{"id":2216,"date":"2011-07-22T18:42:09","date_gmt":"2011-07-23T01:42:09","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=2216"},"modified":"2011-07-22T18:51:28","modified_gmt":"2011-07-23T01:51:28","slug":"avid-eleven-rack","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2011\/07\/avid-eleven-rack\/","title":{"rendered":"AVID ELEVEN RACK"},"content":{"rendered":"<h2><img loading=\"lazy\" class=\"alignnone size-full wp-image-2217\" title=\"avid-Gear-Review-Nov-2010\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/avid-Gear-Review-Nov-2010.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/avid-Gear-Review-Nov-2010.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/avid-Gear-Review-Nov-2010-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h2>\n<h2>AVID ELEVEN RACK<\/h2>\n<p><strong>Pro Tools interface for guitar <\/strong><\/p>\n<p>FOR: Racking up a killer guitar tone. Avid\u2019s Eleven Rack is a 24bit, 96k USB Pro Tools interface that is as comfortable on the concert stage as it is in the studio. The user-friendly interface makes accessing and modifying the healthy sampling of amp, effect, speaker and mic models refreshingly intuitive. Eleven Rack also functions as a mic pre-amp with phantom power for tracking vocals or\u00a0re-amping. As much as we loved the lush effects, Eleven Rack really shines when you hear a model like a channel-jumped \u201959 Fender Bassman completely dry.<\/p>\n<p>NOT FOR: The modeling-phobic.<\/p>\n<p>\u2013 Doug Doppler<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AVID ELEVEN RACK Pro Tools interface for guitar FOR: Racking up a killer guitar tone. Avid\u2019s Eleven Rack is a 24bit, 96k USB Pro Tools interface that is as comfortable on the concert stage as it is in the studio. The user-friendly interface makes accessing and modifying the healthy sampling of amp, effect, speaker and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[1786,10158,1175],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2216"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=2216"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2216\/revisions"}],"predecessor-version":[{"id":2231,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2216\/revisions\/2231"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=2216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=2216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=2216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}