{"id":8389,"date":"2012-12-28T03:16:43","date_gmt":"2012-12-28T10:16:43","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=8389"},"modified":"2012-12-28T03:16:43","modified_gmt":"2012-12-28T10:16:43","slug":"unknown-component","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/12\/unknown-component\/","title":{"rendered":"UNKNOWN COMPONENT"},"content":{"rendered":"<h1><strong><img loading=\"lazy\" class=\"alignleft size-full wp-image-8390\" title=\"UNKNOWN-COMPONENT-M-Review-NOV-2012\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/UNKNOWN-COMPONENT-M-Review-NOV-2012.jpg\" alt=\"\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/UNKNOWN-COMPONENT-M-Review-NOV-2012.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/UNKNOWN-COMPONENT-M-Review-NOV-2012-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>UNKNOWN COMPONENT<\/strong><\/h1>\n<p><strong><em>Blood v. Electricity<\/em><\/strong><\/p>\n<p>unknowncomponent.com<\/p>\n<p>Like Kurt Cobain with a keyboard or Trent Reznor with a cooler head, Keith Lynch, the lone Iowan behind Unknown Component, channels his hopes and fears into bummed-out synth-pop. He loves his faux string and choral sounds\u2014touches that turn his home studio into a gothic cathedral\u2014but judging by his mumbled delivery and searching lyrics, he\u2019s not super enthused about much else. \u201cNowhere is alone \/ when nothing is inside,\u201d he sings at one point, but in truth, he\u2019s very much inside his own head. As accessible as these songs are, they\u2019re also quite impenetrable. \u201cIf you\u2019re building up a wall, you had better build it tall,\u201d he says elsewhere, having clearly taken his own advice.<\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>UNKNOWN COMPONENT Blood v. Electricity unknowncomponent.com Like Kurt Cobain with a keyboard or Trent Reznor with a cooler head, Keith Lynch, the lone Iowan behind Unknown Component, channels his hopes and fears into bummed-out synth-pop. He loves his faux string and choral sounds\u2014touches that turn his home studio into a gothic cathedral\u2014but judging by his [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[196,5637,10159,5475,5636,5638],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8389"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=8389"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8389\/revisions"}],"predecessor-version":[{"id":8391,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8389\/revisions\/8391"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=8389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=8389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=8389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}