{"id":20112,"date":"2021-01-28T23:32:46","date_gmt":"2021-01-29T06:32:46","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=20112"},"modified":"2021-01-28T23:55:27","modified_gmt":"2021-01-29T06:55:27","slug":"erin-ivey","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2021\/01\/erin-ivey\/","title":{"rendered":"Video &#038; Interview Erin Ivey"},"content":{"rendered":"<h1><img loading=\"lazy\" class=\"alignnone size-full wp-image-20121\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-02.jpg\" alt=\"\" width=\"660\" height=\"439\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-02.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-02-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h1>\n<h1><b>Video Feature &amp; Web-Exclusive Interview<\/b><br \/>\nArtist:<span class=\"Apple-converted-space\">\u00a0 <\/span><b>ERIN IVEY<\/b><\/h1>\n<p>Video:<span class=\"Apple-converted-space\">\u00a0 <\/span>\u201c<b>Lost Girl<\/b>\u201d<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/9R1KgHO3H6k\" width=\"660\" height=\"420\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><b>ERIN IVEY RELEASES EMOTIONALLY HAUNTING \u201cLOST GIRL\u201d FROM HER NEW ALBUM <i>SOLACE IN THE WILD<\/i><\/b><br \/>\nErin Ivey\u2019s <i>Solace in the Wild<\/i> was three years in the making. She recorded the album at Blue Rock Studio in Wimberley, Texas. It was released January 29, 2021.<\/p>\n<p>Ivey\u2019s albums have garnered numerous Top 10 and Album of the Year recognitions, a Black Fret artist grant and placements in movie soundtracks, advertisements and TV shows (<i>Suits<\/i> and <i>The Client List<\/i>). She is also a regular Critics\u2019 Pick at SXSW.<\/p>\n<p>Erin Ivey speaks her truth with honesty and insight gained through the years\u2014making dreams into reality. Her lyrics illuminate the imagination, taking the listener along a remarkable journey\u2014always looking forward to see what lies beyond the horizon, beyond her dreams\u2014to her solace in the wild.<\/p>\n<div id=\"attachment_20119\" style=\"width: 670px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-20119\" loading=\"lazy\" class=\"size-full wp-image-20119\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-04-at-Blue-Rock-Studio-Photo-credit-Sarah-Randolph.jpg\" alt=\"\" width=\"660\" height=\"371\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-04-at-Blue-Rock-Studio-Photo-credit-Sarah-Randolph.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-04-at-Blue-Rock-Studio-Photo-credit-Sarah-Randolph-300x169.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><p id=\"caption-attachment-20119\" class=\"wp-caption-text\">Erin Ivey at Blue Rock Studio &#8211; Photo credit Justin Kirchhoff<\/p><\/div>\n<p>We talked with Erin Ivey about her songs that empower listeners to let go of the things that hold them back, her new-found independence, her unique approach to songwriting, and how determination dictates her path and continues to inspire her journey.<\/p>\n<h2><b>ERIN IVEY <\/b>Interview<br \/>\nwith\u00a0<b><i>M Music &amp; Musicians<\/i>\u00a0<\/b>magazine publisher,<b> Merlin David<\/b><\/h2>\n<p><b>How did the <\/b><b>idea of \u201cLost Girl\u201d come to you?<\/b><br \/>\nIt was an idea from my producer\/co-writer Chuck Pinnell, who is an amazing guitar player and writer. We started writing seven years ago\u2014getting together once or twice a month to write and share ideas. It was always on a Friday, so my step-daughter started calling him \u201cFriday Chuck.\u201d He played this beautiful song on guitar and suggested the title \u201cLost Girl.\u201d I immediately imagined a young woman swimming in Hamilton Pool\u2014a natural pool created when a cave collapsed thousands of years ago, just outside Austin, Texas. Visions came\u2014of this girl floating between the worlds above and below the water, trying to balance it all, hold it all together as it is all holding her at the same time. When things are on fire around her, she\u2019s safe in the water. I drew from my own dreams, too. Sometimes in my dreams, I wish I could breathe under water and then remember I can, so I do and the whole dream shifts into this state of wonder. I like how you have to suspend disbelief or live in metaphor or dreams for this idea to make sense.