{"id":6950,"date":"2012-08-02T01:01:24","date_gmt":"2012-08-02T08:01:24","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=6950"},"modified":"2012-08-02T01:01:24","modified_gmt":"2012-08-02T08:01:24","slug":"ant-mcnaught","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2012\/08\/ant-mcnaught\/","title":{"rendered":"ANT MCNAUGHT"},"content":{"rendered":"<h1><strong><img loading=\"lazy\" class=\"alignleft size-full wp-image-6951\" title=\"ANT-MCNAUGHT-M-Review-June2012\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/08\/ANT-MCNAUGHT-M-Review-June2012.jpg\" alt=\"\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/08\/ANT-MCNAUGHT-M-Review-June2012.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2012\/08\/ANT-MCNAUGHT-M-Review-June2012-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>A<\/strong><strong>NT M<\/strong><strong>C<\/strong><strong>NAUGHT<\/strong><\/h1>\n<p><strong><em>Apache Lane<\/em><\/strong><\/p>\n<p>antmcnaught.com<\/p>\n<p>After a stint in the New York folk scene, this singer-songwriter moved to Santa Cruz in 1980 and started a family. He never stopped playing\u2014it just took him a few decades to get his stuff on tape. Better late than never. This set reveals McNaught to be a deep-thinking, dusky-voiced strummer with some lingering questions to work out about love and mortality. The delicate country shuffle \u201cCottonwood Tree\u201d is about fathers and sons making sense of one another, while the Springsteen-ish sax-and-keys rocker \u201cFool for Love\u201d is about men and women failing to do likewise. McNaught could have written about the same things 30 years ago. Now, perhaps, he understands them a little better.<\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>ANT MCNAUGHT Apache Lane antmcnaught.com After a stint in the New York folk scene, this singer-songwriter moved to Santa Cruz in 1980 and started a family. He never stopped playing\u2014it just took him a few decades to get his stuff on tape. Better late than never. This set reveals McNaught to be a deep-thinking, dusky-voiced [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[196,4391,4393,4392,10159,4300],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/6950"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=6950"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/6950\/revisions"}],"predecessor-version":[{"id":6952,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/6950\/revisions\/6952"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=6950"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=6950"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=6950"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}