{"id":20912,"date":"2022-08-04T13:47:50","date_gmt":"2022-08-04T20:47:50","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=20912"},"modified":"2022-08-10T13:03:09","modified_gmt":"2022-08-10T20:03:09","slug":"william-lee-golden-the-goldens-re-release-take-it-easy-with-web-exclusive-interview","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2022\/08\/william-lee-golden-the-goldens-re-release-take-it-easy-with-web-exclusive-interview\/","title":{"rendered":"William Lee Golden &#038; the Goldens re-release &#8220;Take It Easy&#8221; &#8211; with Web-Exclusive Interview"},"content":{"rendered":"<h3><strong>WILLIAM LEE GOLDEN &amp; THE GOLDENS re-release \u201cTake It Easy\u201d \u2013 with Web-Exclusive Interview<\/strong><\/h3>\n<p>&nbsp;<\/p>\n<h2><strong>Musicians:\u00a0 WILLIAM LEE GOLDEN &amp; THE GOLDENS<\/strong><\/h2>\n<p>&nbsp;<\/p>\n<h2><strong>Video:\u00a0 \u201cTake It Easy\u201d<\/strong><\/h2>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9dGa66EmfiU\" width=\"660\" height=\"440\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h1><strong>WILLIAM LEE GOLDEN &amp; THE GOLDENS CREATING FAMILY HARMONIES AND MAGIC ON EAGLES\u2019 COVER \u201cTAKE IT EASY\u201d<\/strong><\/h1>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-20923\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLGTG-BW.jpeg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLGTG-BW.jpeg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLGTG-BW-300x200.jpeg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<p>Country Music Hall of Fame living legend William Lee Golden has an incredibly distinctive voice that you immediately connect it with The Oak Ridge Boys. But this new set of albums is with his other boys\u2014his sons.<\/p>\n<p>This re-release of \u201cTake It Easy\u201d is for today\u2019s official Worldwide push on radio. William Lee Golden says \u201c\u2018Take It Easy\u2019 has always been a family favorite and since this is the 50th Anniversary for the song, it seemed appropriate to include on our new project. I hope everyone enjoys it as much as we enjoyed creating it.\u201d<\/p>\n<p>\u201cThe video really captures the essence of the song,\u201d Golden said. \u201cAlthough we love the Eagles\u2019 version tremendously, we wanted to do something a little bit different, which I feel we did.\u201d Golden wants the song to inspire listeners to \u201csimply \u2019Take It Easy.&#8217;\u201d \u201cI hope for even five minutes this song will help people forget about all of the problems in the world,\u201d he said.<\/p>\n<p>William Lee has been the recognizable baritone for The Oak Ridge Boys since 1964-1987 and 1995-present. The Oaks were mainly gospel and he was the one who steered them into country music.<\/p>\n<p>The Goldens\u2019 recently released three-album set includes <strong><em>Country Roads: Vintage Country Classics<\/em><\/strong>,\u00a0<strong><em>Southern Accents: Pop &amp; Country Rock<\/em><\/strong> and <strong><em>Old Country Church Gospel<\/em><\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><strong><em>When you listen to these three albums, you can hear William Lee Golden and the Goldens give that family feeling where you feel like you\u2019re in the same room with them\u2014sitting around the living room, singing together and just having fun.<\/em><\/strong><\/p><\/blockquote>\n<p>\u201cGoing into the studio with my boys was a dream come true,\u201d shares William Lee Golden. \u201dAt times, I wondered if it was ever going to happen. Now, after nearly two years since starting this project and what turned into a three-volume set will finally be available for the world to hear. We actually went back into the studio to record \u201cTake It Easy\u201d since this year marks the 50th Anniversary since its release with the Eagles.\u201d<\/p>\n<p>They even received praise from The Oaks\u2019 Joe Bonsall who says, \u201cI am so proud of William Lee. This three-album set is masterful and heartfelt! Golden has always been about family and music and along with his boys they have created a musical masterpiece and besides that, I find the retro feel of the great old songs quite appealing.\u201d<\/p>\n<p>William Lee Golden and the Goldens consist of another recognizable singer, Craig Golden, Rusty Golden, Chris Golden and bass singer Aaron McCune. You can hear them give that family feeling on the Eagles\u2019 hit \u201cTake It Easy.\u201d It feels like you\u2019re in the room with them\u2014sitting around in a living room, singing together and just having fun.<\/p>\n<p>We spoke with William Lee Golden, Chris Golden and Rusty Golden about music, songwriting and simple things that keep the family together.