{"id":2574,"date":"2011-07-26T22:23:41","date_gmt":"2011-07-27T05:23:41","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=2574"},"modified":"2011-07-26T22:23:41","modified_gmt":"2011-07-27T05:23:41","slug":"the-horror-the-horror","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2011\/07\/the-horror-the-horror\/","title":{"rendered":"THE HORROR THE HORROR"},"content":{"rendered":"<h2><strong><img loading=\"lazy\" class=\"alignright size-full wp-image-2575\" title=\"The-Horror-The-Horror-Wilderness-M-Review-May2011\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/The-Horror-The-Horror-Wilderness-M-Review-May2011.jpg\" alt=\"\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/The-Horror-The-Horror-Wilderness-M-Review-May2011.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/The-Horror-The-Horror-Wilderness-M-Review-May2011-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>T<\/strong><strong>HE HORROR THE HORROR<\/strong><\/h2>\n<p><strong><em>Wilderness<\/em><\/strong><\/p>\n<p>myspace.com\/thth<\/p>\n<p>With the Strokes back in action, stylistic descendents The Horror The Horror picked a great time for reinvention. This is the Swedish quintet\u2019s third album\u2014traditionally the make-or-break one\u2014and singer Joel Lindstr\u00f6m knows the dangers of failing to evolve. \u201cCome in with the underground, go out with the undertow,\u201d he sings on \u201cVanity,\u201d a song about feeling like the last of the \u201900s neo-garage rockers. The group avoids redundancy not by radically reinventing itself, but by tidying and tightening up, giving its choppy guitar chords a Ginsu-grade sharpening and experimenting with jangly funk and Johnny Marr echo. On the Afro-poppy \u201cImbecile,\u201d they slip into Vampire Weekend\u2019s boat shoes\u2014fine footwear for skipping into the future.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE HORROR THE HORROR Wilderness myspace.com\/thth With the Strokes back in action, stylistic descendents The Horror The Horror picked a great time for reinvention. This is the Swedish quintet\u2019s third album\u2014traditionally the make-or-break one\u2014and singer Joel Lindstr\u00f6m knows the dangers of failing to evolve. \u201cCome in with the underground, go out with the undertow,\u201d he [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[196,10159,1634,2032,2030,2031],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2574"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=2574"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2574\/revisions"}],"predecessor-version":[{"id":2576,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2574\/revisions\/2576"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=2574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=2574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=2574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}