{"id":8884,"date":"2013-02-06T15:37:52","date_gmt":"2013-02-06T22:37:52","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=8884"},"modified":"2013-02-06T15:38:15","modified_gmt":"2013-02-06T22:38:15","slug":"green-day-2","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/02\/green-day-2\/","title":{"rendered":"GREEN DAY"},"content":{"rendered":"<h1><strong><img loading=\"lazy\" class=\"alignright size-full wp-image-8885\" title=\"Green-Day-M-Review-No24\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/02\/Green-Day-M-Review-No24.jpg\" alt=\"\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/02\/Green-Day-M-Review-No24.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/02\/Green-Day-M-Review-No24-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>G<\/strong><strong>REEN DAY<\/strong><\/h1>\n<p><strong><em>\u00a1Tr\u00e9!\u00a0<\/em><\/strong><\/p>\n<p>[Warner Bros.]<\/p>\n<div>\u00a0After diving into political and social commentary with concept albums in 2004 and 2009, Green Day lightened the mood in 2012 with a trilogy of less weighty records, released a few months apart. <em>\u00a1Tr\u00e9!<\/em> wraps the triptych in characteristic fashion: There are no grand philosophical statements or particular points of view, just punchy pop songs that echo elements of the band\u2019s career to now. \u201cMissing You,\u201d \u201cAmanda\u201d and \u201cSex, Drugs &amp; Violence\u201d are upbeat, punky tunes full of buoyant guitar, while \u201cWalk Away\u201d and \u201cX-Kid\u201d are stadium-sized rockers that show Green Day isn\u2019t abandoning the anthemic turn the band took on <em>American Idiot<\/em> and <em>21st Century Breakdown<\/em>. The group has described <em>\u00a1Tr\u00e9!<\/em>as the reflective entry in the trilogy, which accounts for \u201cBrutal Love,\u201d the horn-soaked throwback weeper that opens the album, and the lovingly exasperated acoustic number \u201cDrama Queen.\u201d Even at its most pensive though, Green Day never lacks for energy, and these songs are plenty generous\u00a0with hooks. \u2013Eric R. Danton<\/p>\n<div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>GREEN DAY \u00a1Tr\u00e9!\u00a0 [Warner Bros.] \u00a0After diving into political and social commentary with concept albums in 2004 and 2009, Green Day lightened the mood in 2012 with a trilogy of less weighty records, released a few months apart. \u00a1Tr\u00e9! wraps the triptych in characteristic fashion: There are no grand philosophical statements or particular points of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[196,2853,5969,5106,5885,5967,5968,5970,528,5971,5966],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8884"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=8884"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8884\/revisions"}],"predecessor-version":[{"id":8887,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8884\/revisions\/8887"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=8884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=8884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=8884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}