<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>WILLIAM LEE GOLDEN &amp; THE GOLDENS <\/strong>Interview<br \/>\nwith <em>M Music &amp; Musicians<\/em>\u00a0magazine publisher, Merlin David<\/h3>\n<p><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-02.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-20915\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-02.jpg\" alt=\"\" width=\"660\" height=\"660\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-02.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-02-300x300.jpg 300w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-02-150x150.jpg 150w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><\/p>\n<p><strong>What did you learn about yourself after you recorded each of these three albums?<br \/>\n<\/strong><em>William Lee<\/em>: 34 songs were cut during the pandemic. We want the people to hear all that we\u2019ve done.<br \/>\n<em>Rusty<\/em>: Because we\u2019ve got 34 more songs to record! (<em>Laughs<\/em>) I learned new ways to sing because of Ben Isaacs and Michael Sykes\u2019 contribution. They\u2019re just geniuses.<br \/>\n<em>William Lee<\/em>: They just know so much about producing and arranging harmonies. They would be in the control room during the sessions\u2014singing the harmonies, and they taught Chris and Rusty chord structures in singing harmonies\u2014different than what these guys were used to singing.<\/p>\n<p><strong>Why is this album important to you?<br \/>\n<\/strong><em>William Lee<\/em>: I took my sons back to where I came from. This is how it all started out for me, as a little kid\u2014playing music and singing with my sister, who was a little older. She played mandolin and I played rhythm guitar, when I was seven years old. I used to play guitar and we would sing duets\u2014old country songs. Later, my little brother joined us singing\u2014and we then had a trio. We\u2019d get to sing once a week on Granddaddy Golden\u2019s radio show. From there, we\u2019d sing in little churches in our part of the country\u2014south Alabama and northwest Florida\u2014and little high schools and different events. It was fun.<\/p>\n<p><strong>When did you start singing in quartets?<br \/>\n<\/strong><em>William Lee<\/em>: First time I sang in a quartet was when I was in high school\u2014in an FFA quartet [Future Farmers of America]. That was in the 11<sup>th<\/sup> grade and it gave me another dimension of singing in four-part harmony. Singing that way, I wound up laying my guitar down and got into singing more harmonies. That\u2019s how I got involved with meeting the Oak Ridge Boys\u2014and becoming a member of The Oaks in 1965-1987 and then 1995-present. It\u2019s been quite a ride.<\/p>\n<p><strong>So you guys grew up with your Dad being on stage.<br \/>\n<\/strong><em>Chris<\/em>: Rusty and I got a double dose of it growing up because my Dad\u2019s family was talented\u2014his grandfather played the fiddle and his sister played the mandolin, piano and sang. But our mother\u2019s side was also very musical\u2014she was one of eight brothers and sisters, and they all played instruments and sang. Dad used to be a fan and loved to hear them sing. We had a lot of family harmony going on\u2014on both sides.<\/p>\n<p><strong>Were there other family musicians?<br \/>\n<\/strong><em>Chris<\/em>: Our grandmother, Dad\u2019s mother, was a poet and a writer. Rusty took up after her. He\u2019s been the primary writer of the group. But on this project, we went back and did some of those old songs and a lot of the classics that we grew up on. No originals on this album\u2014just old cover songs.<br \/>\n<em>William Lee<\/em>: Covering old songs from our childhood up until now has been special. I told my sons when we got into the recording studio, \u201cHey guys, I want to hear some of your influences.\u201d They grew up with me taking them to rock \u2019n\u2019 roll concerts. Anytime someone came into town and I was home, we\u2019d get tickets to seem them. We\u2019ve shared music together for years. Here, we all went back to songs that influenced us. On our third album, Chris sang Tom Petty\u2019s \u201cSouthern Accent\u201d song; Rusty sang Bob Seger\u2019s \u201cHollywood Nights\u201d; and Craig, my third son, sang Greg Allman\u2019s \u201cMulti-Colored Lady.\u201d And my grandson Elijah sang two songs with Chris and Rusty. They even recorded \u201cElvira\u201d and \u201cBobby Sue\u201d on this thing!<\/p>\n<p><strong>How were these albums different from the way The Oaks approached <em>Front Porch Singin\u2019<\/em>?<br \/>\n<\/strong><em>Rusty<\/em>: My Dad got to choose <em>every<\/em> song. (<em>Laughs<\/em>) That\u2019s the difference!