{"id":8198,"date":"2012-12-24T01:34:22","date_gmt":"2012-12-24T08:34:22","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=8198"},"modified":"2012-12-24T01:34:22","modified_gmt":"2012-12-24T08:34:22","slug":"akg-d12-vr","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/12\/akg-d12-vr\/","title":{"rendered":"AKG D12 VR"},"content":{"rendered":"<h3><img loading=\"lazy\" class=\"alignnone size-full wp-image-8199\" title=\"AKG-D12-VR-Top-Gear-Nov-2012\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/AKG-D12-VR-Top-Gear-Nov-2012.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/AKG-D12-VR-Top-Gear-Nov-2012.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/AKG-D12-VR-Top-Gear-Nov-2012-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h3>\n<h3><strong>AKG D12 VR<\/strong><\/h3>\n<h1><strong>FOUR TIMES THE TONE<\/strong><\/h1>\n<p>A classic bass and kick drum mic returns in the\u00a0<strong>AKG D12 VR<\/strong>. Unpowered, the D12 VR delivers the chest-pounding tonal response that made the original D12 a fixture in professional recording studios. Hit it with phantom power, and you\u2019re playing a whole new ballgame. A trio of active filters provide an extended range of tone-shaping possibilities, allowing you to amp the bass, scoop up unwanted mids, or combine both with a presence boost for added punch and definition\u2014a killer setting for bass cabs!<\/p>\n<p>&nbsp;<\/p>\n<p>\u2013Phil Selman<\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>AKG D12 VR FOUR TIMES THE TONE A classic bass and kick drum mic returns in the\u00a0AKG D12 VR. Unpowered, the D12 VR delivers the chest-pounding tonal response that made the original D12 a fixture in professional recording studios. Hit it with phantom power, and you\u2019re playing a whole new ballgame. A trio of active [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[5519,5475,4500],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8198"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=8198"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8198\/revisions"}],"predecessor-version":[{"id":8201,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8198\/revisions\/8201"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=8198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=8198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=8198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}