{"id":20560,"date":"2022-03-15T15:44:07","date_gmt":"2022-03-15T22:44:07","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=20560"},"modified":"2022-03-15T15:50:50","modified_gmt":"2022-03-15T22:50:50","slug":"20560","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2022\/03\/20560\/","title":{"rendered":"DANA COOPER &#8211; Web-Exclusive Interview &#038; &#8220;Bluebird&#8221; Video Feature"},"content":{"rendered":"<h3><strong>Video Feature &amp; Web-Exclusive Interview<br \/>\n<\/strong><\/h3>\n<h2>Musician: <strong>DANA COOPER<\/strong><\/h2>\n<h2>Video: \u201c<strong>Bluebird<\/strong>\u201d<\/h2>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZUqAXhRo-UI\" width=\"660\" height=\"340\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h1 style=\"text-align: center;\"><strong>DANA COOPER IN TOP FORM<\/strong><\/h1>\n<h1 style=\"text-align: center;\"><strong>WITH <\/strong><strong>NEW ALBUM <em>I CAN FACE THE TRUTH<\/em><\/strong><\/h1>\n<p>Like meeting an old friend for the first time, Dana Cooper\u2019s latest release, <em>I Can Face the Truth<\/em>, rewards the homesick heart and will make you declare, \u2018Finally! They actually do make them like they used to.\u2019 Full of friendly surprises, new and nostalgic, you will find yourself wanting to lean in a little closer to hear the secrets just beyond the melody. Magically mindful!<\/p>\n<p>With a voice sensitive and scarred by the beauty and tragedies of a fervent life, this tireless troubadour offers passion, unity and hope to a world longing for the innocence of an earlier time: <em>Always hello, never goodbye\u2014forever our lives are entwined;<\/em><em> we turn to the sun together as one\u2014close as the flower and the vine<\/em>.<\/p>\n<p>Standout tracks include, \u201cI Can Face the Truth,\u201d and the timely compelling \u201cSummer in America\u201d which will move you to the point where you can\u2019t help but lift your voice toward the sky and let out the aching relief that reverberates inside as you sing along and smile while reminiscing of your own summer.<\/p>\n<p>Cooper\u2019s lyrics are always introspective, powerful in its subtle strength, digging and searching for answers as it echoes from the head to the heart and haunts waking dreams\u2014all while remaining refreshingly honest: <em>Afraid <\/em><em>of what I\u2019m not and what I might become; yeah, I can face the truth\u2014but please, not today<\/em>.<\/p>\n<p>Other irresistible tracks include \u201cAlways Old Friends\u201d (co-written and co-produced with Robert Weingartz), \u201cFlower and the Vine\u201d (co-written with Kim Richey), \u201cBluebird\u201d (co-written with Tom Kimmel), \u201cOurs for a Little While\u201d (co-written with Elva Jones-Hahn: <em>Everything we think we own, we borrow; this moment is so precious only ours for a little while\u2014ours for a little while<\/em>), \u201cWalls\u201d (co-written with Rebecca Folsom) and \u201cI Know a Girl\u201d (co-written with Dave Coleman)\u2014which will again find you singing along.<\/p>\n<p>Dana Cooper\u2019s new album <em>I Can Face the Truth<\/em> is radio ready, honest, vulnerable and an incredibly formidable effort. It is Cooper at the top of his songwriting form and creative expression, with arrangements so strong it allows each listener to feel he wrote the song specifically for them.<\/p>\n<p>Masterfully produced by multi-instrumentalist Dave Coleman and Cooper, this collection delivers a thoughtful spectrum of folk, rock and blues originals, as well as a refreshing rendition of the Hank Williams classic, \u201cI\u2019m So Lonesome I Could Cry.\u201d<\/p>\n<p>Dana Cooper is an honest and passionate veteran who has paid his dues, done the work, and whose name deserves to be on the wall beside every other great who made Americana, folk and the music of the 70\u2019s the treasure that it is today. We talked with Cooper about his passion for songwriting and performing, what continues to inspire him, how he takes the time to listen, and how he continues to be mindful and remain hopeful.<br \/>\n<a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-01-1.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-20561\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-01-1.jpg\" alt=\"\" width=\"660\" height=\"594\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-01-1.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-01-1-300x270.