{"id":7683,"date":"2012-10-29T15:49:32","date_gmt":"2012-10-29T22:49:32","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=7683"},"modified":"2012-10-29T15:49:32","modified_gmt":"2012-10-29T22:49:32","slug":"diana-krall","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/10\/diana-krall\/","title":{"rendered":"DIANA KRALL"},"content":{"rendered":"<h1><strong><img loading=\"lazy\" class=\"alignleft size-full wp-image-7684\" title=\"DIANA-KRALL-M-Review-SeptOct-2012\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/DIANA-KRALL-M-Review-SeptOct-2012.jpg\" alt=\"\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/DIANA-KRALL-M-Review-SeptOct-2012.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/DIANA-KRALL-M-Review-SeptOct-2012-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>D<\/strong><strong>IANA KRALL<\/strong><\/h1>\n<p><strong><em>Glad Rag Doll<\/em><\/strong><\/p>\n<p>[Verve]<\/p>\n<div>\n<p>Earlier this year, Diana Krall collaborated with Paul McCartney on <em>Kisses on the Bottom<\/em>, his tribute to pre-rock standards. She displayed an undeniable affinity for the songcraft of that earlier, simpler time, so it\u2019s not surprising that she covers similar ground here. What is surprising: her adventurous approach. With T Bone Burnett producing and a guitar-heavy band behind her, Krall digs into the core of each tune, recasting it as she sees fit. Lead single \u201cThere Ain\u2019t No Sweet Man That\u2019s Worth the Salt of My Tears,\u201d penned by early 20th century songsmith Fred Fisher, is bubbly and bawdy, but guitarist Marc Ribot injects swampy nastiness worthy of Tom Waits. On \u201cI\u2019m a Little Mixed Up,\u201d she trades the throaty raunch of Koko Taylor\u2019s \u201970s version for roadhouse rockabilly. But it\u2019s not all rough and tough. Krall adopts a near whisper on the title track, and on closer \u201cWhen the Curtain Comes Down,\u201d you expect a bartender to appear and tell you it\u2019s closing time. \u2013Jeff Tamarkin<\/p>\n<div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>DIANA KRALL Glad Rag Doll [Verve] Earlier this year, Diana Krall collaborated with Paul McCartney on Kisses on the Bottom, his tribute to pre-rock standards. She displayed an undeniable affinity for the songcraft of that earlier, simpler time, so it\u2019s not surprising that she covers similar ground here. What is surprising: her adventurous approach. With [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[196,1006,5105,5077,1875],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7683"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=7683"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7683\/revisions"}],"predecessor-version":[{"id":7686,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7683\/revisions\/7686"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=7683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=7683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=7683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}