{"id":251,"date":"2010-07-06T18:06:09","date_gmt":"2010-07-07T01:06:09","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=251"},"modified":"2010-09-12T20:30:18","modified_gmt":"2010-09-13T03:30:18","slug":"whos-next-eli-paperboy-reed","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2010\/07\/whos-next-eli-paperboy-reed\/","title":{"rendered":"Eli &#8216;Paperboy&#8217; Reed"},"content":{"rendered":"<p><strong>WHO&#8217;S NEXT: <\/strong><\/p>\n<h1>ELI &#8216;PAPERBOY&#8217; REED<\/h1>\n<p><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/07\/whos-next-Eli-Paperboy-Reed.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-256\" title=\"whos-next-Eli-Paperboy-Reed\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/07\/whos-next-Eli-Paperboy-Reed.jpg\" alt=\"Eli Reed\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/07\/whos-next-Eli-Paperboy-Reed.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/07\/whos-next-Eli-Paperboy-Reed-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p><strong>HOMETOWN:<\/strong> Boston<\/p>\n<p><strong>INFLUENCES:<\/strong> Ray Charles,<br \/>\nSam Cooke, Otis Redding<\/p>\n<p><strong>ALBUM:<\/strong> <em>Come and Get It<\/em>,<em> <\/em>due out Aug. 10<\/p>\n<p><strong>WEBSITE:<\/strong> <a href=\"http:\/\/elipaperboyreed.com\" target=\"_blank\">elipaperboyreed.com<\/a><\/p>\n<p>EVERYTHING CHANGED FOR YOUNG ELI REED THE DAY that his father bought a Ray Charles box set, which the family listened to again and again over the course of a summer vacation. Reed was already a fan of vintage rock \u2019n\u2019 roll and country music, but when he heard the sounds of old-school soul and R&amp;B his course was set. \u201cThat was my introduction to soul music,\u201d he says. \u201cIt really changed my life.\u201d His major-label debut, <em>Come and Get It<\/em>, is suffused with those infl uences\u2014albeit placed into a modern context by producer Mike Elizondo (Eminem, Pink, Avenged Sevenfold).<\/p>\n<p>After high school, Reed headed to Clarksdale, Miss., and paid his dues singing the blues in nightclubs fi ve nights a week. It was there that he earned his nickname. \u201cI used to wear this hat, my grandfather\u2019s hat, a newsboy hat\u2014it\u2019s retired now,\u201d he recalls. \u201cAll the musicians in Clarksdale had a nickname. They gave me that one and it stuck with me.\u201d He later moved to Chicago, where he made a name for himself with his high-energy shows. A pair of well-received independent albums brought him to the attention of Capitol Records, which signed him last year.<\/p>\n<p>Reed wrote or co-wrote 11 of the 12 tracks on <em>Come and Get It <\/em>(the sole cover is of late Boston singer Frank Lynch\u2019s \u201cYoung Girl\u201d), which he says is inspired by 1970s Chicago soul in particular. \u201cFor me, it\u2019s all about writing pop songs,\u201d he says. \u201cSoul music was the greatest pop music of the 20th century, and its infl uence is so far-reaching. When I pick up a guitar to write a song, the influence of the music I love invariably comes out. For me, that music has been completely internalized. I\u2019m not trying to put anything on. This is what comes out, this is what happens. I can\u2019t sing or write any other way than I do.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>WHO&#8217;S NEXT: ELI &#8216;PAPERBOY&#8217; REED HOMETOWN: Boston INFLUENCES: Ray Charles, Sam Cooke, Otis Redding ALBUM: Come and Get It, due out Aug. 10 WEBSITE: elipaperboyreed.com EVERYTHING CHANGED FOR YOUNG ELI REED THE DAY that his father bought a Ray Charles box set, which the family listened to again and again over the course of a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[83],"tags":[841,100,80,842,10160],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/251"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=251"}],"version-history":[{"count":6,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/251\/revisions"}],"predecessor-version":[{"id":1512,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/251\/revisions\/1512"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}