{"id":2222,"date":"2011-07-22T18:47:57","date_gmt":"2011-07-23T01:47:57","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=2222"},"modified":"2011-07-22T18:50:33","modified_gmt":"2011-07-23T01:50:33","slug":"direct-sound-extreme-isolation-headphones","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2011\/07\/direct-sound-extreme-isolation-headphones\/","title":{"rendered":"DIRECT SOUND EXTREME ISOLATION HEADPHONES"},"content":{"rendered":"<h2><img loading=\"lazy\" class=\"alignnone size-full wp-image-2223\" title=\"direct-sound-Gear-Review-Nov-2010\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/direct-sound-Gear-Review-Nov-2010.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/direct-sound-Gear-Review-Nov-2010.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/direct-sound-Gear-Review-Nov-2010-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h2>\n<h2>DIRECT SOUND EXTREME ISOLATION HEADPHONES<\/h2>\n<p><strong>Isolation headphones for studio and stage<\/strong><\/p>\n<p>FOR: Saving your ears\u2014and sanity. Extreme Isolation Headphones were designed by session drummer John Gresko to address the challenges of audio bleeding from \u2019phones to mics as well as room noise competing with headphone mixes. The result: Vocalists can finally record without fearing headphone-born feedback blowing their ears out, while drummers or guitarists who track in the same room as their gear no longer need deafen themselves to hear the click. We found the frequency response on the EX-29 to be flat but warm, comfort factor high, and red color-coding designation for the right speaker refreshingly convenient.<\/p>\n<p>NOT FOR: Use while operating heavy machinery.<\/p>\n<p>\u2013 Doug Doppler<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DIRECT SOUND EXTREME ISOLATION HEADPHONES Isolation headphones for studio and stage FOR: Saving your ears\u2014and sanity. Extreme Isolation Headphones were designed by session drummer John Gresko to address the challenges of audio bleeding from \u2019phones to mics as well as room noise competing with headphone mixes. The result: Vocalists can finally record without fearing headphone-born [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[1788,1789,10158,1175],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2222"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=2222"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2222\/revisions"}],"predecessor-version":[{"id":2228,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2222\/revisions\/2228"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=2222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=2222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=2222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}