{"id":7308,"date":"2012-09-11T09:25:24","date_gmt":"2012-09-11T16:25:24","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=7308"},"modified":"2012-09-11T09:25:24","modified_gmt":"2012-09-11T16:25:24","slug":"guantanamo-baywatch","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/09\/guantanamo-baywatch\/","title":{"rendered":"GUANTANAMO BAYWATCH"},"content":{"rendered":"<h1><strong><img loading=\"lazy\" class=\"alignleft size-full wp-image-7309\" title=\"GUANTANAMO-BAYWATCH-M-Review-JulyAugust2012\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/09\/GUANTANAMO-BAYWATCH-M-Review-JulyAugust2012.jpg\" alt=\"\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/09\/GUANTANAMO-BAYWATCH-M-Review-JulyAugust2012.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/09\/GUANTANAMO-BAYWATCH-M-Review-JulyAugust2012-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>GUANTANAMO BAYWATCH<\/strong><\/h1>\n<p><strong><em>Chest Crawl<\/em><\/strong><\/p>\n<p>guantanamobaywatch.com<\/p>\n<p>Surf rock didn\u2019t need Quentin Tarantino to make it sound badass. Long before <em>Pulp Fiction<\/em>, the genre\u2019s best instrumentals paddled into pretty dark water, suggesting after-hours intrigue down at the shrimp shack. On its second album, the Portland trio Guantanamo Baywatch offers a particularly trashy take on this venerable \u201960s sound, ripping trebly Ventures guitar runs with violent garage vigor. On tunes like \u201cBarbacoa\u201d and the title track, the trio hangs 10 amid B-movie sea monsters and tatted-up, gum-smacking mermaids. The demented malt-shop ballads \u201cSad Over You,\u201d \u201cDiana\u201d and \u201cFrizzella,\u201d meanwhile, find sometime singer Jason Powell behind the mic, making like Dion possessed by demons. Dig the depravity, daddio.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>GUANTANAMO BAYWATCH Chest Crawl guantanamobaywatch.com Surf rock didn\u2019t need Quentin Tarantino to make it sound badass. Long before Pulp Fiction, the genre\u2019s best instrumentals paddled into pretty dark water, suggesting after-hours intrigue down at the shrimp shack. On its second album, the Portland trio Guantanamo Baywatch offers a particularly trashy take on this venerable \u201960s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[196,4747,4746,4748,10159,4538,4750,4749],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7308"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=7308"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7308\/revisions"}],"predecessor-version":[{"id":7310,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/7308\/revisions\/7310"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=7308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=7308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=7308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}