{"id":20219,"date":"2021-11-18T21:48:51","date_gmt":"2021-11-19T04:48:51","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=20219"},"modified":"2021-11-18T21:49:52","modified_gmt":"2021-11-19T04:49:52","slug":"eliza-gilkyson","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2021\/11\/eliza-gilkyson\/","title":{"rendered":"ELIZA GILKYSON"},"content":{"rendered":"<h1>Musician: <b>ELIZA GILKYSON<\/b><\/h1>\n<h2>Video: \u201c<b>At the Foot of the Mountain<\/b>\u201d<\/h2>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rEhHzqav-S0\" width=\"660\" height=\"440\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><b>ELIZA GILKYSON FEATURED AT BLUE ROCK\u2019S <i>COOL NIGHTS 21<\/i> THIS THURSDAY, NOVEMBER 18<\/b><\/p>\n<p>Eliza Gilkyson will be featured at Blue Rock aLive! <i>Cool Nights 21<\/i> livestreaming concert series\u2014this Thursday, November 18. She will be joined by the incredibly talented Mike Hardwick, who has played guitar on all her records.<\/p>\n<p>Gilkyson\u2019s latest release <i>Songs from the River Wind<\/i> is what she calls her \u201clove letter to the Old West\u201d\u2014snapshots of the people and places, lives and loves lost and found over her years of wandering the West as a musical minstrel searching for her heart\u2019s home.<\/p>\n<p>Feeling the need to \u201ctake a little break from the socio-political music\u201d she felt compelled to write for her last six releases, including her critically acclaimed political masterpiece \u201c2020.\u201d Concurrent with the hair-raising 2020 election cycle and the haphazard handling of COVID19 in Texas, the twice Grammy-nominated artist moved her base from Austin to Taos. She gathered a collection of songs written over the past 40 years that chronicle her travels and memories of characters and events that birthed her enduring love affair with the West, culminating in her recent decision to relocate permanently to Taos\u2014sinking down deep roots at long last.<\/p>\n<p>With cameos from Warren Hood on fiddle, Kym Warner on mandolin, and Michael Hearne on vocals, some old and new originals, some covers that fit the theme, and a few adaptations of several venerable old cowboy tunes, she went for the kind of Western\/Folk sound that highlights her love of storytelling and true blue characters, her love of the rivers and the mountains, and her joyful return to the high desert plateau \u201cat the foot of the Mountain\u201d she now calls home.<\/p>\n<p>Eliza Gilkyson\u2019s passion for living life to the fullest is evidenced in her unparalleled and unwavering belief in social justice. She recaptures her sense of wonder and celebrates hope by dipping into the well of surrounding beauty\u2014challenging us to open our eyes and discover what has been here all along.<\/p>\n<p>Check out her livestream this Thursday, November 18, at Blue Rock Texas\u2014where innovation, quality and creativity are evidenced in concerts produced with broadcast quality audio-video from their renowned Texas room\u2014streamed straight to you. Inquire about a Season Pass ($105) which lets you can have a seat in the house\u2014by sending in your headshot. What\u2019s unique is they will place your headshot on a seat, so you will literally be <i>sitting<\/i> in the room. Go to: <a href=\"https:\/\/bluerocktexas.com\/events\">https:\/\/bluerocktexas.com\/events<\/a><\/p>\n<div id=\"attachment_20226\" style=\"width: 670px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-20226\" loading=\"lazy\" class=\"size-full wp-image-20226\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-01-Photo-credit-Robert-Jensen.jpeg\" alt=\"\" width=\"660\" height=\"495\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-01-Photo-credit-Robert-Jensen.jpeg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-01-Photo-credit-Robert-Jensen-300x225.jpeg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><p id=\"caption-attachment-20226\" class=\"wp-caption-text\">Eliza Gilkyson &#8211; Photo credit Robert Jensen<\/p><\/div>\n<h2><b>ELIZA GILKYSON <\/b>Interview<\/h2>\n<h2>with\u00a0<b><i>M Music &amp; Musicians<\/i>\u00a0<\/b>magazine publisher, Merlin David<\/h2>\n<p><b>Tell us about a song you will play at Blue Rock\u2019s <i>Cool Nights 21<\/i> <\/b>(<i>for your November 18 performance<\/i>)<b>.