![\"\"](\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/02\/SALLY-SHAPIRO-M-Review-No24.jpg\" "\\"SALLY-SHAPIRO-M-Review-No24\\"")
SALLY SHAPIRO<\/h1>\nSALLY SHAPIRO<\/h1>\nSomewhere Else<\/em><\/strong><\/p>\n johanagebjorn.info\/sally.html<\/p>\n Relative to modern EDM, the \u201980s-born sound known as Italo disco is more suave and sophisticated than it is sweaty, though the goal is still to make bodies move. On their third album, the Swedish duo of singer Sally Shapiro and producer Johan Agebj\u00f6rn venture beyond the subgenre, making successful forays into lush, drowsy synth-pop. They occasionally get back to their roots but even when they make with the swanky strobe-lit thump, they keep things light and melodic, inviting discophobic listeners past the velvet ropes. And their winning idiosyncrasies aren\u2019t solely musical. On the beat-heavy likes of \u201cIf It Doesn\u2019t Rain\u201d and \u201cArchitectured Love,\u201d Shapiro plays a peculiar sort of disco diva. She\u2019s neither an \u201cI Will Survive\u201d self-affirmer nor a taunting sex kitten. She could almost front a twee-pop band like Camera Obscura, and on the bubbly roof-raiser \u201cAll My Life,\u201d she declares independence from her mother and man in a manner that\u2019s downright polite. On the irresistibly sleek \u201cStarman,\u201d she lures with the beat but kills with her sweetness, proving once again that the dance floor need not be a dark and scary place.<\/p>\n SALLY SHAPIRO Somewhere Else johanagebjorn.info\/sally.html Relative to modern EDM, the \u201980s-born sound known as Italo disco is more suave and sophisticated than it is sweaty, though the goal is still to make bodies move. On their third album, the Swedish duo of singer Sally Shapiro and producer Johan Agebj\u00f6rn venture beyond the subgenre, making successful […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[196,10159,5885,5938,5937,5939],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8843"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=8843"}],"version-history":[{"count":3,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8843\/revisions"}],"predecessor-version":[{"id":8847,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8843\/revisions\/8847"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=8843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=8843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=8843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<\/div>\n","protected":false},"excerpt":{"rendered":"