{"id":20231,"date":"2021-12-02T17:23:39","date_gmt":"2021-12-03T00:23:39","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=20231"},"modified":"2021-12-07T10:54:10","modified_gmt":"2021-12-07T17:54:10","slug":"peter-mulvey","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2021\/12\/peter-mulvey\/","title":{"rendered":"PETER MULVEY"},"content":{"rendered":"<h1>Musician: <strong>PETER MULVEY<\/strong><\/h1>\n<h1>Video: \u201c<strong>Don\u2019t You Ever Change<\/strong>\u201d<\/h1>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4DThxHm3hyU\" width=\"660\" height=\"340\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<h2>PETER MULVEY FEATURED AT BLUE ROCK\u2019S <em>COOL NIGHTS 21<\/em> <strong>THIS THURSDAY, DECEMBER 2<\/strong><\/h2>\n<p>Peter Mulvey will be featured at Blue Rock aLive! <em>Cool Nights 21<\/em> livestreaming concert series\u2014this Thursday, December 2.<\/p>\n<p>Mulvey\u2019s new album <em>Love is the Only Thing<\/em> will be released in early 2022 on Ani DiFranco\u2019s Righteous Babe Records. Our featured video is from his most recent release is <em>Live at the Caf\u00e9 Carpe<\/em>\u2014Peter Mulvey &amp; SistaStrings.<\/p>\n<p>Mulvey is a songwriter and raconteur. He took a semester in Ireland and immediately cut classes to busk on Grafton Street in Dublin and hitchhike across the country, finding whatever gigs he could. Back stateside, he spent a couple of years gigging in the Midwest before lighting out for Boston, where he returned to busking\u2014this time in the subway and coffeehouses\u2014and then touring nationally. 19 records, an illustrated book, a TEDx talk, a decades-long association with the National Youth Science Camp, appearances on NPR and an annual autumn bicycle tour. He folds everything he encounters into his work: poetry, social justice, scientific literacy and a deeply abiding humanism.<a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-a-Photo-credit-Joe-Navas-1.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-20245\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-a-Photo-credit-Joe-Navas-1.jpg\" alt=\"\" width=\"660\" height=\"441\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-a-Photo-credit-Joe-Navas-1.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-a-Photo-credit-Joe-Navas-1-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><\/p>\n<p>Peter Mulvey\u2019s songs are a direct expression of the man he has become and his love for, and understanding of, the power of words. Through everyday imagery, he brilliantly combines life experiences and the genuine good from spirituality and mixes it to create concise truth that offers a practical guide to living life while respecting others.<\/p>\n<p>Check out his livestream this Thursday, December 2, at Blue Rock Texas\u2014where innovation, quality and creativity are evidenced in concerts produced with broadcast quality audio-video from their renowned Texas room\u2014streamed straight to you. Tickets are $25. Inquire about a Season Pass ($105) which lets you can have a seat in the house\u2014by sending in your headshot. What\u2019s unique is they will place your headshot on a seat, so you will literally be <em>sitting<\/em> in the room. Go to: <a href=\"https:\/\/bluerocktexas.com\/events\">https:\/\/bluerocktexas.com\/events<\/a><\/p>\n<h3><strong>PETER MULVEY <\/strong>Interview<br \/>\nwith <strong><em>M Music &amp; Musicians<\/em>\u00a0<\/strong>magazine publisher,<strong> Merlin David<\/strong><\/h3>\n<p><strong>Tell us how the upcoming album <em>Love is the Only Thing<\/em> evolved.<br \/>\n<\/strong>This album was delayed\u2014and delayed again. It\u2019ll be on Righteous Babe Records in early 2022. I wrote three pandemic songs. \u201cFive Hundred Days\u201d is a hopeful little song about starting a family. It goes out to all the people who took that brave step during these uncertain times. It\u2019s the first song I co-wrote with my wife, J. Green. She\u2019s one of those people\u2014she\u2019s made exactly one marble sculpture in her whole life, of her aunt, and it\u2019s genuinely great\u2014like, you should pursue this! We sat down and tried to finish each other\u2019s sentences. It\u2019s written to a future child\u2014a song of anyone hoping to become a parent.<\/p>\n<p><strong>It sounds like an important song in this collection.