{"id":2283,"date":"2011-07-25T19:44:35","date_gmt":"2011-07-26T02:44:35","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=2283"},"modified":"2011-07-25T19:44:35","modified_gmt":"2011-07-26T02:44:35","slug":"peavey-revalver-mk-iii-v","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2011\/07\/peavey-revalver-mk-iii-v\/","title":{"rendered":"PEAVEY REVALVER MK III.V"},"content":{"rendered":"<h2><img loading=\"lazy\" class=\"alignnone size-full wp-image-2284\" title=\"PEAVEY-REVALVER-MK-IIIV-Gear-Review-May-2011\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/PEAVEY-REVALVER-MK-IIIV-Gear-Review-May-2011.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/PEAVEY-REVALVER-MK-IIIV-Gear-Review-May-2011.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/PEAVEY-REVALVER-MK-IIIV-Gear-Review-May-2011-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h2>\n<h2>PEAVEY REVALVER MK III.V<\/h2>\n<p><strong>Big tones in a small package<\/strong><\/p>\n<p>FOR: Component-based modeling software. We\u2019d heard about Peavey\u2019s component-driven approach to modeling, but closer inspection leaves no doubt the company has done an excellent job of recreating amplifier dynamics in a way that modeling software has often failed to deliver. The ability to mix and match pre-amps, power amps, tubes and more provides a wide range of tone-shaping options. The massive range and quality of speaker-cabinet combinations was equally outstanding. With Strat in hand, we stacked the \u201962 Bluesbreaker pre-amp, JCM900 power-amp and vintage Marshall 4&#215;12 models together to create one of the most satisfying Jimi-licious tones we\u2019ve heard in a long time.<\/p>\n<p>NOT FOR: Those lacking in digital real estate. In plug-in mode ReValver was quite memory intensive.<\/p>\n<p><strong>peavey.com<\/strong><\/p>\n<p>\u2013 Doug Doppler<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PEAVEY REVALVER MK III.V Big tones in a small package FOR: Component-based modeling software. We\u2019d heard about Peavey\u2019s component-driven approach to modeling, but closer inspection leaves no doubt the company has done an excellent job of recreating amplifier dynamics in a way that modeling software has often failed to deliver. The ability to mix and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[10158,1634,743,1819],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2283"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=2283"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2283\/revisions"}],"predecessor-version":[{"id":2285,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2283\/revisions\/2285"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=2283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=2283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=2283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}