{"id":2258,"date":"2011-07-25T00:29:18","date_gmt":"2011-07-25T07:29:18","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=2258"},"modified":"2011-07-25T00:29:18","modified_gmt":"2011-07-25T07:29:18","slug":"avid-pro-tools-9","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2011\/07\/avid-pro-tools-9\/","title":{"rendered":"AVID PRO TOOLS 9"},"content":{"rendered":"<h2><img loading=\"lazy\" class=\"alignnone size-full wp-image-2259\" title=\"avid-pro-tools-Gear-Review-JanFeb-2011\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/avid-pro-tools-Gear-Review-JanFeb-2011.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/avid-pro-tools-Gear-Review-JanFeb-2011.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/avid-pro-tools-Gear-Review-JanFeb-2011-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h2>\n<h2>AVID PRO TOOLS 9<\/h2>\n<p><strong>Music for the masses<\/strong><\/p>\n<p>FOR: At last, everyone. Pro Tools 9 is not only chock-full of improvements, it also marks a massive departure in strategy for Avid. For the first time one does not have to use an Avid interface to run Pro Tools\u2014unlocking the world of Pro Tools to virtually every kind of recording enthusiast. Armed with just an iLok you can move from studio to studio, machine to machine, and can even open and mix a session without an external audio interface. Demands for ADC (automatic delay compensation) have topped the Pro Tools forums for some time, and this release satisfies with flying colors.<\/p>\n<p>NOT FOR: Analog revivalists.<\/p>\n<p><strong>avid.com<\/strong><\/p>\n<p>\u2013 Doug Doppler<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AVID PRO TOOLS 9 Music for the masses FOR: At last, everyone. Pro Tools 9 is not only chock-full of improvements, it also marks a massive departure in strategy for Avid. For the first time one does not have to use an Avid interface to run Pro Tools\u2014unlocking the world of Pro Tools to virtually [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[1804,10158,1059],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2258"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=2258"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2258\/revisions"}],"predecessor-version":[{"id":2260,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2258\/revisions\/2260"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=2258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=2258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=2258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}