{"id":7733,"date":"2012-10-29T18:00:47","date_gmt":"2012-10-30T01:00:47","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=7733"},"modified":"2012-10-29T18:01:09","modified_gmt":"2012-10-30T01:01:09","slug":"presonus-studio-one-2","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/10\/presonus-studio-one-2\/","title":{"rendered":"PreSonus Studio One 2"},"content":{"rendered":"<h1><img loading=\"lazy\" class=\"alignleft size-full wp-image-7734\" title=\"PreSonus-Studio-One-2-Top-Gear-SeptOct-2012\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/PreSonus-Studio-One-2-Top-Gear-SeptOct-2012.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/PreSonus-Studio-One-2-Top-Gear-SeptOct-2012.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/PreSonus-Studio-One-2-Top-Gear-SeptOct-2012-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h1>\n<h1><strong>PreSonus Studio One 2\u00a0<\/strong><\/h1>\n<h2><strong>DAW DREAMS<\/strong><\/h2>\n<p>Powerhouse features such as transient detection and pitch correction make <strong>PreSonus Studio One 2<\/strong> more than a match for any DAW on the market. Sheer ease of use makes it one of the best options for musicians who\u2019ve spent more time rocking out than boning up on recording technology. With complex processes, such as tightening up multitracked drums or comping vocals, reduced to a couple of steps, Studio One 2 nicely keeps you in the creative zone.<\/p>\n<p>\u2013Phil Selman<\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>PreSonus Studio One 2\u00a0 DAW DREAMS Powerhouse features such as transient detection and pitch correction make PreSonus Studio One 2 more than a match for any DAW on the market. Sheer ease of use makes it one of the best options for musicians who\u2019ve spent more time rocking out than boning up on recording technology. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[769,5077,5130,4500],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7733"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=7733"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7733\/revisions"}],"predecessor-version":[{"id":7736,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7733\/revisions\/7736"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=7733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=7733"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=7733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}