{"id":990,"date":"2010-08-16T11:40:46","date_gmt":"2010-08-16T18:40:46","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=990"},"modified":"2010-08-16T11:41:12","modified_gmt":"2010-08-16T18:41:12","slug":"terri-hendrix-cry-till-you-laugh","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2010\/08\/terri-hendrix-cry-till-you-laugh\/","title":{"rendered":"TERRI HENDRIX + Cry Till You Laugh"},"content":{"rendered":"<p><strong><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Cry-Till-You-Laugh-M-Review-June2010.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-991\" title=\"Cry-Till-You-Laugh-M-Review-June2010\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Cry-Till-You-Laugh-M-Review-June2010.jpg\" alt=\"Cry Till You Laugh\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Cry-Till-You-Laugh-M-Review-June2010.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Cry-Till-You-Laugh-M-Review-June2010-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a>T<\/strong><strong>ERRI HENDRIX<\/strong><\/p>\n<p><strong><em>Cry Till You Laugh<\/em><\/strong><\/p>\n<p><a href=\"http:\/\/terrihendrix.com\" target=\"_blank\">terrihendrix.com<\/a><\/p>\n<p>With a stylistic sweep that encompasses country, blues, jazz and practically everything in between, Texan Terri Hendrix has created a flourishing cottage industry with a consistent string of albums hailed by fans and critics alike. Partnered once again with erstwhile producer and multitasking session pro Lloyd Maines, the new record finds Hendrix stirring the pot even more, opting to go it alone with harmonica (\u201cWail Theory\u201d), vamp it up (\u201cAutomatic\u201d) and tackle some torch-lit blues (\u201cSometimes\u201d). Jazz orchestra and a ragtime band also add to the mix on \u201cTake Me Places\u201d and \u201cYou Belong in New Orleans\u201d respectively, but the album\u2019s ultimate triumph is \u201cCome Tomorrow,\u201d a restless but reflective ballad that gives her vocals a rare vulnerability all the easier to embrace.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TERRI HENDRIX Cry Till You Laugh terrihendrix.com With a stylistic sweep that encompasses country, blues, jazz and practically everything in between, Texan Terri Hendrix has created a flourishing cottage industry with a consistent string of albums hailed by fans and critics alike. Partnered once again with erstwhile producer and multitasking session pro Lloyd Maines, the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[196,588,10159,80,587,589],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/990"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=990"}],"version-history":[{"count":3,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/990\/revisions"}],"predecessor-version":[{"id":994,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/990\/revisions\/994"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=990"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}