<br \/>\n<\/b>I wrote \u201cMidnight Oil\u201d in Austin a few years ago, before COVID and our recent relocation to Taos New Mexico. I was imagining at the time the moon coming up over Pueblo Peak in Taos and illuminating that gorgeous lush llano for which the mountain provides\u00a0the water to make the orchards and fields flourish. The song morphed into a letter to the future and to my grandchildren, for whom tomorrow\u00a0is so uncertain, so dangerous. I wanted them to know I was thinking of them, was worried for them, and to offer them some comfort that there will be a way through this madness that is overtaking our world.<\/p>\n<p><b>Which song squeaked by and made it onto the new album <i>Songs from the River Wind<\/i>?<\/b><br \/>\n\u201cHill Behind This Town\u201d was a last-minute add-on. It was written in the early 70s when I lived in an old wooden boxcar just off the train tracks in a little town outside of Santa Fe called Lamy, my first rental place. Such an innocent time\u2014I thought maybe the song\u00a0was too naive, but then I began to love the innocence of it and remembered how fun it was to have my whole life stretch out ahead of me. With the new record, I wanted to include the many aspects about being in the Southwest that I loved then, and still do. It was like recapturing my sense of wonder again. Plus it\u2019s up-tempo, for a nice change.<\/p>\n<p><b>What did you learn about yourself after recording this album?<\/b><br \/>\nI realized I had lost some of my joy in making music after finding myself living in nature again and singing about that. I have been so absorbed in politics and writing about current topics, I was digging myself into a hole of sadness. In hindsight, realized I needed to find my joy in the day-to-day again and let the music express that.<\/p>\n<blockquote>\n<h2><b><i>Eliza Gilkyson\u2019s passion for living life to the fullest is evidenced in her unparalleled and unwavering belief in social justice. She recaptures her sense of wonder and celebrates hope by dipping into the well of surrounding beauty\u2014challenging us to open our eyes and discover what has been here all along.<\/i><\/b><\/h2>\n<\/blockquote>\n<p><b>How did you get the idea for \u201cAt the Foot of the Mountain\u201d?<\/b><br \/>\nThe mountain itself speaks to me\u2014I live at its feet. It provides the rain and snowmelt that feed this entire ecosystem around here. You develop a fondness for it that grows as the seasons change. Gratitude abounds. A sense of place is nurtured, along with a shared community of people who feel the same way.<\/p>\n<p><b>What inspired you to go in this new direction?<\/b><br \/>\nI felt I had explored socio-political music in ways that pretty much covered the entrenched systems of power\u2014capitalism, racism, patriarchy\u2014and the ways that those hierarchies are kept in place, their effect on society, their effects on me personally and those I love. I have expressed it as best I can, and it was time to find the joy in living or I would not be able to get up in the morning. It was almost a survival tactic. Plus I was falling in love with the West again, having made this move. I wanted to celebrate my history here with these songs that pretty much describe\u00a0my long-term love affair\u00a0with this part of the world.<\/p>\n<div id=\"attachment_20225\" style=\"width: 670px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-20225\" loading=\"lazy\" class=\"size-full wp-image-20225\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-02-Photo-credit-Rodney-Bursiel.jpg\" alt=\"\" width=\"660\" height=\"771\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-02-Photo-credit-Rodney-Bursiel.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-02-Photo-credit-Rodney-Bursiel-257x300.jpg 257w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-02-Photo-credit-Rodney-Bursiel-300x350.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><p id=\"caption-attachment-20225\" class=\"wp-caption-text\">Eliza Gilkyson &#8211; Photo credit Rodney Bursiel<\/p><\/div>\n<p><b>Who inspired you to write songs?<\/b><br \/>\nMy Dad [Terry Gilkyson]. He was first and foremost a songwriter. His songs were hits and he wrote at home, so he was always around and very accessible. He wrote everything from little Christmas ditties to big hit songs. He had really cool guys in his band. So, I was hooked very early on.