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WHITTON Rare Bird Much in the same way Amy Winehouse played on ’60s soul and girl-group sounds, Jaime Whitton draws on ’40s jazz, positioning herself as a kind of Billie Holiday—minus the tragic undertones of either Winehouse or Holiday—for modern pop audiences. Whitton keeps her retro references subtle, using just enough tinkling piano, warbled phrasing and quacking brass to glance backward without risking whiplash. The... 
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