<\/p>\n<div id=\"attachment_20118\" style=\"width: 670px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-20118\" loading=\"lazy\" class=\"size-full wp-image-20118\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-05-at-Blue-Rock-Studio-Photo-credit-Justin-Kirchhoff.jpg\" alt=\"\" width=\"660\" height=\"371\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-05-at-Blue-Rock-Studio-Photo-credit-Justin-Kirchhoff.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-05-at-Blue-Rock-Studio-Photo-credit-Justin-Kirchhoff-300x169.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><p id=\"caption-attachment-20118\" class=\"wp-caption-text\">Erin Ivey at Blue Rock Studio &#8211; Photo credit Justin Kirchhoff<\/p><\/div>\n<p><b>Briefly tell us how the album evolved.<\/b><br \/>\nChuck and I met a decade ago. We created a unique arrangement of \u201cJohnny Has Gone for a Soldier\u201d in Gaelic and English\u2014for an album he was working on. We enjoyed working together and over the years\u2014Chuck imagined and coaxed this project into being. I had to drop out of music for a few years to take corporate jobs that kept me on the road a lot. I\u2019m so thankful to have had the idea of this album to keep me connected to Austin and to music. I won a $10K artist grant from Black Fret to create new music. At the end of 2018, I began to write and perform music full-time again. I used the Black Fret grant money to record 10 songs over three days at Blue Rock Artist Ranch &amp; Studio in Wimberley, Texas. Covid-19 postponed an earlier release date. With Dave McClinton\u2019s artwork and manufacturing funded by friends and fans through a crowdfunding campaign, we are finally releasing the album.<\/p>\n<blockquote>\n<h1><b><i>Erin Ivey speaks her truth with honesty and insight gained through the years\u2014making dreams into reality. Her lyrics illuminate the imagination, taking the listener along a remarkable journey\u2014always looking forward to see what lies beyond the horizon, beyond her dreams\u2014to her solace in the wild.<\/i><\/b><\/h1>\n<\/blockquote>\n<p><b>What is one thing you learned about yourself after you recorded this album?<\/b><br \/>\nI learned to trust and rely on others. A lot of times I buy into the myth of perfection and get scared what I do will not be perfect, so I sabotage it or get really controlling. This time, so much was out of my control. I trusted Chuck\u2019s choices, which were so good. I just had to get out of the way. I\u2019m still learning how to enjoy the threads rather than having to see the whole tapestry to appreciate it.<\/p>\n<div id=\"attachment_20117\" style=\"width: 670px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-20117\" loading=\"lazy\" class=\"size-full wp-image-20117\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-06-Photo-credit-Nicola-Gell.jpg\" alt=\"\" width=\"660\" height=\"441\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-06-Photo-credit-Nicola-Gell.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-06-Photo-credit-Nicola-Gell-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><p id=\"caption-attachment-20117\" class=\"wp-caption-text\">Photo credit Nicola Gell<\/p><\/div>\n<p><b>What songwriting tip would you like to offer?<\/b><br \/>\n<b>Just keep writing. Find the \u201cplay\u201d aspect in it\u2014which gets to the heart of what music means for us. I use lots of games to coax the song out. I need my eyes and soul to be receptive. But usually, it\u2019s a deadline. (<i>Laughs<\/i>) I recently re-joined a songwriting group where we have to have a song every two weeks. It\u2019s important to write and keep writing.<\/b><\/p>\n<p><b>What are your essential songwriting tools?<\/b><br \/>\nI can\u2019t live without my phone. I used to carry around a heavy old SLR camera and clunky cassette tape recorder\u2014everywhere. I still carry my journal at all times, but now everything else I need is on my phone. The mic and camera quality are excellent. And when I get discouraged or need advice or connection, there\u2019s an amazing community of supportive creative entrepreneur friends at the other end of a phone call.<\/p>\n<p><b>What is your main instrument?