{"id":834,"date":"2010-08-13T14:24:33","date_gmt":"2010-08-13T21:24:33","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=834"},"modified":"2010-08-13T15:24:59","modified_gmt":"2010-08-13T22:24:59","slug":"kasey-anderson-nowhere-nights","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2010\/08\/kasey-anderson-nowhere-nights\/","title":{"rendered":"Kasey Anderson + Nowhere Nights"},"content":{"rendered":"<p><strong><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Nowhere-Nights-M3-Review-May2010.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-835\" title=\"Nowhere-Nights-M3-Review-May2010\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Nowhere-Nights-M3-Review-May2010.jpg\" alt=\"Nowhere Nights\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Nowhere-Nights-M3-Review-May2010.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Nowhere-Nights-M3-Review-May2010-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a>K<\/strong><strong>asey Anderson<\/strong><\/p>\n<p><strong><em>Nowhere Nights<\/em><\/strong><\/p>\n<p><a href=\"http:\/\/kaseyanderson.com\" target=\"_blank\">kaseyanderson.com<\/a><\/p>\n<p>With his fourth album, Anderson firmly entrenches himself in the tradition of Steve Earle, Graham Parker, Townes Van Zandt and other insurgents whose cynical perspective found them swimming against the tide. Alternately rowdy and remorseful, he stirs up a cantankerous brew, his smoky vocals perched atop ragtag arrangements and defiant posturing. A brace of raucous anthems (\u201cAll Lit Up,\u201d \u201cSooner\/Later,\u201d \u201cNowhere Nights,\u201d \u201cReal Gone\u201d) amp up the attitude, but it\u2019s the more reflective moments, like \u201cBellingham Blues,\u201d \u201cFrom Now On\u201d and \u201cLike Teenage Gravity,\u201d that reveal his tattered soul. Anderson remains grounded in standard roots-rock throughout, but veteran producer Eric Ambel uses his instrumental arsenal to shift the soundscapes in interesting ways.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kasey Anderson Nowhere Nights kaseyanderson.com With his fourth album, Anderson firmly entrenches himself in the tradition of Steve Earle, Graham Parker, Townes Van Zandt and other insurgents whose cynical perspective found them swimming against the tide. Alternately rowdy and remorseful, he stirs up a cantankerous brew, his smoky vocals perched atop ragtag arrangements and defiant [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[196,10159,454,456,70,455],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/834"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=834"}],"version-history":[{"count":4,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/834\/revisions"}],"predecessor-version":[{"id":837,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/834\/revisions\/837"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=834"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=834"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=834"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}