{"id":7343,"date":"2012-09-12T16:34:03","date_gmt":"2012-09-12T23:34:03","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=7343"},"modified":"2012-09-12T16:34:03","modified_gmt":"2012-09-12T23:34:03","slug":"laetitia-sadier","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/09\/laetitia-sadier\/","title":{"rendered":"LAETITIA SADIER"},"content":{"rendered":"<h1><strong><img loading=\"lazy\" class=\"alignright size-full wp-image-7344\" title=\"LAETITIA-SADIER-M-Review-JulyAugust2012\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/09\/LAETITIA-SADIER-M-Review-JulyAugust2012.jpg\" alt=\"\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/09\/LAETITIA-SADIER-M-Review-JulyAugust2012.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/09\/LAETITIA-SADIER-M-Review-JulyAugust2012-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>L<\/strong><strong>AETITIA SADIER<\/strong><\/h1>\n<p><strong><em>Silencio<\/em><\/strong><\/p>\n<p>[Drag City]<\/p>\n<div>\n<p>Just as her longtime band, the sadly kaput Stereolab, developed a singular signature sound informed by myriad disparate influences, Laetitia Sadier has settled into her own crypto-sophisticated groove. On her second solo album, the French-born poli-sci seductress works her usual magic, singing snazzy jazz-pop, lounge and psych-rock songs about the perils of modern living. Only this Nico-like chanteuse could coo a line like, \u201cThe ruling class neglects again responsibility \/ Overindulged children drawn to cruel games,\u201d the key phrase in opener \u201cThe Rule of the Game,\u201d and make it sound more sexy than didactic. When the sleepy, strummy tune breaks into a go-go Technicolor rave-up in the final minute, the switcheroo feels oddly natural. There\u2019s even more sugar for the medicine on \u201cFragment Pour le Future de L\u2019homme,\u201d a funk-soul mover about being \u201clost in the century.\u201d Expect to hear plenty of Silencio at this season\u2019s swankier Occupy Wall Street get-togethers. \u2013Kenneth Partridge<\/p>\n<div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>LAETITIA SADIER Silencio [Drag City] Just as her longtime band, the sadly kaput Stereolab, developed a singular signature sound informed by myriad disparate influences, Laetitia Sadier has settled into her own crypto-sophisticated groove. On her second solo album, the French-born poli-sci seductress works her usual magic, singing snazzy jazz-pop, lounge and psych-rock songs about the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[196,288,4538,1378,4776],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7343"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=7343"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7343\/revisions"}],"predecessor-version":[{"id":7345,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7343\/revisions\/7345"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=7343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=7343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=7343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}