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><\/p>\n<h2><strong>DANA COOPER <\/strong>Interview<br \/>\nwith\u00a0<strong><em>M Music &amp; Musicians<\/em>\u00a0<\/strong>magazine publisher,<strong> Merlin David<\/strong><\/h2>\n<p>&nbsp;<\/p>\n<p><strong>What is one main thing you learned about yourself after recording this new album <em>I Can Face the Truth<\/em>?<br \/>\n<\/strong>I feel like I keep learning the same lessons over and over again. One of the biggest lessons I re-learned from this project was to trust my own creative instincts and those of my fellow musicians.<\/p>\n<p><strong>How did this album evolve?<br \/>\n<\/strong>One year to the date of my mother\u2019s passing, I had a conversation with Dave Coleman after seeing his band, The Coal Men, play at The 5 Spot in East Nashville. Dave and I had met years before when he was an intern at Compass Records. Over the years, we saw each other on occasion but never really had an in-depth conversation. At The 5 Spot, I reintroduced myself to Dave and told him how much I admired his musicality. We talked for a while until he invited me to visit his Howard\u2019s Apartment Studio and to even record a song to see how I liked it. I was flattered and excited to get together with Dave and we scheduled a visit two days later. Dave shared some other recordings he had produced with local singer-songwriters I love, Amelia White, Jon Byrd, Tim Carroll and more. I had recently finished \u201cI Can Face the Truth\u201d and was eager to record it. Dave and I launched into it and a few hours later, we were grinning at each other and making plans to record an entire CD.<\/p>\n<p><strong>How did the idea for the catchy title track \u201cI Can Face the Truth\u201d come to you?<br \/>\n<\/strong>While walking through Woodlawn Cemetery in Nashville, paying my respects to old heroes like Marty Robbins and George Jones, I was struck by the rows of bright-colored artificial flowers. Reflecting on our mortality and all our rituals to deal with it, I pulled out my pocket Moleskine and jotted down the line \u201ccut down the flowers, lay them on the grave.\u201d The spring day was so bright and green that I embraced the sap and promise of my own little life. I sat beneath the trees and wrote \u201cDon\u2019t want the sun to hide behind the cloud. I want to run and never fall down.\u201d I had been ruminating on the confusing times we live in, how lies can be sold as truth and realizing my own inability sometimes to own up to my shortcomings. The refrain popped up in my head\u2014\u201cI can face the truth, but please not today.\u201d<\/p>\n<blockquote><p><strong><em>Dana Cooper\u2019s new album <\/em><\/strong><strong>I Can Face the Truth<em> is radio ready, honest, vulnerable and an incredibly formidable effort. It is Cooper at the top of his songwriting form and creative expression, with arrangements so strong it allows each listener to feel he wrote the song specifically for them.<\/em><\/strong><\/p><\/blockquote>\n<p><strong>Which song somehow squeaked by and made it onto this collection?<br \/>\n<\/strong>On every one of my CDs there is an older song that has never been recorded. On this project there are two. \u201cBluebird,\u201d written with Tom Kimmel is one. The other is \u201cI\u2019m Just Passing through Here\u201d which I wrote around 1976. Early on, after singing the song to a friend who had a negative reaction, I rarely performed it again. A couple of years later I played it for my wife Linda Lou and she loved it. Several times I planned on recording the song but it somehow never made the cut. This time, it felt more timely than ever and the perfect summation of this collection of songs.<\/p>\n<div id=\"attachment_20564\" style=\"width: 670px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-04-with-Tom-Kimmel.jpg\"><img aria-describedby=\"caption-attachment-20564\" loading=\"lazy\" class=\"size-full wp-image-20564\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-04-with-Tom-Kimmel.jpg\" alt=\"\" width=\"660\" height=\"495\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-04-with-Tom-Kimmel.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-04-with-Tom-Kimmel-300x225.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><p id=\"caption-attachment-20564\" class=\"wp-caption-text\">Dana Cooper with Tom Kimmel<\/p><\/div>\n<p><strong>Who originally inspired you to write songs?