STAN RIDGWAY Neon Mirage stanridgway.com Over 33 years, first with Wall of Voodoo and subsequently through a solo career full of darkly cinematic musings, retro jazz affectations and creepy film scores, Stan Ridgway hasn’t exactly made accessibility his raison d’être. But Neon Mirage is his most revealing effort yet, one that bares his torn psyche following the deaths of his father, his uncle and musical colleague Amy Farris. “Big Green Tree,”... 

RAIN PERRY Internal Combustion rainperry.com Rain Perry is sassy and sensual on Internal Combustion, offering no qualms about exploring her sexuality in song. On opening track “The Compartmentalized Thing,” she touts the fact that she knows what she wants and isn’t shy about demanding it. “Keanuville” and “Next Best Thing” find her idolizing members of the opposite sex, and her take on the bedroom anthem to beat them all, Marvin Gaye’s... 

AJ JANSEN Bars, Scars and Old Guitars ajjansenmusic.com New England singer and songwriter AJ Jansen is in full strut on Bars, Scars and Old Guitars, a punchy EP that further refines the contemporary country sound she explored on her previous two albums. The sweetly vulnerable ballad “I’ll Let You” and pensive slow-burner “All Over This Town” are appealing in their own terms, but the comparably raucous remaining four songs set the overall... 

FRED EAGLESMITH Cha Cha Cha fredeaglesmith.com As the title implies, Cha Cha Cha recreates vintage sounds like classic gospel and retro rock ’n’ roll. Eaglesmith usually plays the irrepressible troubadour, but here his wry observations and critical commentary are tempered by the album’s romantic allure. Throughout these 10 tracks, Eaglesmith segues smoothly from the gypsy sway of “Careless” and the bottleneck shuffle of “Car” to the... 

THE DIRTY GUV’NAHS Youth Is in our Blood thedirtyguvnahs.com Youth may be in their blood, but tradition guides their instincts. With this sophomore disc, the Knoxville, Tenn. sextet channels respected forebears like the Allman Brothers, Doobie Brothers and the Black Crowes. The Guv’nahs reflect other influences along the way—specifically, the Stones’ strut and swagger on “It’s Dangerous” and John Mellencamp on “New Salvation.” The... 

AMY CORREIA You Go Your Way amycorreia.com Three albums on, Amy Correia continues to expand her palette, expressing herself through songs that cover a wide musical terrain, both stylistically and geographically. With Correia’s sturdy vocals at the fore, the arrangements range from laidback to brassy to string-laden serenades. The vocal performances on the fan-financed You Go Your Way conjure up comparisons to Bonnie Raitt (on “You Go Your Way”)... 

CARRY ME OHIO Oak and Iron Bound carrymeohio.com Colorado singer, guitarist, songwriter and onetime solo act Evan Pugh formed Carry Me Ohio in 2009 to play his songs in a full-band context, but the emphasis on Oak and Iron Bound remains on songcraft rather than showy musical fireworks. That said, this is a real band—guitarist David Goodheim’s licks pointedly punctuate Pugh’s vocals, bass player Jeff Miller’s low-end contributions are melodic... 

THE CHAPIN SISTERS Two thechapinsisters.com The aptly titled Two is a solid sequel to the Chapin Sisters’ critically hailed 2008 debut, Lake Bottom LP. With Jessica Craven on hiatus and focusing on her family, siblings Abigail and Lily Chapin take up the slack, their delicate, shimmering harmonies effectively filling the newfound space in the sound. The daughters of veteran singer and songwriter Tom Chapin (and the nieces of his late brother Harry),... 

ANDREW ANDERSON As Long as This Thing’s Flyin’ andrewandersonmusic.com The initial outing by Idaho-to-Austin transplant Andrew Anderson combines a sense of austerity with a hard-bitten, road-weary resolve. He and colleagues Luke Meade and Jeremy Harris rummage through a veritable acoustic instrumental arsenal on As Long as This Thing’s Flyin’, providing their ramshackle narratives with a distinctive back-porch flavor. Anderson wails defiance... 