<br \/>\nWilliam Lee: We started doing this project about a week or so <em>before<\/em> The Oaks went into the studio with Dave Cobb. And we had already recorded 13 old gospel songs when I went in the following week with the Oaks. Then, when I finished <em>Front Porch Singin\u2019<\/em>, I came back to the studio with Chris and Rusty and we finished recording the second and third albums. We recorded from August through October for all three projects.<br \/>\n<em>Chris<\/em>: But it all started in this room we\u2019re in right now. It started around this grand piano. It\u2019s a nice beautiful grand piano. It\u2019s actually the first piece of furniture Dad bought for this house. He actually bought this before he bought a bed!<br \/>\n<em>William Lee<\/em>: I did!<br \/>\n<em>Chris<\/em>: The album started right here\u2014getting together, playing songs, getting the keys down and trying to work up a few little arrangements\u2014and having songs come to us and then somebody would call out another song.<br \/>\n<em>William Lee<\/em>: We\u2019ve been rehearsing in here for the past couple of days to get ready for our album release party\u2014for all three albums: a gospel album, an old country album and a country rock album with some old pop songs, where my grandson Elijah sang the great old R&amp;B song \u201cStand By Me\u201d\u2014and it\u2019s incredible.<\/p>\n<p><strong>This family project must be special in so many ways.<br \/>\n<\/strong><em>William Lee<\/em>: This is the type of music we did when we got together and kept singing\u2014old songs, great songs. When you\u2019re living in a pandemic, you don\u2019t want to be singing about the pandemic. I wanted to go back to the songs that gave us hope, feeling and love in our heart throughout the years. This project started because I wanted to get together with my sons. They\u2019re both extremely talented. Craig\u2019s talented, but these guys (Chris and Rusty) are musicians, singers and record producers. They do all of it and they\u2019re multi-talented. Chris plays mandolin, acoustic and rhythm guitar, drums and even piano on the Tom Petty song on this album.<br \/>\n<em>Chris<\/em>: When you (<em>points to me<\/em>) were talking about those nine years that Dad was not with the Oak Ridge Boys, we were all out on the road together. Rusty and I had recorded an album for Capitol Records. Actually, we started out on Columbia (Epic) Records, then went to Capitol SBK Records. In those nine years, we took that family vacation that we\u2019d never taken together. We were all out on the road touring and recording, but it\u2019s been a long time since we\u2019ve been able to do it together again.<\/p>\n<p><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-03.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-20916\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-03.jpg\" alt=\"\" width=\"660\" height=\"660\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-03.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-03-300x300.jpg 300w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-03-150x150.jpg 150w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><\/p>\n<p><strong>From a songwriter\u2019s perspective, how do these classic songs inspire you?<br \/>\n<\/strong><em>Rusty<\/em>: When you hear great classic songs, a songwriter\u2019s first instinct is \u201cWow! I wish I\u2019d have thought of that idea!\u201d The really good ones hit me that way. When I record songs that somebody else wrote, I try to do the type of songs I wished I would have written.<\/p>\n<p><strong>I grew up with Jim Reeves\u2019 \u201cFour Walls\u201d written in 1951 by Marvin J. Moore (lyrics) and George H. Campbell, Jr. (music).<br \/>\n<\/strong><em>Rusty<\/em>: It\u2019s funny but for this project, especially the first two albums (the gospel and the classic 50s and 60s country), there were a few songs that I really didn\u2019t know. I didn\u2019t know \u201cFour Walls.\u201d I knew \u201cHello Walls\u201d [<em>made popular in 1961 by Faron, written by Willie Nelson<\/em>]. I knew the melody, the end of the chorus, but I didn\u2019t know the chorus or the words. That was a new song to me. And there were quite a few of those songs on this project. A lot of the gospel songs, I definitely remember hearing as a child\u2014but there were some I had to learn.<\/p>\n<p><strong>Has your own art (paintings) influenced your music?