{"id":9844,"date":"2013-05-08T10:34:56","date_gmt":"2013-05-08T17:34:56","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=9844"},"modified":"2013-05-08T10:35:47","modified_gmt":"2013-05-08T17:35:47","slug":"mudhoney","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/05\/mudhoney\/","title":{"rendered":"MUDHONEY"},"content":{"rendered":"<h1><b><img loading=\"lazy\" class=\"alignleft size-full wp-image-9845\" alt=\"MUDHONEY-M-Review-No26\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/05\/MUDHONEY-M-Review-No26.jpg\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/05\/MUDHONEY-M-Review-No26.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/05\/MUDHONEY-M-Review-No26-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>M<\/b><b>UDHONEY<\/b><\/h1>\n<p><b><i>Vanishing Point<\/i><\/b><\/p>\n<p>[Sub Pop]<\/p>\n<p>As a grunge revival quakes among younger bands, Mudhoney is still rumbling on with the abrasive sound that has served them since Seattle was the center of the alt-rock world. They\u2019ve consistently turned out corrosive guitar records, and their ninth studio effort reflects a keenly focused ferocity. They\u2019ve reined in their trademark overdriven guitars, and yet on these tight, targeted songs, singer Mark Arm\u2019s vocals remain every bit as biting. The album also demonstrates that angst ages well if allowed to develop into all-out bitterness. \u201cIn This Rubber Tomb\u201d and \u201cI Don\u2019t Remember You\u201d course with a palpable contempt for hometowns and former acquaintances, while \u201cI Like It Small\u201d is a contrarian anthem honoring music released with limited means and appreciated by limited audiences. Despite sounding less ramshackle, Mudhoney hasn\u2019t taken any steps outside of their comfort zone. But major change might be too much to expect from a band still chugging away after more than two decades. \u2013Amanda Farah<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MUDHONEY Vanishing Point [Sub Pop] As a grunge revival quakes among younger bands, Mudhoney is still rumbling on with the abrasive sound that has served them since Seattle was the center of the alt-rock world. They\u2019ve consistently turned out corrosive guitar records, and their ninth studio effort reflects a keenly focused ferocity. They\u2019ve reined in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[196,6540,6467,531,6541],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/9844"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=9844"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/9844\/revisions"}],"predecessor-version":[{"id":9848,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/9844\/revisions\/9848"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=9844"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=9844"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=9844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}