{"id":9510,"date":"2013-05-06T19:44:13","date_gmt":"2013-05-07T02:44:13","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=9510"},"modified":"2013-05-06T19:44:17","modified_gmt":"2013-05-07T02:44:17","slug":"aphex-project-channel","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/05\/aphex-project-channel\/","title":{"rendered":"APHEX PROJECT CHANNEL"},"content":{"rendered":"<h1><b><img loading=\"lazy\" class=\"alignleft size-full wp-image-9511\" alt=\"APHEX-Top-Gear-Issue-No25\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/05\/APHEX-Top-Gear-Issue-No25.jpg\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/05\/APHEX-Top-Gear-Issue-No25.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/05\/APHEX-Top-Gear-Issue-No25-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/>APHEX PROJECT CHANNEL<\/b><\/h1>\n<h2>Channel strip with epic tone-sculpting power<\/h2>\n<p><b>Aphex<\/b>\u2019s Project Channel features harmonically rich and musically sweetened sound that\u2019s ideal for studio and stage. A warm Class A mic pre kicks off the signal path with more than enough gain to push the onboard optical compressor. Aphex\u2019s legendary Aural Exciter and Big Bottom processors work together to create a classic tape-like effect, adding air to the highs and low-end punch to any source. And with S\/PDIF output, the Project Channel won\u2019t take up an analog input on your audio interface.<\/p>\n<p>\u2013Phil Selman<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>APHEX PROJECT CHANNEL Channel strip with epic tone-sculpting power Aphex\u2019s Project Channel features harmonically rich and musically sweetened sound that\u2019s ideal for studio and stage. A warm Class A mic pre kicks off the signal path with more than enough gain to push the onboard optical compressor. Aphex\u2019s legendary Aural Exciter and Big Bottom processors [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[6356,6164,4500],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/9510"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=9510"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/9510\/revisions"}],"predecessor-version":[{"id":9513,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/9510\/revisions\/9513"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=9510"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=9510"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=9510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}