LUKE DOUCET AND THE WHITE FALCON Steel City Trawler lukedoucet.com With a burgeoning reputation in his native Canada as both an incisive songwriter and a riveting guitar slinger, Luke Doucet now makes a determined effort to balance both aspects of his talent. Steel City Trawler is as gritty as its title implies, its pure, unapologetic rock ’n’ roll referencing the Stones, the Faces and even the Who in all their frayed and tattered glory. An amped-up... 

DVD REVIEW RUSH Classic Albums: 2112/Moving Pictures [Eagle Vision] Most editions of the sterling Classic Albums series examine in detail the creation of a—you guessed it—classic album with the help of the musicians, producers and engineers who made it. So why does Rush’s first entry in the series cover two albums? Certainly, both 1976’s 2112 and 1981’s Moving Pictures represent turning points in the band’s career—but so do several... 

TROY TURNER Whole Lotta Blues [Evidence] Troy Turner has been putting out records since 1990, but this is only his fourth in those 20 years. His latest is a collaborative effort with producer Jon Tiven, who had a hand in writing 13 of the album’s 14 tracks and plays a variety of instruments throughout. Tiven in turn called on the likes of legendary Howlin’ Wolf sideman Hubert Sumlin as a partner in writing several of the songs, and supplemented... 

BOBBY BARE JR. A Storm, A Tree, My Mother’s Head [Thirty Tigers] Four years after his last studio album, Bobby Bare Jr. returns with his wry wit and droll eye for detail splendidly intact. Bare has never fit squarely into the country-singer mold of his father, but there’s subtle twang here, along with a gentle throwback-soul sensibility on tunes that would make you cry if you weren’t laughing. “One of Us Has Got to Go” is one of those, with... 

THE BAD PLUS Never Stop [E1 Entertainment] On its first album of all original material, the Bad Plus—bassist Reid Anderson, pianist Ethan Iverson, and drummer David King—makes the transition from gimmicky hipster jazz act to legitimate contenders. The trio lets it fly right from the get-go: Opening track “The Radio Tower Has a Beating Heart” is a shimmering, explosive number. For the most part, the songs aspire to an almost epic sound. (We... 

LOST IN THE TREES All Alone in an Empty House [Anti-/Epitaph] Highbrow and lowbrow find a happy medium on Lost in the Trees’ third album. Intricate classical arrangements effortlessly weave around accordion and guitar, creating an amalgam that band founder Ari Picker calls “orchestral folk.” Picker’s rich, evocative sounds lend further gravity to intensely personal lyrics about sexual abuse, dying infants and depression, sung in a boyish tenor... 

THE BLACK ANGELS Phosphene Dream [Blue Horizon Ventures] On “Sunday Afternoon,” the fourth song on their third album, the Black Angels prove just how far they’ll follow their cult-like obsession with the ’60s. Having already unleashed its usual barrage of fuzz-and-buzz guitars and organs, the sextet goes all in and recreates the wobbly electric-jug sound of the 13th Floor Elevators, a fellow Austin band that invented psychedelic punk some... 

LIZA MINNELLI Confessions [Decca Records] When Liza Minnelli covered Beyoncé’s “Single Ladies” in this summer’s Sex and the City 2, it was one of the uneven sequel’s few high points. Likewise, Confessions, her first album in eight years, shines brightest when she’s at her most lighthearted, reveling in the tricky rhythms of “You Fascinate Me So” and the subtle sauciness of the Disney classic “He’s a Tramp.” Unfortunately,... 

ISOBEL CAMPBELL & MARK LANEGAN Hawk [Vanguard] The third album from ex-Belle & Sebastian chamber folk-popper Isobel Campbell and former Screaming Trees grunge growler Mark Lanegan offers something old and something new. “We Die and See Beauty Reign” and “Time of the Season” definitely maintain the duo’s prior modus operandi–dark, languid duets that balance Lanegan’s whiskey-and-gravel vocals with Campbell’s more gossamer tones.... 

BEN FOLDS/NICK HORNBY Lonely Avenue [Nonesuch] Fittingly, Lonely Avenue, a joint project from singer-songwriter Ben Folds and British novelist Nick Hornby, is bookended by modern-day artist’s laments. In the first, “A Working Day,” a writer battles expectations and internet criticism; in the last, “Belinda,” a musician relives the pain of a lost love affair again and again via his only hit. Here and elsewhere, Hornby’s lyrics paint darkly... 

