{"id":7568,"date":"2012-10-12T11:16:41","date_gmt":"2012-10-12T18:16:41","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=7568"},"modified":"2012-10-12T11:16:41","modified_gmt":"2012-10-12T18:16:41","slug":"dynaudio-dbm50","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/10\/dynaudio-dbm50\/","title":{"rendered":"DYNAUDIO DBM50"},"content":{"rendered":"<h1><strong><img loading=\"lazy\" class=\"alignleft size-full wp-image-7569\" title=\"DYNAUDIO-DBM50-Top-Gear-JulyAug-2012\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/DYNAUDIO-DBM50-Top-Gear-JulyAug-2012.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/DYNAUDIO-DBM50-Top-Gear-JulyAug-2012.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/DYNAUDIO-DBM50-Top-Gear-JulyAug-2012-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/>D<\/strong><strong>YNAUDIO DBM50: <\/strong><strong>B<\/strong><strong>IG SOUND ON YOUR DESKTOP<\/strong><\/h1>\n<p>There are relatively few studio monitors designed for desktop use, and fewer still that are affordable. Enter the <strong>Dynaudio DBM50<\/strong>,\u00a0which offers superior sound and a compact footprint. The DBM50 adds a slight upward tilt to the brand\u2019s already popular near-field studio monitor design, making the pair ideal for desktop use. They provide a huge sweet spot for monitoring, and when combined with a decoupler such as a set of Auralex MoPADs, DBM50s offer vital monitoring accuracy without taking up precious studio space.<\/p>\n<p>\u2013Phil Selman<\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>DYNAUDIO DBM50: BIG SOUND ON YOUR DESKTOP There are relatively few studio monitors designed for desktop use, and fewer still that are affordable. Enter the Dynaudio DBM50,\u00a0which offers superior sound and a compact footprint. The DBM50 adds a slight upward tilt to the brand\u2019s already popular near-field studio monitor design, making the pair ideal for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[5060,4538,4500],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7568"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=7568"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7568\/revisions"}],"predecessor-version":[{"id":7570,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7568\/revisions\/7570"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=7568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=7568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=7568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}