{"id":7726,"date":"2012-10-29T17:57:39","date_gmt":"2012-10-30T00:57:39","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=7726"},"modified":"2012-10-29T17:57:39","modified_gmt":"2012-10-30T00:57:39","slug":"avalon-v5","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/10\/avalon-v5\/","title":{"rendered":"Avalon V5"},"content":{"rendered":"<h1><strong><img loading=\"lazy\" class=\"alignleft size-full wp-image-7727\" title=\"Avalon-V5-Top-Gear-SeptOct-2012\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/Avalon-V5-Top-Gear-SeptOct-2012.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/Avalon-V5-Top-Gear-SeptOct-2012.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/Avalon-V5-Top-Gear-SeptOct-2012-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/>Avalon V5\u00a0<\/strong><\/h1>\n<h2><strong>PREAMP, REAMP, KILLER DI<\/strong><\/h2>\n<p>Perfect for project and pro studios alike, the <strong>Avalon V5<\/strong> preamplifier offers up tons of flexible functionality. Its variable input handles anything from ribbon mics and hi-Z instrument sources to ultra-hot line-level signal like a champ. A musical tone circuit that features settings taken straight from the award-winning Avalon U5 makes dialing in the ideal sound incredibly easy. And thanks to a convenient instrument-level output, the V5 also doubles as a complete re-amping box that\u2019s perfect for experimenting with guitar tone.<\/p>\n<p>\u2013Phil Selman<\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Avalon V5\u00a0 PREAMP, REAMP, KILLER DI Perfect for project and pro studios alike, the Avalon V5 preamplifier offers up tons of flexible functionality. Its variable input handles anything from ribbon mics and hi-Z instrument sources to ultra-hot line-level signal like a champ. A musical tone circuit that features settings taken straight from the award-winning Avalon [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[5127,5077,4500],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7726"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=7726"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7726\/revisions"}],"predecessor-version":[{"id":7728,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7726\/revisions\/7728"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=7726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=7726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=7726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}