{"id":8105,"date":"2012-12-11T23:26:13","date_gmt":"2012-12-12T06:26:13","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=8105"},"modified":"2012-12-11T23:26:13","modified_gmt":"2012-12-12T06:26:13","slug":"isoacoustics-to-unveil-the-iso-l8r130-for-small-speakers-at-namm-2013","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/12\/isoacoustics-to-unveil-the-iso-l8r130-for-small-speakers-at-namm-2013\/","title":{"rendered":"IsoAcoustics to unveil the ISO-L8R130 for small speakers at NAMM 2013"},"content":{"rendered":"<div id=\"attachment_8106\" style=\"width: 670px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-8106\" loading=\"lazy\" class=\"size-full wp-image-8106\" title=\"ISO-L8R130-155-and-200\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/ISO-L8R130-155-and-200.jpg\" alt=\"\" width=\"660\" height=\"324\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/ISO-L8R130-155-and-200.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/12\/ISO-L8R130-155-and-200-300x147.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><p id=\"caption-attachment-8106\" class=\"wp-caption-text\">ISO-L8R130 for small speakers<\/p><\/div>\n<p>Toronto, Ontario \u2013 December 3, 2012 \u2013 After a spectacular 2012 in which it bagged Best of Show awards at NAMM and AES, IsoAcoustics is preparing to start the New Year with a bang \u2013 by adding another model to its line of revolutionary surface decouplers. The ISO-L8R130 speaker stands, specifically designed for small speakers with widths exceeding 5\u201d and weights of not more than 20lbs., will make its debut at the 2013 NAMM in Anaheim, California. It will be commercially available for professionals and consumers as of January 2013.<\/p>\n<p>The ISO-L8R130 stands share all the winning features found in the award-winning ISO-L8R155 and ISO-L8R200 including 14 variations in height and tilt, and patented \u201cfloating\u201d architecture for audio image stabilizing that have won it numerous fans in markets around the world.<\/p>\n<p>The new speaker stands measure 5.1\u201d wide and 6\u201d deep and come with tubing to configure it to either 2.5\u201d or 8\u201d in height and 2 sets of end plugs to provide 14 possible tilt adjustments. The latest addition marks a response from IsoAcoustics to high demand for the ultimate stands for superior audio and authentic uncoloured sound.<\/p>\n<p>\u201cWe are excited to be able to provide a comprehensive range of isolation-enhancing speaker stands to fit all needs \u2013 from professional requirements to the home studio, \u201c said IsoAcoustics president and founder Dave Morrison. \u201cThey offer a perfect solution to position speakers at ear level and stabilizing lateral imaging while isolating them from desk vibrations.\u201d<\/p>\n<p>The first IsoAcoustics model of speaker stands, the ISO-L8R155, won Best of Show at NAMM 2012 with the ISO-L8R200 for mid-field monitors securing the same award at the 133<sup>rd<\/sup> AES in San Francisco in October 2012.\u00a0 Best of Show products are singled out by editors of Pro Sound News and Pro Audio Review magazines who award them for new and noteworthy products.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Toronto, Ontario \u2013 December 3, 2012 \u2013 After a spectacular 2012 in which it bagged Best of Show awards at NAMM and AES, IsoAcoustics is preparing to start the New Year with a bang \u2013 by adding another model to its line of revolutionary surface decouplers. The ISO-L8R130 speaker stands, specifically designed for small speakers [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2866],"tags":[5456,4796,5457],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8105"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=8105"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8105\/revisions"}],"predecessor-version":[{"id":8107,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/8105\/revisions\/8107"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=8105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=8105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=8105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}