{"id":8988,"date":"2013-02-07T01:00:37","date_gmt":"2013-02-07T08:00:37","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=8988"},"modified":"2013-02-07T01:00:37","modified_gmt":"2013-02-07T08:00:37","slug":"electro-harmonix-deluxe-bass-big-muff-pi","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/02\/electro-harmonix-deluxe-bass-big-muff-pi\/","title":{"rendered":"ELECTRO-HARMONIX DELUXE BASS BIG MUFF PI"},"content":{"rendered":"<h3><strong><img loading=\"lazy\" class=\"alignnone size-full wp-image-8989\" title=\"ELECTRO-HARMONIX-Top-Gear-Issue-No24\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/02\/ELECTRO-HARMONIX-Top-Gear-Issue-No24.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/02\/ELECTRO-HARMONIX-Top-Gear-Issue-No24.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/02\/ELECTRO-HARMONIX-Top-Gear-Issue-No24-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/>ELECTRO-HARMONIX DELUXE BASS BIG MUFF PI<\/strong><\/h3>\n<h1><strong>NEXT-GEN BASS FUZZ<\/strong><\/h1>\n<p>The <strong>Electro-Harmonix Deluxe Bass Big Muff Pi <\/strong>offers bass players the classic fuzz tone they crave but with powerful tone-shaping controls needed for modern bass styles. In addition to a wet\/dry blend control\u2014which allows one to balance the fuzz with unaffected clean dynamics\u2014there\u2019s a footswitchable crossover onboard designed to roll highs off the clean signal and lows off the distorted signal. Other cool new features include a gate, a -10dB pad for active pickups, and killer new I\/O options.<\/p>\n<p>\u2013Phil Selman<\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>ELECTRO-HARMONIX DELUXE BASS BIG MUFF PI NEXT-GEN BASS FUZZ The Electro-Harmonix Deluxe Bass Big Muff Pi offers bass players the classic fuzz tone they crave but with powerful tone-shaping controls needed for modern bass styles. In addition to a wet\/dry blend control\u2014which allows one to balance the fuzz with unaffected clean dynamics\u2014there\u2019s a footswitchable crossover [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[6051,6050,5885,4500],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8988"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=8988"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8988\/revisions"}],"predecessor-version":[{"id":8990,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8988\/revisions\/8990"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=8988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=8988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=8988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}