<br \/>\n<\/strong><em>William Lee<\/em>: I haven\u2019t painted for the past five or six years. I took up painting because I had a great appreciation for art. I have several friends who are incredible artists. Some of them have passed on, God rest them. Beautiful art was something I had a passion for\u2014and I took the time to paint when my youngest son was little. I would get instructional videos of young contemporary artists teaching painting. I kept studying them and painted for about 12 years.<br \/>\n<em>Rusty<\/em>: Then, you replaced it with photography.<br \/>\n<em>William Lee<\/em>: In life, you go through phases\u2014you get into one thing and move on to something else. When I quit painting, I got more into photography\u2014to get better cameras to take better landscape shots\u2014to be able to use as a reference to paint. I then realized I was such a slow painter. It would take me six months to finish a nice piece. I did all of my painting on the road, in hotel rooms\u2014over a 12-13 year period of time.<\/p>\n<p><strong>Tell us one favorite memory of working with Booker T. Jones and Joe Walsh.<br \/>\n<\/strong><em>William Lee<\/em>: Back in 1986, I recorded the first solo album in Memphis. Joe Walsh recorded on one of the last albums I did with The Oaks before they voted me out.<br \/>\n<em>Chris<\/em>: Dad went to Memphis, and on that same album that Booker T. did\u2014for all you credit readers\u2014Larry Crane (from John Mellencamp\u2019s band) played the acoustics; Chad Cromwell (who was playing drums for Joe Walsh, Neil Young and Bonnie Raitt)\u2014he\u2019s one of the most recorded drummers out of Nashville\u2014it was an all-star band. During that time, Rusty and I had spent a few years going back and forth to Muscle Shoals with Roger Hawkins and David Hood taking us under their wing. I tell people that\u2019s where I got my Master\u2019s degree. (<em>Laughs<\/em>) They really taught us how to make records down there. David Hood is the last remaining guy from the Muscle Shoals rhythm section\u2014who I always thought was the Mount Rushmore of rhythm sections\u2014along with Jimmy Johnson and Barry Beckett.<br \/>\n<em>Rusty<\/em>: Sorry, Motown and Stax. (<em>Laughs<\/em>)<br \/>\n<em>William Lee<\/em>: David played bass on 21 of these 34 songs.<\/p>\n<p><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-04.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-20917\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-04.jpg\" alt=\"\" width=\"660\" height=\"660\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-04.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-04-300x300.jpg 300w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-04-150x150.jpg 150w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><\/p>\n<p><strong>What are your favorite memories from doing these three albums?<br \/>\n<\/strong><em>William Lee<\/em>: Getting my sons together and allowing them to put their musical feelings into all this wonderful music. During the time I was voted out of The Oaks, and then voted me back in, these are the guys I did music with. My sons and I spent about eight years doing music together. Playing music as a family\u2014that\u2019s what I loved. I gained a new respect for my sons as talented and seasoned musicians. They have a great feel for music. It has simplicity but a heart-felt feel. We had an amazing group of musicians in the studio with us. It was a tight-knit group of people. It was during the pandemic and unfortunately Ben Isaacs came down with Covid and missed the first sessions, but he was watching the video monitors in the studio.<br \/>\n<em>Chris<\/em>: They have cameras all over the studio, so it really helped him be a part of those sessions.<br \/>\n<em>Rusty<\/em>: We videotaped everything we did. (<em>Laughs<\/em>)<br \/>\n<em>William Lee<\/em>: Jeff Panzer was directing the videos from LA. He\u2019s a top hip-hop video producer. He did all of Nelly, Lil\u2019 Wayne, Nikki Minaj and Drake\u2019s first album videos. He captured all of our recordings\u2014every day. They had about four or five cameras in each recording session.<br \/>\n<em>Chris<\/em>: My main memory was saying, \u201cSon, I done told you\u2014get that thing out of my face!\u201d (<em>Laughs<\/em>)<\/p>\n<p><strong>Tell us about your early career. Do you remember the first time you heard one of your songs on the radio?<br \/>\n<\/strong><em>William Lee<\/em>: I remember when we heard our first country record, <em>Y\u2019all Come Back Saloon<\/em> (1977)\u2014that The Oaks released. We were at a truck stop in Texas and someone said, \u201cHey look! We\u2019re on the jukebox!\u201d And that day\u2014we played our own record on the jukebox! And man, it was wild to stand there and hear your own record on the jukebox. We kept putting quarters in and kept playing it.