<br \/>\n<\/strong>The whole record hinges on that song. What all of us have been through over the last five years\u2014with this lurch towards autocracy and authoritarianism happening globally and with our democracy; and then the civilization-deranging pandemic. If we\u2019re going to make things right, it\u2019s just going to be us\u2014our people and our basic family unit\u2014chosen family or biological family. It will be our groups of friends and family\u2014that\u2019s all we actually have. It makes me look at <em>The Lord of the Rings<\/em> in a whole new light. (<em>Laughs<\/em>)<\/p>\n<blockquote><p><strong><em>Peter Mulvey\u2019s songs are a direct expression of the man he has become and his love for, and understanding of, the power of words. Through everyday imagery, he brilliantly combines life experiences and the genuine good from spirituality and mixes it to create concise truth that offers a practical guide to living life while respecting others.<br \/>\n<\/em><\/strong><\/p><\/blockquote>\n<p><strong>What did you learn about yourself after recording this album?<\/strong><br \/>\nI cemented my understanding of myself as America\u2019s middle child. A long time ago, I wrote \u201cSong for Michael Brown,\u201d which is finally going to come out on this record. When I put the song online, this guy said, \u2018He was a predator and a thug who would have taken your guitar and sold it for crack.\u2019 I felt the need to engage with this guy: \u2018So, let\u2019s just start with a general question, sir. If someone does commit a crime, does that mean they deserve no compassion and there\u2019s no chance of rehabilitation.\u2019 I didn\u2019t get anywhere with that guy\u2014he\u2019d already made up his mind. But I\u2019m that guy who wants to apply what I\u2019ve learned. I used to be an impatient driver. Finally, I freed myself of that contortion of anger and irritation. I try to apply that when I\u2019m on the internet.<br \/>\n<a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-b-Photo-credit-Joe-Navas.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-20247\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-b-Photo-credit-Joe-Navas.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-b-Photo-credit-Joe-Navas.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-b-Photo-credit-Joe-Navas-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><\/p>\n<p><strong>Please tell us the story behind one of the songs you plan to play at Blue Rock\u2019s <em>Cool Nights 21<\/em> <\/strong>(<em>for your Dec 2 performance<\/em>)<strong>.<br \/>\n<\/strong>\u201cThe Garden\u201d\u2014I lead an online songwriting group through my web page. I provide a weekly prompt and then we all write a song based on that and give each other feedback. The week I wrote this song, the prompt was to steal someone else\u2019s title and write a new song to it. So I stole \u201cWhat the Garden Looked Like\u201d\u2014a song title from someone in the songwriting group. We probably have a thousand song titles. I picked up a two-string diddley bow\u00a0made out of a stick and a cardboard box and some zip ties, and just made it up in ten minutes. Except, of course, that the contents of the song (Dear Abby, Trungpa Rinpoche, Muhammad Ali and the famous \u201cI don\u2019t eat negroes\u201d incident and James Baldwin\u2019s towering quote) all had to rattle around in my head for fifty years. The best songs are like that\u2014they take ten minutes plus fifty years.<\/p>\n<p><strong>Tell us about that James Baldwin quote.<br \/>\n<\/strong>Baldwin said, \u201cPerhaps everybody has a Garden of Eden, I don\u2019t know; but they have scarcely seen their garden before they see the flaming sword.\u201d<\/p>\n<p><strong>That Muhammad Ali story really had a big impact on you.<br \/>\n<\/strong>\u201cMuhammad Ali said, \u2018After winning the Olympic gold medal for boxing, I went downtown that day\u2014had my big old medal on and went to a restaurant. At that time, things weren\u2019t integrated\u2014Black folks couldn\u2019t eat downtown. I sat down and said, \u2018A cup of coffee, and \u2026.\u2019 The lady said, \u2018We don\u2019t serve negroes.\u2019 I was so mad, I said, \u2018I don\u2019t eat them either. Just give me a cup of coffee and a hamburger.\u2019 That was in my own hometown of Louisville, Kentucky\u2014and after I fought for my country in the Rome Olympics! I left that diner, walked across the bridge and threw my gold medal into the Ohio River.\u201d You just don\u2019t undo this kind of stuff in 60 years. We have a lot of work to do in this country.