{"id":9687,"date":"2013-05-08T00:42:15","date_gmt":"2013-05-08T07:42:15","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=9687"},"modified":"2013-05-08T00:42:24","modified_gmt":"2013-05-08T07:42:24","slug":"emmylou-harris-rodney-crowell","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/05\/emmylou-harris-rodney-crowell\/","title":{"rendered":"EMMYLOU HARRIS &#038; RODNEY CROWELL"},"content":{"rendered":"<h1><b><img loading=\"lazy\" class=\"alignleft size-full wp-image-9688\" alt=\"EMMYLOU-HARRIS-and-RODNEY-CROWELL-M-Review-No25\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/05\/EMMYLOU-HARRIS-and-RODNEY-CROWELL-M-Review-No25.jpg\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/05\/EMMYLOU-HARRIS-and-RODNEY-CROWELL-M-Review-No25.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/05\/EMMYLOU-HARRIS-and-RODNEY-CROWELL-M-Review-No25-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>E<\/b><b>MMYLOU HARRIS &amp; RODNEY CROWELL\u00a0<\/b><\/h1>\n<p><b><i>Old Yellow Moon\u00a0<\/i><\/b><\/p>\n<p>[Nonesuch]<\/p>\n<p>Thankfully, the second posthumous Winehouse release isn\u2019t filled with scraps that didn\u2019t make last year\u2019s <i>Lioness<\/i>. Drawn from BBC appearances, it reminds listeners what a charismatic vocalist Winehouse was. The early material, recorded circa 2004\u2019s <i>Frank<\/i> album, showcases Winehouse\u2019s jazz roots, pairing her sultry, scat-like singing with big band arrangements. The handful of tracks from her 2006 breakthrough <i>Back to Black<\/i>, including her signature \u201cRehab,\u201d mine more of an R&amp;B groove. These tracks highlight the all-too-real heartache in her brassy, bruised voice\u2014a quality that distinguishes her from other retro-soul songstresses. The final four selections\u2014covers ranging from the Sarah Vaughan standard \u201cLullaby of Birdland\u201d to \u201cValerie,\u201d a bluesy rock ballad from the Liverpool group the Zutons\u2014reflect her range of influences and ability to make songs her own. This well-assembled set, which also includes a DVD, shifts the focus to her singing\u2014something often overshadowed by her lifestyle. \u2013Michael Berick<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>EMMYLOU HARRIS &amp; RODNEY CROWELL\u00a0 Old Yellow Moon\u00a0 [Nonesuch] Thankfully, the second posthumous Winehouse release isn\u2019t filled with scraps that didn\u2019t make last year\u2019s Lioness. Drawn from BBC appearances, it reminds listeners what a charismatic vocalist Winehouse was. The early material, recorded circa 2004\u2019s Frank album, showcases Winehouse\u2019s jazz roots, pairing her sultry, scat-like singing [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[196,6452,6427,195,6453],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/9687"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=9687"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/9687\/revisions"}],"predecessor-version":[{"id":9690,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/9687\/revisions\/9690"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=9687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=9687"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=9687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}