{"id":3833,"date":"2011-10-11T21:38:10","date_gmt":"2011-10-12T04:38:10","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=3833"},"modified":"2011-10-11T21:43:56","modified_gmt":"2011-10-12T04:43:56","slug":"digitech-jamman-delay","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2011\/10\/digitech-jamman-delay\/","title":{"rendered":"DIGITECH JAMMAN DELAY"},"content":{"rendered":"<h2><strong><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/10\/DIGITECH-Gear-Review-JulAug-2011.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-3834\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/10\/DIGITECH-Gear-Review-JulAug-2011.jpg\" alt=\"DIGITECH JAMMAN DELAY\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/10\/DIGITECH-Gear-Review-JulAug-2011.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/10\/DIGITECH-Gear-Review-JulAug-2011-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><\/strong><\/h2>\n<h2><strong><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/10\/DIGITECH-Gear-Review-JulAug-2011.jpg\"><\/a>D<\/strong><strong>IGITECH <\/strong><strong>J<\/strong><strong>AM<\/strong><strong>M<\/strong><strong>AN <\/strong><strong>D<\/strong><strong>ELAY<\/strong><\/h2>\n<p><strong>Back at you <\/strong><\/p>\n<div>\n<p>FOR: Great-sounding guitar-driven loops and delays. The JamMan Delay makes it easy to create, overdub, store and archive loops via USB, and has become the pedal of choice for numerous loopheads. In the \u201970s King Crimson\u2019s Robert Fripp tethered two tape machines together to create endless guitar loops\u2014could he have imagined that someday 35 minutes of loop memory, nine rhythmic backing tracks and beat-synched delays up to 16 seconds long would come in this little box? You can assign any of the JamMan Delay\u2019s 11 delay types to three foot-switchable presets per memory location, which, in combination with the expression pedal jack, make this a great standalone delay pedal.<\/p>\n<p>NOT FOR: Tape geeks.<\/p>\n<p><strong> digitech.com<\/strong><\/p>\n<p>\u2013Doug Doppler<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>DIGITECH JAMMAN DELAY Back at you FOR: Great-sounding guitar-driven loops and delays. The JamMan Delay makes it easy to create, overdub, store and archive loops via USB, and has become the pedal of choice for numerous loopheads. In the \u201970s King Crimson\u2019s Robert Fripp tethered two tape machines together to create endless guitar loops\u2014could he [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[2605,10158,2606,2482],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/3833"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=3833"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/3833\/revisions"}],"predecessor-version":[{"id":3844,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/3833\/revisions\/3844"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=3833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=3833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=3833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}