<\/p>\n<p><strong>It\u2019s good that musicians like you are talking about certain realities about America.<br \/>\n<\/strong>Yes! When our refrigerator broke the day we brought our rescue dog home, my wife and I went to get some coolers to put some stuff we had in the refrigerator\u2014and we realized that we had locked ourselves out of our house. So, we climbed in through a window\u2014and <em>nobody<\/em> shot us. No one called the police on us\u2014a white couple climbing through a window is not as alarming to people. It\u2019s terrible. America has some work to do!<\/p>\n<p><strong>Who originally inspired you to write songs?<br \/>\n<\/strong>Probably Greg Brown and Leo Kottke are my two earliest songwriting inspirations.<\/p>\n<p><strong>What songwriting tip would you like to offer?<br \/>\n<\/strong>I\u2019ll go with Tchaikovsky:\u00a0\u201cI sit down to the piano regularly at nine-o\u2019clock in the morning and Mesdames les Muses have learned to be on time for that rendezvous.\u201d<\/p>\n<p><strong>Tell us about one of your songs that you almost always play in live performances.<br \/>\n<\/strong>\u201cWhat Else Was It?\u201d from the 2014 <em>Silver Ladder<\/em> album, produced by Chuck Prophet. It\u2019s one of those songs that asks questions we don\u2019t ever get to answer and people see themselves in it. That makes me feel so satisfied.<\/p>\n<p><strong>Tell us how the idea of \u201cTake Down Your Flag\u201d came to you?<br \/>\n<\/strong>The song came to me for a very specific reason: I couldn\u2019t stand the whole Charleston Nine Massacre. I especially couldn\u2019t stand the thought of someone shooting an 87-year-old woman, Susie Jackson. Just how spectacularly hateful that is\u2014it beggars the imagination. The song clearly rang a bell with a lot of people. I thought we\u2019d have some sort of awakening after that, but there\u2019s so much more to it.<\/p>\n<p><strong>Have you written eight other verses?<br \/>\n<\/strong>I\u2019ve written several verses to that song. But mostly what I do now is sing other people\u2019s verses. A lot of them really struck me. On any given night, I\u2019ll sing that song one of about six or eight ways. There\u2019s a Boston songwriter, Tim Gearan, who wrote this incredible couplet: \u201cSister Ethel Lance, there\u2019s a lowcountry clap where you are sleeping; Sister Ethel Lance, today Emanuel could use some sweepin\u2019.\u201d She used to clean up in that church. That was so powerful. Tim was stationed in the Navy in South Carolina, so he knew what a lowcountry clap was\u2014which is a musical form down there. That couplet just blew the doors open.<br \/>\n<a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-c-Photo-credit-Joe-Navas.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-20248\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-c-Photo-credit-Joe-Navas.jpg\" alt=\"\" width=\"660\" height=\"991\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-c-Photo-credit-Joe-Navas.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-c-Photo-credit-Joe-Navas-200x300.jpg 200w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-c-Photo-credit-Joe-Navas-300x450.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><\/p>\n<p><strong>Many musicians have covered this amazing anthem. Why do you feel this song is still important?<br \/>\n<\/strong>The Confederate Battle Flag was just flown inside the U.S. Capitol by supporters of Donald Tr*mp, who is autocratic, racist, anti-democratic, a liar and a danger to our future. The specific evil of the Confederacy, the assumption that some people are meant to rule over others, is wide awake and snarling through our country. So I imagine I\u2019ll be singing that song until I\u2019m done singing.<\/p>\n<p><strong>What instruments<\/strong><strong>\/equipment can you not live without?<br \/>\n<\/strong>I\u2019m not married to anything in particular. I like pens better than pencils. I like small parlor-type guitars better than dreadnoughts. They\u2019re all tools. I tend to like plain guitars\u2014and old guitars. I like the sound of my Fishman Rare Earth Blend (a magnetic pickup and a microphone). I like low end, so I typically use an EQ pedal and have become a soundman whisperer. I dream of traveling like Leon Redbone used to\u2014his people would telegram ahead \u201cBring Mr. Redbone a guitar.\u201d The venue would have to telegram back \u201cWhat kind of guitar?\u201d The reply was \u201cMr. Redbone does not care.