<br \/>\n<\/strong>At two years old, I began singing along with the radio to artists like Hank Williams and Ernest Tubb. I asked my dad about the names beneath the songs on our albums and 45s. He told me those were the people who wrote the songs. Some of the first songwriters who inspired me to consider writing my own songs were Cole Porter, Buffy Sainte-Marie, Bob Dylan, and Lennon &amp; McCartney.<\/p>\n<p><strong>What is your creative process for writing songs?<br \/>\n<\/strong>At the heart of songwriting is observation. As a little kid I walked through life not paying attention, looking down at the ground a lot. One morning while walking to first grade, my mom told me to look up at the world around me\u2014to see how the morning sun shone on the power lines and through the leaves. I walk almost every day. On the road, I\u2019ll walk at night after a gig. Sometimes around parts of cities I probably have no business being in. I always have a small notebook and pen, a digital recorder and some kind of camera. Often after gigs I\u2019ll stay up for a few hours playing the guitar, trying open tunings, different rhythms. Nearly every day I snag some kind of lyric, melody or rhythm idea. Most of these are of no consequence but it\u2019s important to make a record of them. Every week or so, I listen and read through the ideas, and hone in on anything that stands out.<\/p>\n<p><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-02-1.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-20562\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-02-1.jpg\" alt=\"\" width=\"660\" height=\"660\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-02-1.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-02-1-300x300.jpg 300w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-02-1-150x150.jpg 150w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><br \/>\n<strong><br \/>\nWhat songwriting tip would you like to offer?<br \/>\n<\/strong>Develop your powers of observation, read everything you can, watch films from all over the world, listen to every kind of music, be brutally honest in what you write, travel, ask people questions and listen to their stories, give yourself permission to write badly, push yourself to be better on your instrument, experiment with different rhythms. Make big mistakes. Do the research. Rewrite.<\/p>\n<p><strong>Which Top 5 Musicians\u00a0inspired you to become a musician?<br \/>\n<\/strong>Top fives are difficult. So many people have inspired me over the years. Early on though, I\u2019d have to say Hank Williams, Bill Haley and the Comets, Leonard Bernstein, Bob Dylan and the Beatles.<\/p>\n<p><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-07-live.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-20567\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-07-live.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-07-live.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-07-live-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><br \/>\n<strong><br \/>\nWhat are your Top 5 favorite albums of all time?<br \/>\n<\/strong><em>Many a Mile<\/em> (1965) \u2014 Buffy Saint-Marie<br \/>\n<em>Sgt. Pepper\u2019s Lonely Hearts Club Band<\/em> (1967) \u2014 The Beatles<br \/>\n<em>The Hissing of Summer Lawns<\/em> (1975) \u2014 Joni Mitchell<br \/>\n<em>Talking Book <\/em>(1972) \u2014 Stevie Wonder<br \/>\n<em>Bringing It All Back Home<\/em> (1965) \u2014 Bob Dylan<\/p>\n<p><strong>What instruments<\/strong><strong>\/equipment can you not live without?<br \/>\n<\/strong>My dad co-signed for me to buy my 1967 Gibson Heritage. It\u2019s been with me ever since. I own other guitars but the Heritage is the one I never want to be without. I also treasure my old Gibson A1 mandolin, given to me by my wife and mother as a birthday gift long ago. Recently, I bought an Alvarez acoustic baritone guitar that\u2019s been a lot of fun to dig into. I play around with a bass guitar, drums, banjo, piano\u2014when no one is listening, harp guitar, penny whistle and harmonica. I try any instrument I can get my hands on to inspire new song ideas.<\/p>\n<p><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-06-close-up-2.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-20566\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-06-close-up-2.jpg\" alt=\"\" width=\"660\" height=\"994\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-06-close-up-2.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-06-close-up-2-199x300.jpg 199w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-06-close-up-2-300x452.