<\/b><br \/>\nMy favorite is a 1964 Epiphone FT-45 Cortez\u2014cousin to the Epiphone Texan made famous by Paul McCartney. It has a beautiful soul. It calls to me. It rings with sustain. I\u2019d stopped into Austin Vintage Guitars in March 2019 looking for something from the 1930s, but this Cortez kept calling out to me. My friend and collaborator Goody (David Goodrich, whom you may know from producing and playing with Chris Smither) happened to be at the store that day. He systematically brought me every acoustic guitar in the shop to play\u2014one at a time. I kept going back to the Cortez. I\u2019ll always be grateful to Goody for his time and insight. I love that guitar. When I was working with Christopher Cross, he had my Guild sent over to Dick Dubois to be set up properly. It made such a big difference. Dick now works on all my instruments. Most recently, he installed an LR Baggs\u00a0Element in the Cortez. It sounds so good. I really like my Kyser Capo and I use Martin strings. At a writing retreat last year, just before the pandemic, Edie Carey let me borrow her Martin\u00a0000-16. It made my knees buckle. It felt great, just the right size, amazing tone. Now, I\u2019m on the lookout for one of those.<\/p>\n<div id=\"attachment_20116\" style=\"width: 670px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-20116\" loading=\"lazy\" class=\"size-full wp-image-20116\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-07-Photo-credit-Nicola-Gell.jpg\" alt=\"\" width=\"660\" height=\"441\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-07-Photo-credit-Nicola-Gell.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-07-Photo-credit-Nicola-Gell-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><p id=\"caption-attachment-20116\" class=\"wp-caption-text\">Photo credit Nicola Gell<\/p><\/div>\n<p><b>What equipment helps you in the studio?<br \/>\n<\/b>I use a Neumann\u00a0KMS 105 mic\u2014which I love! I used one at my very first jazz gig in 2006 and was instantly enchanted by its clarity and truth. I have carried one with me ever since. I always have a Shure SM58. Did you see Bruce Springsteen\u2019s performance at the Inauguration concert? He was using an SM58. At home, I use Blue mics (the original 2006 Bluebird) for demo recordings and a Snowball that plugs right into my computer for interviews and video calls. And I can\u2019t live without my Beyerdynamic DT770 Pro headphones.<\/p>\n<p><b>What does Chuck Pinnell use?<\/b><br \/>\nChuck plays a Collings DS2H acoustic and a Collings MTO Mandolin\u2014they both have an amazing sound. You should check out Chuck\u2019s IMDB page. He comes from a film score and TV composition background. And his first novel is being published later this year. He\u2019s a man of many talents.<\/p>\n<p><b>How did Chuck help you realize the full potential of these songs?<br \/>\nC<\/b>huck pulled in all sorts of unusual instruments to create a tapestry of sound that unifies the whole album\u2014cittern, glockenspiel, octave mandolin. Chuck arranges them to give a solid character to the album. Some of the longer songs have multiple movements that take you on a journey Chuck created for us. He put together a very strong band. Each of the players is so good. It all comes together to elevate the songs from lyrics on a page to a storybook in your imagination.<\/p>\n<div id=\"attachment_20115\" style=\"width: 670px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-20115\" loading=\"lazy\" class=\"size-full wp-image-20115\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-08-band-backstage-at-The-Long-Center.jpg\" alt=\"\" width=\"660\" height=\"370\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-08-band-backstage-at-The-Long-Center.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-08-band-backstage-at-The-Long-Center-300x168.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><p id=\"caption-attachment-20115\" class=\"wp-caption-text\">band backstage at The Long Center<\/p><\/div>\n<p><b>Which Top 5 Musicians\u00a0inspired you to become a musician?<\/b><br \/>\nMy Grandma is a classically trained vocalist and music teacher who was always trying to give me voice and Kod\u00e1ly\u00a0lessons as a kid. I didn\u2019t appreciate them at the time, but I use everything she taught me\u2014especially the love, joy and spiritual gifts of singing.