{"id":7550,"date":"2012-10-12T11:06:07","date_gmt":"2012-10-12T18:06:07","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=7550"},"modified":"2012-10-12T11:06:07","modified_gmt":"2012-10-12T18:06:07","slug":"dangerous-music-source","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/10\/dangerous-music-source\/","title":{"rendered":"DANGEROUS MUSIC SOURCE"},"content":{"rendered":"<h1><strong><img loading=\"lazy\" class=\"alignleft size-full wp-image-7551\" title=\"DANGEROUS-MUSIC-SOURCE-Top-Gear-JulyAug-2012\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/DANGEROUS-MUSIC-SOURCE-Top-Gear-JulyAug-2012.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/DANGEROUS-MUSIC-SOURCE-Top-Gear-JulyAug-2012.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/10\/DANGEROUS-MUSIC-SOURCE-Top-Gear-JulyAug-2012-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/>D<\/strong><strong>ANGEROUS MUSIC SOURCE:<br \/>\n<\/strong><strong>A<\/strong><strong>LL-IN-ONE PORTABLE MONITORING<\/strong><\/h1>\n<p>Easily one of the most understated inventions to hit the recording world this year, the <strong>Dangerous Music Source<\/strong> monitoring station is a major upgrade to virtually any modest studio. Loaded with two discrete mastering-grade stereo signal paths, the Source allows one to send the main mix to monitors while delivering a separate artist mix to headphones. All switching is relay driven, so there\u2019s never any unnecessary circuitry in your signal path, and it also features the same digital converters found in their top-shelf studio gear.<\/p>\n<p>\u2013Phil Selman<\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>DANGEROUS MUSIC SOURCE: ALL-IN-ONE PORTABLE MONITORING Easily one of the most understated inventions to hit the recording world this year, the Dangerous Music Source monitoring station is a major upgrade to virtually any modest studio. Loaded with two discrete mastering-grade stereo signal paths, the Source allows one to send the main mix to monitors while [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[5052,4538,4500],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7550"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=7550"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7550\/revisions"}],"predecessor-version":[{"id":7552,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7550\/revisions\/7552"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=7550"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=7550"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=7550"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}