{"id":8245,"date":"2012-12-24T02:32:49","date_gmt":"2012-12-24T09:32:49","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=8245"},"modified":"2012-12-24T02:38:23","modified_gmt":"2012-12-24T09:38:23","slug":"audio-technica-at5040","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/12\/audio-technica-at5040\/","title":{"rendered":"Audio-Technica AT5040"},"content":{"rendered":"<h3><img loading=\"lazy\" class=\"alignnone size-full wp-image-8246\" title=\"Audio-Technica-AT5040-GearFeature-Nov-2012\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/Audio-Technica-AT5040-GearFeature-Nov-2012.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/Audio-Technica-AT5040-GearFeature-Nov-2012.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/Audio-Technica-AT5040-GearFeature-Nov-2012-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h3>\n<h3><strong>Audio-Technica AT5040<\/strong><\/h3>\n<h1><strong>FOR THE AUDIOPHILE WHO KNOWS IT\u2019S HIP TO BE SQUARE<\/strong><\/h1>\n<p>Flying in the face of convention, <strong>Audio-Technica<\/strong> broke new sonic ground with their <strong>AT5040<\/strong>. Ditching the traditional circular diaphragm, the AT5040 features a set of four low-mass rectangular membranes arranged like the panes of a window. The result is a sound that\u2019s as full and vibrant as any large-diaphragm microphone, but with the crisp transient handling of a pencil condenser. If you\u2019ve been asking what do I get the engineer who has everything? This mic is likely your best bet.<\/p>\n<div>\n<p>\u00a0\u2013Phil Selman<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Audio-Technica AT5040 FOR THE AUDIOPHILE WHO KNOWS IT\u2019S HIP TO BE SQUARE Flying in the face of convention, Audio-Technica broke new sonic ground with their AT5040. Ditching the traditional circular diaphragm, the AT5040 features a set of four low-mass rectangular membranes arranged like the panes of a window. The result is a sound that\u2019s as [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5520],"tags":[5539,3302,5538,10167,5475],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8245"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=8245"}],"version-history":[{"count":5,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8245\/revisions"}],"predecessor-version":[{"id":8248,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8245\/revisions\/8248"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=8245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=8245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=8245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}