{"id":8238,"date":"2012-12-24T02:17:36","date_gmt":"2012-12-24T09:17:36","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=8238"},"modified":"2012-12-24T02:17:36","modified_gmt":"2012-12-24T09:17:36","slug":"overtone-labs-tune-bot","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/12\/overtone-labs-tune-bot\/","title":{"rendered":"Overtone Labs Tune-Bot"},"content":{"rendered":"<h3><img loading=\"lazy\" class=\"alignnone size-full wp-image-8239\" title=\"Overtone-Labs-Tune-Bot-GearFeature-Nov-2012\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/Overtone-Labs-Tune-Bot-GearFeature-Nov-2012.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/Overtone-Labs-Tune-Bot-GearFeature-Nov-2012.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/Overtone-Labs-Tune-Bot-GearFeature-Nov-2012-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h3>\n<h3><strong>Overtone Labs Tune-Bot\u00a0<\/strong><\/h3>\n<h1><strong>FOR THE PITCH-PERFECT PERCUSSIONST<\/strong><\/h1>\n<p>The <strong>Overtone Labs Tune-Bot <\/strong>takes drum tuning to a new extreme. Unlike traditional analog tension meters, the Tune-Bot attaches directly to the rim of the drum like a clip-on guitar tuner and \u201clistens\u201d to the pitch of the head. It measures not only the pitch at every lug, but also the overall tuning of the drum\u2014making it faster and easier to get perfectly tuned drums. What\u2019s more, you get more than 80 preset locations, so once you\u2019ve set it up, tuning takes only seconds.<\/p>\n<p>\u2013Phil Selman<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Overtone Labs Tune-Bot\u00a0 FOR THE PITCH-PERFECT PERCUSSIONST The Overtone Labs Tune-Bot takes drum tuning to a new extreme. Unlike traditional analog tension meters, the Tune-Bot attaches directly to the rim of the drum like a clip-on guitar tuner and \u201clistens\u201d to the pitch of the head. It measures not only the pitch at every lug, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5520],"tags":[10167,5475,5535],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8238"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=8238"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8238\/revisions"}],"predecessor-version":[{"id":8241,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8238\/revisions\/8241"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=8238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=8238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=8238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}