{"id":8967,"date":"2013-02-06T22:25:28","date_gmt":"2013-02-07T05:25:28","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=8967"},"modified":"2013-02-06T22:25:28","modified_gmt":"2013-02-07T05:25:28","slug":"isoacoustics-iso-l8r-155-speaker-stands","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/02\/isoacoustics-iso-l8r-155-speaker-stands\/","title":{"rendered":"ISOACOUSTICS ISO-L8R 155 SPEAKER STANDS"},"content":{"rendered":"<h1><strong><img loading=\"lazy\" class=\"alignnone size-full wp-image-8968\" title=\"ISOACOUSTICS-Gear-Review-Issue-No24\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/02\/ISOACOUSTICS-Gear-Review-Issue-No24.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/02\/ISOACOUSTICS-Gear-Review-Issue-No24.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/02\/ISOACOUSTICS-Gear-Review-Issue-No24-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/>I<\/strong><strong>SOACOUSTICS ISO-L8R 155 SPEAKER STANDS<\/strong><\/h1>\n<h3><strong>Definitive isolation for studio monitors<\/strong><\/h3>\n<p>The first thing we noticed when testing the IsoAcoustics ISO-L8R 155s<br \/>\nwas a dramatic improvement in monitoring clarity. Bass tightened, mids opened, and the separation between instruments became more apparent. ISO-L8R 155s achieve this effect by addressing the most common monitoring problems. Their floating design has a decoupling effect, dramatically reducing false low frequencies. A set of tubes and inserts allows you to focus monitors precisely at ear level for added accuracy, which also distances them from reflective surfaces.<\/p>\n<p>\u2013Doug Doppler<\/p>\n<div>\n<p><strong>IsoAcoustics.com<\/strong><\/p>\n<div><strong><br \/>\n<\/strong><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>ISOACOUSTICS ISO-L8R 155 SPEAKER STANDS Definitive isolation for studio monitors The first thing we noticed when testing the IsoAcoustics ISO-L8R 155s was a dramatic improvement in monitoring clarity. Bass tightened, mids opened, and the separation between instruments became more apparent. ISO-L8R 155s achieve this effect by addressing the most common monitoring problems. Their floating design [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[10158,6035,5885,6036],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8967"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=8967"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8967\/revisions"}],"predecessor-version":[{"id":8969,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8967\/revisions\/8969"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=8967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=8967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=8967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}