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><br \/>\n<strong><br \/>\nSeems like you have a new guitar.<br \/>\n<\/strong>It was love at first sight with my Breedlove\u2014Myrtlewood\u2014Oregon Concert Bourbon E guitar. Once I began playing the guitar I was truly hooked. The instrument sings and rings with a depth of tone I didn\u2019t expect from its size. What I first thought would be my second guitar became my primary instrument for writing and live performance. My Breedlove is not only gorgeous to look at and to play but it\u2019s proven to be a workhorse.<\/p>\n<p><strong>A harmonica always finds its way into some of your songs.<br \/>\n<\/strong>I played Hohner Marine Band harmonicas at the very beginning of my career. The Hohner Special 20 was a breakthrough with its powerful punch and the flexibility and durability of the reeds. The plastic soundboard doesn\u2019t warp when soaking the harp and I love the heft of the instrument in my hand when not playing it on a rack.<\/p>\n<div id=\"attachment_20568\" style=\"width: 670px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-08-with-producer-Dave-Coleman.jpg\"><img aria-describedby=\"caption-attachment-20568\" loading=\"lazy\" class=\"size-full wp-image-20568\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-08-with-producer-Dave-Coleman.jpg\" alt=\"\" width=\"660\" height=\"660\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-08-with-producer-Dave-Coleman.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-08-with-producer-Dave-Coleman-300x300.jpg 300w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-08-with-producer-Dave-Coleman-150x150.jpg 150w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><p id=\"caption-attachment-20568\" class=\"wp-caption-text\">Dana Cooper with co-producer Dave Coleman<\/p><\/div>\n<p><strong>Tell us a \u201cpinch me\u201d moment when you thought \u201c<em>Wow, this is really happening to me!<\/em>\u201d<\/strong><em><br \/>\n<\/em>For my Elektra album I had complete artistic control, something rare for a new recording artist. I chose two rhythm sections. My first pick was bassist Leland Sklar and drummer Russ Kunkel of \u201cThe Section.\u201d Stan Farber produced the record and he knew just about everyone from his years as a member of the most in demand group of background singers in Los Angeles at the time [Ron Hicklin Singers]. Stan recommended some of famed \u201cWrecking Crew\u201d musicians\u2014bassist Joe Osborn, drummer Jim Gordon, saxophone and flute player Jim Horn, percussionist Milt Holland, vibraphonist and percussionist Gary Coleman, along with string arranger Lee Holdridge, keyboardist Michael Omartian and pedal steel player Al Perkins. We recorded all in one room together, separated by baffling to isolate our instruments but still with a clear view of one another. Looking across that room at all those incredible musicians playing and recording my songs was and remains one of the highlights of my life.<\/p>\n<p><strong>Do you remember the first time you heard one of your songs on the radio?<br \/>\n<\/strong>My eponymous Elektra album came out in 1973. First gig of the tour was opening a series of shows for Townes Van Zandt at Passim\u2019s in Cambridge, Massachusetts. I was touring with friend and guitar accompanist Al Del Gigante. Andy, the east coast head of record promotions picked us up at the airport and drove us to a record store in Cambridge. Along the way my song \u201cLover, Baby, Friend\u201d suddenly played on the car radio. It took a couple of seconds to realize it was me singing through the dashboard speakers. We pulled up to the record store and the big picture window was festooned with dozens of my LP covers. I was both excited and terrified of what was to come.<\/p>\n<p><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-03.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-20563\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-03.jpg\" alt=\"\" width=\"660\" height=\"495\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-03.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-03-300x225.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><br \/>\n<strong>Tell us how the idea of \u201cLaughing and Crying\u201d came to you.