<br \/>\nBillie Holiday delivered phrases with childlike wonder yet grounded in the deep well of eternal sadness. Her soul is magnetic.<\/p>\n<p>David Gilmour was a huge part of the Pink Floyd sound. Hearing his voice and his tone and choices on guitar\u2014makes me want to crawl into the speakers and get lost, and then go practice my guitar.<\/p>\n<p>Harriet Wheeler of the Sundays\u2014singing harmonies along with those records is one of my favorite things. To hear how she crafts melodies and words together so mellifluously inspires me to be more free.<\/p>\n<p>That girl drummer I saw hop on a kit during theater rehearsal when I was 11. She was so cool.<\/p>\n<p><b>What are your Top 5 favorite albums of all time?<\/b><br \/>\n<i>Blind <\/i>(1992)\u2014The Sundays<br \/>\n<i>Kaya<\/i> (1978)\u2014Bob Marley<br \/>\n<i>The Dark Side of the Moon<\/i> (1973)\u2014Pink Floyd<br \/>\n<i>The Bright Mississippi<\/i> (2009)\u2014Allen Toussaint<br \/>\n<i>Don\u2019t Cry Now<\/i> (1973)\u2014Linda Ronstadt<\/p>\n<p><b>Tell us a \u201cpinch me\u201d moment when you thought \u201c<i>Wow, this is really happening to me!<\/i>\u201d<\/b><br \/>\nI was booked on the Grammy Festival at Sea with Heart, Emmylou Harris, Indigo Girls and Shawn Colvin. That was an incredible experience. I met the most amazing artists on that trip. It was my gateway to being involved with The Recording Academy. I\u2019ve also had the great privilege of recording with Christopher Cross and performing with him at <i>ACL Live<\/i> [<i>Austin City Limits<\/i>]. And opening for Ralph Stanley was amazing. He doesn\u2019t just sing\u2014he channels.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-20114\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-01.jpg\" alt=\"\" width=\"660\" height=\"992\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-01.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-01-200x300.jpg 200w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-01-300x451.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<p><b>Why was it important to record this album at Blue Rock?<\/b><br \/>\nWhen we went to Blue Rock, the band hadn\u2019t played together for a couple of years. So, being able to stay onsite and focus 100% on the music\u2014made all the difference. High on a ridge in the Texas Hill Country, we ate, slept and breathed this album into being for three days and three nights. The elemental nature of the songs was enhanced by those surroundings and our ability to shut out the world for a few days. Technically, sonically, everything at Blue Rock is so well thought through. The Artist experience is so carefully considered. They\u2019ve thought of everything.<\/p>\n<p><b>How are they able to do that at Blue Rock?<br \/>\n<\/b>Studio owner Billy Crockett\u2019s experience as a singer-songwriter, recording and performing artist informs Blue Rock\u2019s approach to every detail\u2014right down to the perfection of the headphone mix when you first put them on. We had access to fine instruments to explore different sounds. The vibe is unparalleled. It just feels great\u2014sounds great. Dodee Crockett is the consummate host. Bobby Arnold is a project manager there. He was the recording engineer out at Willie Nelson\u2019s Pedernales Studio when Willie recorded his own version of Irving Berlin\u2019s 1926 classic \u201cBlue Skies.\u201d It was a total thrill to have him there digging our stripped-down arrangement of the song. How cool is that? Recording engineer Patrick Conway and assistant engineer Sarah Randolph made everything so easy for us. Always ready, always positive\u2014moving things forward. You just get to be the artist. It was a magical experience all around\u2014such a blessing. I can feel the fingerprints of Blue Rock all over <i>Solace in the Wild<\/i>.<\/p>\n<p><b>In this unique socio-political climate, how do you remain hopeful?<\/b><br \/>\nHaving this album project to work on has kept me hopeful for years. That is no less true now. Every day, I get to be reminded \u201cthere is solace in the wild, when everything\u2019s on fire.