{"id":2205,"date":"2011-07-22T18:21:57","date_gmt":"2011-07-23T01:21:57","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=2205"},"modified":"2011-07-22T18:21:57","modified_gmt":"2011-07-23T01:21:57","slug":"reamp-v-2","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2011\/07\/reamp-v-2\/","title":{"rendered":"REAMP V.2"},"content":{"rendered":"<h2><img loading=\"lazy\" class=\"alignnone size-full wp-image-2206\" title=\"REAMP-Gear-Review-SeptOct-2010\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/REAMP-Gear-Review-SeptOct-2010.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/REAMP-Gear-Review-SeptOct-2010.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/07\/REAMP-Gear-Review-SeptOct-2010-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h2>\n<h2>REAMP V.2<\/h2>\n<p><strong>Easily replace guitar or bass tones after capturing that perfect take.<\/strong><\/p>\n<p>FOR: Producers, engineers and studios. While sound replacement on drums has been standard fare for decades, the Reamp brings that flexibility to recording amplified instruments. Create a safety DI track and Reamp later with your choice of mics, effects and amps. We found blending amps and cabinets to be a snap, and the polarity switch quickly eliminated ground noise. If you need to fix a live recording, simply match mic placement and amp settings to replace botched parts. If you already have a great dry track, Reamp to insert instrument or line level effects into a clean amp and mic away.<\/p>\n<p>NOT FOR: Acoustic instruments.<\/p>\n<p>\u2013 Doug Doppler<\/p>\n","protected":false},"excerpt":{"rendered":"<p>REAMP V.2 Easily replace guitar or bass tones after capturing that perfect take. FOR: Producers, engineers and studios. While sound replacement on drums has been standard fare for decades, the Reamp brings that flexibility to recording amplified instruments. Create a safety DI track and Reamp later with your choice of mics, effects and amps. We [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[10158,1784,1062],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2205"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=2205"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2205\/revisions"}],"predecessor-version":[{"id":2207,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2205\/revisions\/2207"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=2205"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=2205"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=2205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}