lucinda Williams and just about every other guitar slinger with an opinion worth trusting, Nile has managed a mere seven studio albums since debuting in 1980. Luckily three... 

HIMALAYAN BEAR Hard Times myspace.com/himalayanbear The first riff Ryan Beattie rustles up on this seven-song collection—his third album under the name Himalayan Bear—recalls nothing so much as “Floating,” a Julee Cruise tune featured on the classic David Lynch television series Twin Peaks. It’s an apt reference, as Beattie blends his bleak alt-country with the shimmering dread of Lynch’s film soundtracks, dredging up the icky underside... 

CAMILLE BLOOM AND THE RECOVERY Never Out of Time camillebloom.com When she’s in somber acoustic mode, singing and strumming over cellist Jessika Kitzman’s slow-bowed moans, Camille Bloom earns a place among such quirk-folk queens as Suzanne Vega, Ani DiFranco and the Indigo Girls. But there’s more to this Seattle-area songwriter than unplugged self-reflection. On “Running Out of Time” and “Tonight,” guitarist Danny Godinez cuts in with... 

SUGAR RAY AND THE BLUETONES Evening sugarrayandthebluetones.com Blues enthusiast John Mayer sometimes pokes fun at himself for being from Connecticut, a place few associate with the genre. Despite its lack of hardscrabble romance, the Constitution State has produced some fine bluesmen. Case in point: Sugar Ray Norcia, a soulful vocalist and powerhouse harmonica blower who years ago “came down with the blues,” as he sings here. Norcia likes his... 

SUMMER CAMP Welcome to Condale myspace.com/summercampmusic British newcomers Elizabeth Sankey and Jeremy Warmsley have a thing for American coming-of-age movies. The duo’s debut is a concept record set in fictional Condale, Calif.—the type of sunny L.A. suburb featured in countless beach flicks and teen romps—and as explained in the handmade scrapbook-style magazine that accompanies the album, the songs center on two sets of characters, one... 

DJ CAM  Seven inflamable.com DJ Cam revisits the icy, jazzy, sexy cool of ’90s trip-hop, one of the sounds that have defined his long career, on his seventh album. The Frenchman teams with Massive Attack collaborator Nicolette Suwoton on “Love”—an electro-lounge tune complete with vintage organ tones and a martini-shaker rhythm—and newcomer Inlove on “1988,” further showcasing his music’s sensual side. He gets less from his collaboration... 

PAUL BURCH Words of Love: Songs of Buddy Holly paulburch.com Buddy Holly would have turned 75 in September. While a pair of star-studded tribute albums (Rave On and Listen to Me) got most of the press, Nashville singer-songwriter Paul Burch has released a fine disc of his own saluting the late icon. Burch reaffirms the timelessness of Holly’s songs without radically altering the source material, adding and subtracting just enough to make these ’50s... 

ROB GARCIA 4 The Drop and the Ocean robgarcia.com This disc’s title refers to the Sufi belief that man should submit to things larger than himself. It’s a concept that has always been applicable to jazz, and it hasn’t been lost on drummer Rob Garcia, leader of this Brooklyn foursome. Although Garcia sometimes cannonballs in, asserting his virtuosity with splashes of intense, restless playing, he’s plenty good at going with the flow. On the... 

ALYSSA CARLSON  This Side of Innocence  myspace.com/alyssacarlsonmusic Nashville-based singer and songwriter Alyssa Carlson takes her cues from heroes like John Mellencamp, Mary Chapin Carpenter and fellow native Minnesotan Bob Dylan—her acoustic-dominated settings gently frame poetic and carefully observed lyrics about far-off dreams and close-up heartaches. Producer Neilson Hubbard (known for his work with tunesmiths like Glen Phillips and Kim... 

KORALLREVEN An Album by Korallreven korallreven.se The sound of two Swedes on holiday, if only in their minds, Korallreven has its beginnings in a trip that founder Marcus Joons took to Samoa several years ago. Inspired by the weather, scenery and local Catholic choirs, he partnered with Daniel Tjader—keyboardist for the stellar dream-pop outfit the Radio Dept.—to recreate the tropical vibes. The duo retains the melodic aspects of Tjader’s main... 

JUNIUS Reports From the Threshold of Death juniusmusic.com   Proving that metal dudes have feelings—and maybe even listen to Joy Division and the Smiths—Junius offsets violent guitars with epic synths and the sepulchral croon of frontman Joseph Martinez. While “Betray the Grave,” “Dance on Blood,” and “A Reflection on Fire” may read like Slayer song titles, they’re anything but typical metal tunes. This Boston group pouts as... 

HINDI ZAHRA Handmade hindi-zahra.com Barely in her 30s, Hindi Zahra writes with worldliness beyond her years but indicative of her background. Her life story is all there in her music: a sophisticated jazz-folk hybrid that marries the exoticism of her native Morocco and the metropolitan cool of Paris, where she moved as a teenager to live with her father. Purring like a Middle Eastern Billie Holiday, Zahra dresses down suitors less schooled in the...