<\/p>\n<p><b>Tell us about Terry Gilkyson\u2019s \u201cThe Bare Necessities\u201d (1967 Disney movie <i>The Jungle Book<\/i>.)<\/b><br \/>\nHonestly, that song was very much his philosophy\u2014and his approach to life. He was complex and troubled, like any artist, and he had his dark side, but that song conveyed the best of him. He was not a materialist. He looked for the magic in the small things. He was totally tuned into nature. For him, nature was the manifestation of a supreme being. He saw nature as proof that there was a God, and that\u2019s what he not only taught us but lived it and immersed us in it. That\u2019s why that song speaks to so many people. It\u2019s a very simple philosophy\u2014looking for the simplest and most beautiful things in life, many of which are free. That\u2019s him in a nutshell.<\/p>\n<p><b>How did his views inspire you?<br \/>\n<\/b>If somebody gives you a higher or rich, rewarding way of looking at things, it\u2019s like they open a window for you. Once you\u2019ve locked on to it\u2014you won\u2019t settle for less. Today, people search because they were never introduced to true, intimate love or a relationship with the natural world. If that window doesn\u2019t get opened very early on, it\u2019s a long process. I was very fortunate to have my Dad present in my life.<\/p>\n<p><b>What songwriting tip would you like to offer?<\/b><br \/>\nLive a life that has meaning, depth, wonder and richness and write about that.<\/p>\n<div id=\"attachment_20224\" style=\"width: 670px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-20224\" loading=\"lazy\" class=\"size-full wp-image-20224\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-03-Photo-credit-Jeff-Fasano-Folk-Alliance-2019.jpg\" alt=\"\" width=\"660\" height=\"990\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-03-Photo-credit-Jeff-Fasano-Folk-Alliance-2019.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-03-Photo-credit-Jeff-Fasano-Folk-Alliance-2019-200x300.jpg 200w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-03-Photo-credit-Jeff-Fasano-Folk-Alliance-2019-300x450.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><p id=\"caption-attachment-20224\" class=\"wp-caption-text\">Eliza Gilkyson &#8211; Photo credit Jeff Fasano &#8211; Folk Alliance 2019<\/p><\/div>\n<p><b>What instruments and equipment can you not live without?<\/b><br \/>\nMy rig for performing is very different than what I have for writing at home. I\u2019m a huge fan of vintage parlor guitars and old Gibsons. I love my guitars. I\u2019m in love with them. Each one of them gets played a lot and they\u2019re very dear to me. Some are perfect for recording, like my 1932 Gibson L-00 with the floating fingerboard\u2014that\u2019s the go-to on a lot of records. If you listen to \u201cMidnight Oil\u201d on <i>The Nocturne Diaries<\/i>, I play three guitars on that song. Also, there\u2019s a guitar that took me years to find and I\u2019m absolutely hooked on it\u20141951 Gibson CF-100E acoustic guitar (they made it from \u201951-\u201958). It was their first attempt to make an acoustic guitar go electric using a P-90 pickup that was in hollow-body electric\u2014warm coil tube sound. I\u2019ve also installed an acoustic pickup so I can switch from acoustic to electric. With two different jacks, it has all these options. It\u2019s a great looking, great-sounding guitar. Right now, I have three of them. (Laughs) I\u2019m a big fan of the Highlander pickups. Seymour Duncan gave me his version of the P-90\u2014that emulated it but didn\u2019t have the hum. And I\u2019m sold on those new G7th Capos. I use them exclusively.<\/p>\n<p><b>Do you remember the first time you heard one of your songs on the radio?<\/b><br \/>\nOh, my goodness\u2014it was a big deal. When I was living in Santa Fe in the 70s, they played \u201cThe Lights of Santa Fe.\u201d It was an incredible feeling. Then, when \u201cCalling All Angels\u201d came out in the late 80s in CA\u2014that was huge. I\u2019m still stoked when I hear my songs on the radio because there\u2019s not a lot of radio for people like me. I almost still have to pull over and work through my freak-out. (<i>Laughs<\/i>)<\/p>\n<p><b>Top 5 Musicians\u00a0who inspired you to become a musician?