{"id":7719,"date":"2012-10-29T17:39:10","date_gmt":"2012-10-30T00:39:10","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=7719"},"modified":"2012-10-29T17:39:10","modified_gmt":"2012-10-30T00:39:10","slug":"avids-pro-tools-hd-native-thunderbolt","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/10\/avids-pro-tools-hd-native-thunderbolt\/","title":{"rendered":"Avid\u2019s Pro Tools HD Native Thunderbolt"},"content":{"rendered":"<h1><img loading=\"lazy\" class=\"alignleft size-full wp-image-7720\" title=\"Avid-Pro-Tools-HD-Native-Top-Gear-SeptOct-2012\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/Avid-Pro-Tools-HD-Native-Top-Gear-SeptOct-2012.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/Avid-Pro-Tools-HD-Native-Top-Gear-SeptOct-2012.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/Avid-Pro-Tools-HD-Native-Top-Gear-SeptOct-2012-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h1>\n<h1><strong>Avid\u2019s Pro Tools HD Native Thunderbolt\u00a0<\/strong><\/h1>\n<h2><strong>DITCH THE TOWER<\/strong><\/h2>\n<p><strong><\/strong>When Avid announced Pro Tools HD Native in the fall of 2010, they made huge waves in the recording world. For the first time it was possible to get the near-zero latency of Pro Tools HD, but without the added expense of DSP acceleration. The trouble was musicians still needed a tower-format computer with PCIe slots to run it. With <strong>Avid\u2019s Pro Tools HD Native Thunderbolt<\/strong>, you can get the same impressive performance on your MacBook, iMac, Mac mini or other Thunderbolt-equipped computer.<\/p>\n<p>\u2013Phil Selman<\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Avid\u2019s Pro Tools HD Native Thunderbolt\u00a0 DITCH THE TOWER When Avid announced Pro Tools HD Native in the fall of 2010, they made huge waves in the recording world. For the first time it was possible to get the near-zero latency of Pro Tools HD, but without the added expense of DSP acceleration. The trouble [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[5122,5123,806,5077,4500],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7719"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=7719"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7719\/revisions"}],"predecessor-version":[{"id":7721,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7719\/revisions\/7721"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=7719"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=7719"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=7719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}