{"id":2036,"date":"2011-03-20T17:03:15","date_gmt":"2011-03-21T00:03:15","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=2036"},"modified":"2011-03-20T17:03:15","modified_gmt":"2011-03-21T00:03:15","slug":"joey-pero%e2%80%a8","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2011\/03\/joey-pero%e2%80%a8\/","title":{"rendered":"JOEY PERO\u2028"},"content":{"rendered":"<h2><strong><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/03\/JOEY-PERO-M-Review-JanFeb2011.jpg\"><img loading=\"lazy\" class=\"alignright size-full wp-image-2037\" title=\"JOEY-PERO-M-Review-JanFeb2011\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/03\/JOEY-PERO-M-Review-JanFeb2011.jpg\" alt=\"\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/03\/JOEY-PERO-M-Review-JanFeb2011.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/03\/JOEY-PERO-M-Review-JanFeb2011-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a>J<\/strong><strong>OEY PERO<\/strong><\/h2>\n<p><strong><em>Resonance<br \/>\n<\/em><\/strong><\/p>\n<p>joeypero.com<\/p>\n<p>It\u2019s one thing to be an acclaimed jazz virtuoso, a graduate of Julliard and a trumpeter able to wail repeated 16th-notes with dazzling speed and proficiency. It\u2019s another to transcend stylistic boundaries and operate effectively in the classical world. So credit Joey Pero for overachieving his first time out, courtesy of a 12-song set that ranks as a most impressive instrumental debut. Pero enlists a number of guest vocalists\u2014Phoebe Snow among them\u2014but his ability to repeatedly shift gears makes <em>Resonance<\/em> remarkable. Sandwiched between the flourish and fanfare of \u201cArutunian Trumpet Concerto\u201d and the regal revelry of \u201cBlue Rondo,\u201d Pero injects rock, rap and rhythms that swing and soar. <em>Resonance<\/em> resonates.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>JOEY PERO Resonance joeypero.com It\u2019s one thing to be an acclaimed jazz virtuoso, a graduate of Julliard and a trumpeter able to wail repeated 16th-notes with dazzling speed and proficiency. It\u2019s another to transcend stylistic boundaries and operate effectively in the classical world. So credit Joey Pero for overachieving his first time out, courtesy of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[196,10159,1059,1575,1577,1576],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2036"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=2036"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2036\/revisions"}],"predecessor-version":[{"id":2038,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/2036\/revisions\/2038"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=2036"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=2036"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=2036"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}