<br \/>\n<\/strong>It\u2019s a conversation with my departed mother Betty Jo. The idea came to me when I recalled one of the last times I sang a new song for Betty. The song was \u201cDance toward the Light\u201d inspired by my mom and the first time she talked to me about our mortality. We sat at her old kitchen table and halfway through the song I saw that mom was so moved she began laughing and crying at the same time. I have always loved that overpowering emotion that comes when a song, or a book, or a film deeply moves me and how alive it makes me feel. Betty Jo taught me how to tap into that emotion when I was just a kid. This song is my way of paying homage to her.<\/p>\n<p><strong>What is the best advice someone has given to you?<br \/>\n<\/strong>Sister Mary De Paul told us third graders at St. Ann\u2019s \u201cDon\u2019t hide your light beneath a bushel basket.\u201d The idea was to discover what your true vocation in life was and to pursue it with dedication and perseverance. The second bit of sage advice I\u2019ve always cherished came from fellow bandmate and keyboardist Riley Osborne who often quipped \u201cDon\u2019t take any of it too seriously.\u201d<\/p>\n<blockquote><p><strong><em>Dana Cooper is an honest and passionate veteran who has paid his dues, done the work, and whose name deserves to be on the wall beside every other great who made Americana, folk and the music of the 70\u2019s the treasure that it is today.<\/em><\/strong><\/p><\/blockquote>\n<p><strong>In this unique socio-political climate, how do you remain hopeful?<br \/>\n<\/strong>When my heart sinks and my shoulders tense up, my mind bends and I can\u2019t imagine what is next for the human race, I pick up a guitar and let it lead me where it will. No matter how broke or down I\u2019ve ever been\u2014there is no better medicine than playing music and creating a new song.<\/p>\n<p><strong>Where can new fans get more info and stay updated?<\/strong><br \/>\n<a href=\"http:\/\/www.DanaCooperMusic.com\">www.DanaCooperMusic.com<\/a><br \/>\n<a href=\"http:\/\/www.Facebook.com\/Dana-Cooper-Music-100718218970427\">www.Facebook.com\/Dana-Cooper-Music-100718218970427<\/a><\/p>\n<div id=\"attachment_20565\" style=\"width: 670px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-05-Live-at-the-Bluebird.jpg\"><img aria-describedby=\"caption-attachment-20565\" loading=\"lazy\" class=\"size-full wp-image-20565\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-05-Live-at-the-Bluebird.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-05-Live-at-the-Bluebird.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2022\/03\/Dana-Cooper-05-Live-at-the-Bluebird-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><p id=\"caption-attachment-20565\" class=\"wp-caption-text\">Dana Cooper &#8211; Live at the Bluebird (Nashville)<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Video Feature &amp; Web-Exclusive Interview Musician: DANA COOPER Video: \u201cBluebird\u201d DANA COOPER IN TOP FORM WITH NEW ALBUM I CAN FACE THE TRUTH Like meeting an old friend for the first time, Dana Cooper\u2019s latest release, I Can Face the Truth, rewards the homesick heart and will make you declare, \u2018Finally! They actually do make [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":20579,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7725],"tags":[13541,13538,13518,13539,13540,13542,13543,13520,13544,8924,13519,13545,24,13546,9883,13547,12668,13548,3592,8161,13549,12295,13521,13550,12003,13551,13552,13553,7794,8422,13554,13522,13523,13524,13525,13555,7560,13526,13527,13556,13528,13557,13558,4340,13559,9755,13560,4338,13561,8934,11904,13562,13529,13530,13531,13566,13567,13532,13563,13564,13568,13565,991,6551,13569,12565,9232,6266,13570,7566,4341,3010,13571,13572,7978,13573,13533,13575,13574,11527,13576,13534,13577,12572,13578,13579,13580,5372,13535,3818,13581,13582,10630,13583,13536,3643,13537,13584,8483,13585],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/20560"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=20560"}],"version-history":[{"count":10,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/20560\/revisions"}],"predecessor-version":[{"id":20581,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/20560\/revisions\/20581"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media\/20579"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=20560"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=20560"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=20560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}