JIMMY EAT WORLD Invented [Interscope] Since settling on its sound—the widescreen arena-emo of 2001’s Bleed American, one of the decade’s defining albums—Jimmy Eat World has been in a holding pattern. It can’t make music that’s bigger or more earnest without becoming U2, but pulling back would be a retreat. With its seventh full-length album, the Arizona quartet finds a subtle way to push things forward. Instead of churning out another... 

BOOK REVIEW HERB WISE People You’d Like to Know [Omnibus Press] Photographer Herb Wise has a knack for capturing his subjects in the middle of a moment. In People You’d Like to Know, a compilation of his work from the 1960s through the 1980s, we see many faces of famous and not-so-famous musicians seemingly in the process of breaking into a smile—as if suddenly seeing a familiar friend. Wise was a mainstay on the festival circuit in the ’70s,... 

NEIL YOUNG Le Noise [Reprise Records] If nothing else, Le Noise is proof that Neil Young doesn’t need a band to raise a ruckus. The elements are simple: Young’s voice and guitar, treated with the aggressive sonic manipulation of producer Daniel Lanois. The title is a pun on Lanois’ name, but it’s perfectly apt nonetheless—Young’s electric guitar rumbles and roars, and his producer’s eerie soundscapes are dissonant and dark. The sonic... 

GIN BLOSSOMS No Chocolate Cake (429 Records) It’s been 17 years since the Gin Blossoms broke through with their post-grunge power-pop hits “Hey Jealousy” and “Found Out About You.” The band forged on following the tragic suicide of main songwriter Doug Hopkins in late 1993, and even managed to retain its trademark summery style. The latest disc from the on-again, off-again group holds true to that same vibe. Strewn with jangly guitars, hook-laden... 

RAY LAMONTAGNE AND THE PARIAH DOGS God Willin’ & the Creek Don’t Rise [RCA] With three albums to his credit, Ray LaMontagne’s soulful, rough-edged voice doesn’t startle the way it did when it seemed to come fully formed out of nowhere on his 2004 debut, Trouble. That’s not to say he sounds any less compelling on his fourth album, the first to also credit his band. It’s a stirring collection of folky songs built around LaMontagne’s... 

KT TUNSTALL Tiger Suit [Virgin] When KT Tunstall burst into the limelight with 2006’s beatbox-driven hit “Black Horse and the Cherry Tree,” it was clear the Scottish singer-songwriter had a firm grounding in songcraft. On her third album, Tunstall leans toward a more adventurous set of electronic textures. Happily, instead of burying her songwriting under sheets of production, the broadened soundscape enhances and enriches her compositions.... 

ELVIS COSTELLO National Ransom [Hear Music] Elvis Costello has touched on a wide variety of genres during his career, but he usually sticks with one style at a time. On National Ransom, he finally blends two of his distinct artistic modes into one. Last year’s Secret, Profane & Sugarcane featured a band of Nashville acoustic-music ringers, who here are joined by Costello’s longtime rock outfit, the Imposters. The combination is a versatile... 

INTERPOL Interpol [Matador] Interpol’s songs aren’t set in the real world—where people smile and go grocery shopping and wear colors other than black—but rather a swank, anxious underworld, where singer Paul Banks dresses to the nines and sips drinks with spooky lovers and personal demons. The New York City foursome recorded its fourth album just before parting ways with Capitol Records and bassist Carlos D. Those changes will register later,... 

ELTON JOHN/LEON RUSSELL The Union [Decca Records] This much-anticipated collaboration between Elton John and Leon Russell had all the ingredients for greatness—two brilliant singers and pianists, an extraordinary producer in T Bone Burnett, and a profound mutual admiration between the artists involved. It turns out that “greatness” is too strong a word, but the album does have its rewards. As you might expect, The Union mixes Russell’s bluesy,... 

ERIC CLAPTON Clapton [Reprise Records] Eric Clapton has always been willing to shrug off his audience’s expectations and even its desires. Fans might prefer that he crank out one guitar-heroic solo after another, but his tendency toward taste and understatement just won’t let him do it. He abandoned the Yardbirds when they went too pop, Cream when the trio got too self-indulgent and Blind Faith when the supergroup got too popular too quickly....