\u201d I am reminded to seek and share that solace, to believe in the importance of the work we do together. There is plenty of work to be done. I am encouraged by the strength of our creative community. Doing <i>this <\/i>interview gives me hope.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-20113\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-09-cover-art-Solace-in-the-Wild.jpg\" alt=\"\" width=\"660\" height=\"660\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-09-cover-art-Solace-in-the-Wild.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-09-cover-art-Solace-in-the-Wild-300x300.jpg 300w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-09-cover-art-Solace-in-the-Wild-150x150.jpg 150w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<p><b>What is the best advice someone has given you?<br \/>\n<\/b>I opened for JD Souther once and he advised me to always put a handle of whiskey on my rider, because\u2014why not?<\/p>\n<p>Most recent advice I got from Taylor Hanson\u2014who has an amazing history with his music. They started very young\u2014they\u2019re so talented and incredibly kind. He gave me reasons why I should go Indie with this album instead of shopping it around. \u201cThis is a game of survival\u2014just keep doing what you\u2019re doing.\u201d I want to keep doing it\u2014make a living, have a life and surround myself with creative people. It\u2019s not about most of the things we conflate into our idea of a music career. It\u2019s just about the music and being able to do it on a regular basis. Let the music find the hearts that it needs to speak to.<\/p>\n<p><b>Best advice you\u2019d like to give upcoming musicians?<\/b><br \/>\nFind a way to do what you love, even if it doesn\u2019t look like you expected.<\/p>\n<p><b>Where can new fans get more info and stay updated?<\/b><br \/>\n<a href=\"..\/..\/Downloads\/%22http:\/\">www.ErinIvey.com<\/a><br \/>\n<a href=\"http:\/\/www.facebook.com\/ErinIveyMusicPage\">www.facebook.com\/ErinIveyMusicPage<\/a><br \/>\n<a href=\"http:\/\/www.instagram.com\/erinivey\">www.instagram.com\/erinivey<\/a><br \/>\n<a href=\"http:\/\/www.Twitter.com\/erinivey\">www.Twitter.com\/erinivey<\/a><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-20120\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-03-band.jpg\" alt=\"\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-03-band.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2021\/01\/Erin-Ivey-03-band-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Video Feature &amp; Web-Exclusive Interview Artist:\u00a0 ERIN IVEY Video:\u00a0 \u201cLost Girl\u201d \ufeff ERIN IVEY RELEASES EMOTIONALLY HAUNTING \u201cLOST GIRL\u201d FROM HER NEW ALBUM SOLACE IN THE WILD Erin Ivey\u2019s Solace in the Wild was three years in the making. She recorded the album at Blue Rock Studio in Wimberley, Texas. It was released January 29, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":20123,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7725],"tags":[12604,12658,12659,12660,4411,8459,12661,12662,12665,12663,12664,3676,8271,12666,12667,5073,11616,9481,12669,12668,11899,11385,10540,12670,969,3611,12671,12672,12673,12674,12675,3317,12676,12677,10432,12678,12679,1184,12680,12681,12682,12683,9490,2152,2154,2737,12684,12687,12219,12688,12177,12685,12686,12689,12690,12691,9271,12692,10182,12693,2276,12694,12695,2316,12696,12697,2294,12698,6759,12699,12700,10386,9850,6069,12701,7495,12702,12517,7566,12703,3277,3589,7856,3010,7978,12704,12705,12706,12707,1673,12708,1185,7432,4092,12709,12710,4812,3355,12711,12712,12713,12714,12715,12716,12717,12718,2005],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/20112"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=20112"}],"version-history":[{"count":3,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/20112\/revisions"}],"predecessor-version":[{"id":20125,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/20112\/revisions\/20125"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media\/20123"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=20112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=20112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=20112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}