\u201d He\u2019d show up and play it. That\u2019s the life!<\/p>\n<p><strong>Which Top 5 Musicians\u00a0inspired you to become a musician?<br \/>\n<\/strong>David Hidalgo, Louie P\u00e9rez, Leo Kottke, Greg Brown, David \u201cGoody\u201d Goodrich.<\/p>\n<p><strong>What are your Top 5 favorite albums of all time?<br \/>\n<\/strong><em>Kiko<\/em> (1992) \u2014 Los Lobos<br \/>\n<em>Rain Dogs<\/em> (1985) \u2014 Tom Waits<br \/>\n<em>The Poet Game<\/em> (1994) \u2014 Greg Brown<br \/>\n<em>Wrecking Ball<\/em> (1995) \u2014 Emmylou Harris<br \/>\n<em>Steal Away<\/em> (1995) \u2014 Charlie Haden &amp; Hank Jones<\/p>\n<p><strong>Tell us a \u201cpinch me\u201d moment when you thought \u201cWow, this is really happening to me!\u201d<br \/>\n<\/strong>I\u2019ve had hundreds of those moments. It\u2019s not so much with whom, but when the music is really, really happening. I never have a set list. I always just go off the top of my head. It\u2019s more fun that way.<br \/>\n<a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-d-Photo-credit-Jeff-Fasano.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-20249\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-d-Photo-credit-Jeff-Fasano.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-d-Photo-credit-Jeff-Fasano.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-d-Photo-credit-Jeff-Fasano-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><\/p>\n<p><strong>Tell us why playing at Blue Rock is so unique.<br \/>\n<\/strong>I\u2019ve been on the road for 30 years and I\u2019ve only encountered about 6 or 8 places that are super special\u2014listening rooms. There was Arnold Greenberg\u2019s place in Maine called the Left Bank Caf\u00e9, when I first started out on the road\u2014and it\u2019s gone now. There\u2019s a place in Wisconsin called the Caf\u00e9 Carpe. What it amounts to is\u2014it\u2019s really Billy and Dodee. They are so dedicated to it. Blue Rock is essentially them and their love of it. It\u2019s my third time there. I\u2019m really looking forward to the gig, a lot, but I\u2019m <em>really <\/em>looking forward to the songwriting workshop the next day\u2014where I have the chance to hang with hopefully 10 people and really dive into their music.<\/p>\n<p><strong>How do you remain hopeful in this strange and unique socio-political time?<br \/>\n<\/strong>I\u2019m just going to have to go with Dr. King\u2019s Arc of the Moral Universe. But these days, one can be forgiven for asking \u201cSeriously, how f-ing long is this arc anyway?\u201d<\/p>\n<p><strong>Do you think it\u2019s important for musicians to write songs that move people into action?<br \/>\n<\/strong>I do believe art is meant to hold a mirror up to life, but there are all kinds of ways to do it. Beyonce is<em> extremely <\/em>political, but she doesn\u2019t need to do it overtly. She is powerful, self-possessed, unapologetic and beautiful\u2014and establishes thorough ownership over her presence, body and self. That\u2019s enough! And then you look at someone like Ani DiFranco, she\u2019s much more in the Woody Guthrie, Tom Paxton model. And I admire the hell out of that. I\u2019ve written a few of those songs, but I tend to write them by accident. I\u2019m just trying to catch a moment. Occasionally, by default, I\u2019ve become political. I just try to be poetic\u2014try to say something relatively true and relatively concise. I love language. Just the idea of trying to say something true\u2014is itself fairly revolutionary.<\/p>\n<p><strong>How did the idea of \u201cShirt\u201d come to you?<br \/>\n<\/strong>That came from burning a whole bunch of notebooks and letters\u2014which is what I do every six or 10 years. I got the lyric going and realized what I was talking about was age. In your early 30s, when you realize, \u201cOK then, I guess I\u2019m me now. I kind of expected to have more sh*t figured out. But, alright\u2014I guess this will be me!\u201d I can see the people in the audience who are in their early 30s\u2014I can see it ring their bell. \u201cOh wow, I\u2019m old enough to have an identity and I don\u2019t know what\u2019s going on.\u201d (<em>Laughs<\/em>)<br \/>\n<a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-e-Photo-credit-Joe-Navas.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-20250\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-e-Photo-credit-Joe-Navas.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-e-Photo-credit-Joe-Navas.