<\/b><br \/>\nMy Dad, first and foremost. Van Dyke Parks, who was in the second incarnation of my Dad\u2019s band Easy Riders. He\u2019s a dear friend\u2014loved our Dad very much. They were very tight and did a lot of co-writing and co-producing. After that, it was a folk singer in Los Angeles, Carol Hedin. She was big in the folk circuit in those days. She Travis-picked\u2014really good fingerpicker. She was a very dark, smoky, sad person. She had a deep voice and I was a low alto. She was a sorrowful, creative person who could really play and was a big influence on me. From afar, Joan Baez was important to me; later, Joni Mitchell; then, the folk rock movement with Bob Dylan and on out from there.<\/p>\n<div id=\"attachment_20223\" style=\"width: 670px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-20223\" loading=\"lazy\" class=\"size-full wp-image-20223\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-04-Photo-credit-Rodney-Bursiel.jpg\" alt=\"\" width=\"660\" height=\"828\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-04-Photo-credit-Rodney-Bursiel.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-04-Photo-credit-Rodney-Bursiel-239x300.jpg 239w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-04-Photo-credit-Rodney-Bursiel-300x376.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><p id=\"caption-attachment-20223\" class=\"wp-caption-text\">Eliza Gilkyson &#8211; Photo credit Rodney Bursiel<\/p><\/div>\n<p><b>Tell us a \u201cpinch me\u201d moment.<\/b><i><br \/>\n<\/i>In terms of my heroes, having Joan Baez cut two of my songs without having ever met\u2014that just blew my mind. It was incredible to have that come full circle\u2014really meaningful to me. And Van Dyke played on my record. He sat in at McCabe\u2019s. I couldn\u2019t believe this person that I\u2019ve known all my life as a friend\u2014and he added so much to my music.<\/p>\n<p><b>What are your Top 5 favorite albums of all time?<\/b><br \/>\nJoan Baez\u2014I listened to her stem to stern. Buffalo Springfield, first record. Early Steve Miller. Bob Dylan\u2019s <i>Blonde on Blonde<\/i>. The first album that I ever bought was Phil Ochs\u2019 <i>I Ain\u2019t Marching Anymore<\/i>. Can you believe it? I saw my destiny and then forgot. (<i>Laughs<\/i>) I\u2019d forgotten about it until years later when I met Sonny [Ochs], his sister, and I remembered that Phil\u2019s album was the first record I bought. I listened to it all the time. I saw my future and spent 30 years getting back to it. (<i>Laughs<\/i>)<\/p>\n<p><b>Best advice someone has given you.<\/b><br \/>\nYears ago, Tom Paxton said, \u201cEliza, I always liked your early work, but the stuff you\u2019re writing now is a sign that you\u2019ve kept at it.\u201d He said somebody told him, \u201cThe best thing you can do is to get good at what you do, instead of resting on a laurel because you got to a certain level or certain notoriety. If you keep getting good at what you do, that\u2019s a standard you have with yourself. If you constantly get better at what you do, it\u2019s a lifelong journey.\u201d It\u2019s part of Tom\u2019s philosophy.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-20222\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-05-guitars.jpg\" alt=\"\" width=\"660\" height=\"495\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-05-guitars.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-05-guitars-300x225.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<p><b>Best advice you\u2019d give upcoming musicians.<\/b><br \/>\nFinding your authentic voice is essential. A lot of people listen to what\u2019s happening and adapt to what\u2019s current. In the long run, it\u2019s better for you to keep experimenting with who you are. Find your authentic voice. I spent a lot of time emulating other people and I lost my authenticity. Things didn\u2019t start happening for me until much later in life, when I stripped everything down and determined who I really was and what I wanted to say. Also, don\u2019t be afraid of critique. I gathered a team that helped me find my way. I trusted them to tell me what wasn\u2019t working. You can\u2019t live in a vacuum. You can tell if something\u2019s working by playing songs out. Be honest with yourself. Grow a thick skin but stay vulnerable\u2014take critiques and woodshed yourself\u2014strip things back down. A real good song maybe only has one good line. Go back, take that one good line and start over. It\u2019s really hard to do, but it\u2019s what makes a long career. It\u2019s what helps you get better.