<br \/>\n<em>Chris<\/em>: I remember driving through Nashville and hearing our song \u201cSorry Girls\u201d over WSIX, with Gerry House. Rusty and I did that album on Epic Records. I wanted to pull over, but there were five lanes of traffic and we really couldn\u2019t. I wanted to crank it up and look at the guy in traffic next to me and go, \u201cI\u2019m on the radio!\u201d<br \/>\n<em>Rusty<\/em>: First time I heard one of my songs, I was in a group called the Boys Band, and there was a rock station here, WKDF. I was out at Rivergate coming out of the Shoe Locker place and getting into my car. The song started up and I pulled over on the side of the road\u2014and cried.<\/p>\n<p><strong>In this unique socio-political climate, how do you remain hopeful?<br \/>\n<\/strong><em>Chris<\/em>: Dad always said that music has a healing power. It was during that time when we first started recording. We had just laid our mother to rest. It was a sad time. We all went in and started recording these gospel songs and it did become a healing process for everybody\u2014to get our minds back into what we love to do. We wanted to share our gifts, hoping that the same joy and the same healing that we got by recording these songs and being together\u2014would translate to the people who would hear these songs that have meant so much to us through the years.<br \/>\n<em>Rusty<\/em>: It\u2019s the first time we all had been in the same room together\u2014for that long a period of time\u2014since the old days when Dad wasn\u2019t with the Oaks\u2014and we were riding down the road together.<br \/>\n<em>Chris<\/em>: During that time, Rusty and I were recording albums, and Dad was recording solo albums, but we had never really recorded anything together. We had our own label deal. Dad was doing solo albums for Mercury Records, and we were doing different things with Capitol Records. We had toured together, but we had never recorded together like that. So, this has been a long time coming.<\/p>\n<p><strong>Is there one song you are glad somehow squeaked by and made it onto these recordings?<br \/>\n<\/strong><em>William Lee<\/em>: Yes! It was the last song we recorded for these albums. It was the Eagles\u2019 song called \u201cTake It Easy\u201d [for <em>Southern Accents<\/em>]. We also did \u201cPeaceful Easy Feeling\u201d\u2014those were the last two songs. It\u2019s exciting and exhilarating. Not only recording these songs but hearing it back and realizing we created something special\u2014it\u2019s still exciting.<br \/>\n<em>Chris<\/em>: We hope those last two Eagles\u2019 songs lead us to the next project.<br \/>\n<a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-05.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-20918\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-05.jpg\" alt=\"\" width=\"660\" height=\"660\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-05.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-05-300x300.jpg 300w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/08\/WLG-05-150x150.jpg 150w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>WILLIAM LEE GOLDEN &amp; THE GOLDENS re-release \u201cTake It Easy\u201d \u2013 with Web-Exclusive Interview &nbsp; Musicians:\u00a0 WILLIAM LEE GOLDEN &amp; THE GOLDENS &nbsp; Video:\u00a0 \u201cTake It Easy\u201d &nbsp; WILLIAM LEE GOLDEN &amp; THE GOLDENS CREATING FAMILY HARMONIES AND MAGIC ON EAGLES\u2019 COVER \u201cTAKE IT EASY\u201d &nbsp; Country Music Hall of Fame living legend William Lee [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":20923,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7725],"tags":[13959,13958,13957,13956,13955,13960,13961,13962,13963,3727,13964,3186,2422,8757,13965,13966,13967,5286,9455,13968,13969,7499,13970,2976,1628,13971,13972,13973,13974,13975,13976,13977,13978,13979,13980,3880,13981,13982,10444,13983,1625,13984,13985,8694,26,562,808,2721,13986,6566,13987,7191,13988,13989,9043,1082,2716,13990,13991,13992,13993,13994,2388,558,13995,13996,13997,13998,1609,13821,13999,14000,2005,14001,14002],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/20912"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=20912"}],"version-history":[{"count":4,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/20912\/revisions"}],"predecessor-version":[{"id":20924,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/20912\/revisions\/20924"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media\/20923"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=20912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=20912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=20912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}