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-e-Photo-credit-Joe-Navas-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><\/p>\n<p><strong>Do you really burn your old notebooks?<br \/>\n<\/strong>I don\u2019t burn everything. I separate them. I\u2019ll take the binder rings off my notebook and put them into two piles. There\u2019s the pile of stuff I want to remember\u2014births, deaths and all that; and then there\u2019s the drivel of my own complaining and all that\u2014and that I throw away. Most of my notebooks are not particularly memorable. I used to be scraps of lyrics but I don\u2019t anymore. I make so much stuff up that it\u2019s all lying around like mulch. There\u2019s always more of that. Ani DiFranco was asked, \u201cIf you could only keep one of your songs, what would it be?\u201d She said, \u201cI\u2019d get rid of them all. I\u2019ll write more.\u201d Isn\u2019t that a great answer? I can\u2019t remember who said this, but someone said (and I\u2019m roughly quoting), \u201cEvery day is not a brick to build a house with, but rather fuel for the fires of experience.\u201d<\/p>\n<p><strong>What is the best advice someone has given you?<br \/>\n<\/strong>A jazz bass player asked me once: \u201cWhat\u2019s the most musical thing you can do while playing in an ensemble?\u201d I said \u201cListen.\u201d He nodded and said \u201cWhat does the audience do during the whole show?\u201d I said \u201cListen.\u201d He said \u201cSo where does the music happen? And who is the greatest musician in the room.\u201d And my head exploded.<\/p>\n<p><strong>Where can new fans get more info and stay updated?<br \/>\n<\/strong><a href=\"http:\/\/www.petermulvey.com\/\">www.PeterMulvey.com<\/a><br \/>\n<a href=\"https:\/\/Instagram.com\/petermulvey43\">https:\/\/Instagram.com\/petermulvey43<\/a><br \/>\n<a href=\"https:\/\/Twitter.com\/petermulvey43\">https:\/\/Twitter.com\/petermulvey43<\/a><br \/>\n<a href=\"https:\/\/www.facebook.com\/PeterMulveyMusic\/\">https:\/\/www.facebook.com\/PeterMulveyMusic\/<\/a><br \/>\n<a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-f-Photo-credit-Jeff-Fasano.jpg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-20251\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-f-Photo-credit-Jeff-Fasano.jpg\" alt=\"\" width=\"660\" height=\"990\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-f-Photo-credit-Jeff-Fasano.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-f-Photo-credit-Jeff-Fasano-200x300.jpg 200w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-f-Photo-credit-Jeff-Fasano-300x450.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/a><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/12\/Peter-Mulvey-006-Photo-credit-Jeff-Fasano-scaled.jpg\">=<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Musician: PETER MULVEY Video: \u201cDon\u2019t You Ever Change\u201d \ufeff PETER MULVEY FEATURED AT BLUE ROCK\u2019S COOL NIGHTS 21 THIS THURSDAY, DECEMBER 2 Peter Mulvey will be featured at Blue Rock aLive! Cool Nights 21 livestreaming concert series\u2014this Thursday, December 2. Mulvey\u2019s new album Love is the Only Thing will be released in early 2022 on [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":20240,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7725],"tags":[13024,13025,3155,13026,13027,1342,8271,11644,11616,9481,11385,13028,13029,13030,13031,13032,13033,13034,13035,13036,13037,13038,13039,13040,12869,13041,13042,12680,13044,12613,12681,13045,13043,13046,9490,13048,13047,13049,2737,13050,13051,13052,3244,13053,3612,13054,11646,13055,13056,12279,10163,10802,13057,7376,13058,13059,13060,624,13061,13062,13063,7566,3010,13064,13065,7978,13067,13066,6747,13068,13069,13070,13072,13071,13073,13074,13075,13076,13077,13078,13079,13080,13081,13082,13083,13084,13085,13086,13087,13088,9919,7233,13089,13090,13091,13092,3656,13093],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/20231"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=20231"}],"version-history":[{"count":7,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/20231\/revisions"}],"predecessor-version":[{"id":20243,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/20231\/revisions\/20243"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media\/20240"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=20231"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=20231"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=20231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}