<\/p>\n<p><b>When did that happen for you?<br \/>\n<\/b>It was a record of mine called <i>Redemption Road<\/i>. It\u2019s a very uneven record, but it was the first time I self-produced and I was really trying to find my voice and also find a proper production, which was no synthesizer or keyboards\u2014only using organic instruments. It was important for me to get back to what served me best\u2014melodically and production-wise.<\/p>\n<p><b>Tell us a \u201cpinch me\u201d moment when you thought \u201c<i>Wow, this is really happening to me!<\/i>\u201d<\/b><i><br \/>\n<\/i>When I had the Tosca String Quartet come in and do a live session on my song \u201cReunion\u201d\u2014it was hair-raising, soul satisfying, beyond description. It was for <i>Secularia<\/i>, my album of secular hymns. I call it spiritual music for atheists. Also, having Jimmy LaFave duet on \u201cDown by the Riverside\u201d just a few months before he couldn\u2019t sing anymore. It was an incredibly special moment to have him sing \u201cWhen I lay my burden down.\u201d I\u2019m overwhelmed just talking about it now.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-20221\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-06-album-cover.jpeg\" alt=\"\" width=\"660\" height=\"611\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-06-album-cover.jpeg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-06-album-cover-300x278.jpeg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<p><b>Why is Blue Rock a special place for you?<\/b><br \/>\nThey are friends of artists. So much care has gone into that place, so much support from Billy and Dodee Crockett and the fan base they have built. Great sound and visuals.<\/p>\n<p><b>How do you remain hopeful in this strange and unique socio-political time?<br \/>\n<\/b>I live and walk\u00a0in beauty every day. I surround myself with people I trust and love, who love me. I have dogs. I grow food and harvest our orchard. I have good relations with my neighbors. I look for the small miracles that occur daily in my world.<\/p>\n<p><b>Where can new fans get more info and stay updated?<\/b><br \/>\n<a href=\"%22http:\/\/\">www.ElizaGilkyson.com<\/a><br \/>\nInstagram: @elizagilkyson<br \/>\nTwitter: @elizagilkyson<br \/>\nFacebook.com\/ElizaGilkyson1<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-20220\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-07-with-Jimmy-LaFave-at-Threadgills-2017.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-07-with-Jimmy-LaFave-at-Threadgills-2017.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/11\/Eliza-Gilkyson-07-with-Jimmy-LaFave-at-Threadgills-2017-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Musician: ELIZA GILKYSON Video: \u201cAt the Foot of the Mountain\u201d ELIZA GILKYSON FEATURED AT BLUE ROCK\u2019S COOL NIGHTS 21 THIS THURSDAY, NOVEMBER 18 Eliza Gilkyson will be featured at Blue Rock aLive! Cool Nights 21 livestreaming concert series\u2014this Thursday, November 18. She will be joined by the incredibly talented Mike Hardwick, who has played guitar [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":20228,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7725],"tags":[366,12982,12983,8271,11644,11616,9481,11385,3592,12984,12985,12986,12869,9490,12987,12437,12988,12989,12990,12991,12992,12993,12994,11646,12995,12996,10163,10802,12997,3593,991,12998,12999,7566,13000,3010,13001,13002,13003,7978,13004,13005,13006,13007,12362,13008,13009,1790,13010,13011,13012,13013,13014,13015,13016,13017,9919,13018,13019,13020,13021,29,13022,13023],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/20219"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=20219"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/20219\/revisions"}],"predecessor-version":[{"id":20229,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/20219\/revisions\/20229"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media\/20228"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=20219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=20219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=20219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}