{"id":9629,"date":"2013-05-07T13:38:03","date_gmt":"2013-05-07T20:38:03","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=9629"},"modified":"2013-05-07T13:38:03","modified_gmt":"2013-05-07T20:38:03","slug":"after-sunday","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/05\/after-sunday\/","title":{"rendered":"AFTER SUNDAY"},"content":{"rendered":"<h1><b><img loading=\"lazy\" class=\"alignleft size-full wp-image-9630\" alt=\"AFTER-SUNDAY-M-Review-No25\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/05\/AFTER-SUNDAY-M-Review-No25.jpg\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/05\/AFTER-SUNDAY-M-Review-No25.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/05\/AFTER-SUNDAY-M-Review-No25-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>AFTER SUNDAY<\/b><\/h1>\n<p><b><i>After Sunday<\/i><\/b><\/p>\n<p>aftersundayband.com<\/p>\n<p>Take this as gospel: The Christian rock that stands the best chance of actually changing lives needs to stand on its own as rock music. That means good hooks, punchy guitars and urgent lyrics, all of which floweth over on this six-song EP. Frontman Mike Ross leaves no ambiguity about his subject matter\u2014he\u2019s singing for Jesus\u2014but \u201cToday\u201d and \u201cPlain Jane\u201d could be popular Train or Bryan Adams tunes, and the leadoff title track proves that punky power-pop is a viable medium for worship. Closer \u201cThe Power of the Cross\u201d adds some chugging light-metal riffage and the kind of soaring solo that youth-courting pastors would be wise to make part of their Sunday programs.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AFTER SUNDAY After Sunday aftersundayband.com Take this as gospel: The Christian rock that stands the best chance of actually changing lives needs to stand on its own as rock music. That means good hooks, punchy guitars and urgent lyrics, all of which floweth over on this six-song EP. Frontman Mike Ross leaves no ambiguity about [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[6417,6418,196,10159,6164],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/9629"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=9629"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/9629\/revisions"}],"predecessor-version":[{"id":9631,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/9629\/revisions\/9631"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=9629"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=9629"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=9629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}