{"id":8255,"date":"2012-12-24T02:43:34","date_gmt":"2012-12-24T09:43:34","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=8255"},"modified":"2012-12-24T02:43:34","modified_gmt":"2012-12-24T09:43:34","slug":"fender-runaway","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/12\/fender-runaway\/","title":{"rendered":"Fender Runaway"},"content":{"rendered":"<h3><img loading=\"lazy\" class=\"alignnone size-full wp-image-8256\" title=\"Fender-Runaway-GearFeature-Nov-2012\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/Fender-Runaway-GearFeature-Nov-2012.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/Fender-Runaway-GearFeature-Nov-2012.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/Fender-Runaway-GearFeature-Nov-2012-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h3>\n<h3><strong>Fender Runaway<\/strong><\/h3>\n<h1><strong>FOR THE FEEDBACK FANATIC<\/strong><\/h1>\n<p>For anyone who\u2019s ever wanted to play with feedback without suffering noise violations or bleeding eardrums, the <strong>Fender Runaway<\/strong> is just the ticket. By using an expression to blend in as much feedback as desired, the Runaway pedal provides the same kind of playable feedback you can achieve standing in front of a dimed stack\u2014only quieter. That makes the Runaway pedal a natural choice for live playing and tracking in the studio, where high SPLs wreak havoc with sensitive microphones.<\/p>\n<div>\n<p>\u00a0\u2013Phil Selman<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Fender Runaway FOR THE FEEDBACK FANATIC For anyone who\u2019s ever wanted to play with feedback without suffering noise violations or bleeding eardrums, the Fender Runaway is just the ticket. By using an expression to blend in as much feedback as desired, the Runaway pedal provides the same kind of playable feedback you can achieve standing [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5520],"tags":[5542,10167,5475],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8255"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=8255"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8255\/revisions"}],"predecessor-version":[{"id":8257,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8255\/revisions\/8257"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=8255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=8255"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=8255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}