{"id":8252,"date":"2012-12-24T02:41:23","date_gmt":"2012-12-24T09:41:23","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=8252"},"modified":"2012-12-24T02:41:23","modified_gmt":"2012-12-24T09:41:23","slug":"akai-max49","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/12\/akai-max49\/","title":{"rendered":"Akai MAX49"},"content":{"rendered":"<h3><img loading=\"lazy\" class=\"alignnone size-full wp-image-8253\" title=\"Akai-MAX49-GearFeature-Nov-2012\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/Akai-MAX49-GearFeature-Nov-2012.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/Akai-MAX49-GearFeature-Nov-2012.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/Akai-MAX49-GearFeature-Nov-2012-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h3>\n<h3><strong>Akai MAX49<\/strong><\/h3>\n<h1><strong>FOR THE TOTAL CONTROL FREAK<\/strong><\/h1>\n<p>Hybrid MIDI\/CV circuitry and awesome built-in goodies such as a jaw-dropping step sequencer and arpeggiator engine make the <strong>Akai MAX49<\/strong> the perfect keyboard controller for every synth nut. In addition to a phenomenal-feeling semi-weighted keybed and a set of genuine MPC pads, this full-service controller features eight touch faders and LED metering. Not only is the MAX49 a great hub for MIDI- and CV-based synths, it also plays well with nearly any DAW.<\/p>\n<div>\n<p>\u00a0\u2013Phil Selman<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Akai MAX49 FOR THE TOTAL CONTROL FREAK Hybrid MIDI\/CV circuitry and awesome built-in goodies such as a jaw-dropping step sequencer and arpeggiator engine make the Akai MAX49 the perfect keyboard controller for every synth nut. In addition to a phenomenal-feeling semi-weighted keybed and a set of genuine MPC pads, this full-service controller features eight touch [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5520],"tags":[5540,5541,799,10167,3241,5475],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8252"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=8252"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8252\/revisions"}],"predecessor-version":[{"id":8254,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8252\/revisions\/8254"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=8252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=8252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=8252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}