{"id":19649,"date":"2020-07-22T11:19:33","date_gmt":"2020-07-22T18:19:33","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=19649"},"modified":"2020-07-22T11:20:21","modified_gmt":"2020-07-22T18:20:21","slug":"walt-wilkins","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2020\/07\/walt-wilkins\/","title":{"rendered":"Video &#038; Web-Exclusive Interview Walt Wilkins"},"content":{"rendered":"<h3><img loading=\"lazy\" class=\"alignnone size-full wp-image-19660\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-08.jpg\" alt=\"Tina &amp; Walt Wilkins\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-08.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-08-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h3>\n<h3>Video Feature &amp; Web-Exclusive Interview<\/h3>\n<h1>Artist: \u00a0<strong>WALT WILKINS<\/strong><\/h1>\n<h2>Video: \u00a0\u201c<strong>Poetry<\/strong>\u201d \u2013 Concerts from Blue Rock LIVE<\/h2>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/OuUoVzm0NbE\" width=\"660\" height=\"440\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>TINA &amp; WALT WILKINS FEATURED AT BLUE ROCK ALIVE! VIRTUAL SUMMER CONCERT SERIES<\/strong><\/p>\n<p>Tina &amp; Walt Wilkins will be the featured artist this Thursday (July 23) at Blue Rock aLIVE!\u2014a unique virtual summer concert series\u2014featuring iconic Austin-based artists every Thursday this summer. Blue Rock is a good example of innovation, quality and creativity. Each event is produced in broadcast quality audio-video from Blue Rock\u2019s renowned Texas room\u2014streamed straight to you. When you buy a Season Pass for $105 (<a href=\"https:\/\/bluerocktexas.com\/events\">https:\/\/bluerocktexas.com\/events<\/a>), you send in your headshot\u2014and they place it on a seat, so you will literally be <em>sitting<\/em> in the room.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-19659\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-03-Gruene.jpg\" alt=\"Tina &amp; Walt Wilkins\" width=\"660\" height=\"990\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-03-Gruene.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-03-Gruene-200x300.jpg 200w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-03-Gruene-300x450.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<p>Walt Wilkins has been crafting story-songs for 25 years. Over 100 songs have been cut by a wide range of artists including Kenny Rogers, Kellie Pickler, Ricky Skaggs, Pat Green, Ty Herndon, Kevin Welch, Pam Tillis and Balsam Range. He has recorded 12 records, some solo, some with his Texas super-group The Mystiqueros and some with his singer-songwriter wife, Tina.<\/p>\n<p>We talked with Tina &amp; Walt Wilkins about their passion for songwriting, the intricate way a story weaves its way through everyday life and what continues to inspire their creative process and keep them hopeful in these unique times.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-19658\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-04.jpg\" alt=\"Tina &amp; Walt Wilkins\" width=\"660\" height=\"660\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-04.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-04-150x150.jpg 150w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-04-300x300.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<h2><strong>TINA &amp; WALT WILKINS<\/strong> Interview<\/h2>\n<h3>with\u00a0<em>M Music &amp; Musicians<\/em>\u00a0magazine publisher, Merlin David<\/h3>\n<p><strong>Tell us about the song \u201cPoetry\u201d from the album <em>Rivertown<\/em>.<\/strong><\/p>\n<p>You would think the whole song was written to the word \u201cpoetry,\u201d but the truth is that the title was one of the last things written. (<em>Laughs<\/em>) I started the song and the verses coming through were all biographical. I had an idea for the chorus and I took it to one of my favorite co-writers Davis Raines. This is when we lived in Nashville. It took two appointments to get it to where we wanted it. When the word \u201cpoetry\u201d slotted into the song, then we had the key to the song, the door opened and I knew that I could play that song forever. I instantly loved the song.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-19657\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-06-Moonflowers.jpg\" alt=\"Tina &amp; Walt Wilkins\" width=\"660\" height=\"495\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-06-Moonflowers.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-06-Moonflowers-300x225.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<p><strong>What made that song unique?<\/strong><br \/>\nThe songs that I like the most come from what I\u2019m thinking about. I had the biographical verses but I was trying to figure out what my subconscious was trying to tell me. Some people would consider it religious. It\u2019s certainly about meaning\u2014one of those moments when you look out and you think \u201cthis seems to make some sort of sense.\u201d A lot of times things just don\u2019t make sense. But this song celebrates the times when you do look out and you feel connected\u2014and you feel you\u2019re a part of something larger. When that happens\u2014those are good moments.<\/p>\n<p><strong>How did the idea for \u201cSomeone Somewhere Tonight\u201d come to you?<\/strong><br \/>\nWhen out son Luke was 10 weeks old, I got on a bus for a year and played for Pat Green. I was in his band for one year, almost to the day. It was his first year on a bus\u2014some great times. We toured all over the country and I was gone a lot. I was the oldest guy on the bus. <em>(Laughs<\/em>) One morning around 5:30 or 6 AM, I got up and I was looking out the window. We were driving through Ohio. I was thinking of my son and projecting missing his first steps. I know I missed his first words. Tina was teaching him sign language and I missed the first time he used that. I was homesick from traveling around. We were passing through a small town, farm, field, suburb and then into the city. I thought\u2014every one of those houses has a story. Right now, someone doing shift work is coming home from work, someone\u2019s getting up, someone\u2019s crying, someone is sick, someone is in desperate need of help. I was seeing all these houses and every one had a story. I wrote the first two verses in the dark\u2014in my notebook. Then I took it to Davis Raines, who I think is brilliant. I had a line or two of the chorus and we wrote the last verse which switches the perspective a little. Davis and I have written a lot of songs that I really love.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-19656\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-07.jpg\" alt=\"Tina &amp; Walt Wilkins\" width=\"660\" height=\"660\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-07.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-07-150x150.jpg 150w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-07-300x300.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<p><strong>Did you know where you wanted that song to go?<\/strong><br \/>\nI really love the song. It\u2019s been cut a bunch of times. I thought it should have been a single. Kenny Rogers cut a beautiful version of it\u2014not long after it was written. He told a mutual friend that he thought it was going to be a single. He said, \u201cthis is going to be a huge song.\u201d But it was never released as a single until it was cut by Kellie Pickler about seven years ago and released as a single. But it only made it to #49. [<em>It was nominated for the 2013 American Country Awards\u2019 Female Video of the Year.<\/em>]<\/p>\n<p><strong>Do you both write together?<\/strong><br \/>\nWW: Tina and I write when we can. Our good friend Randy Sitzler from Detroit recently brought the title \u201cTwilight\u201d with a concept, and the three of us wrote it at our kitchen table. It\u2019s one of my favorites. It fits Tina perfectly.<\/p>\n<p>TW: It\u2019s about the last light of the evening. Randy comes down a couple of times a year, and we write. He said, \u201cLet\u2019s write this song about twilight.\u201d I like period songs of the 30s and 40s, so we wrote it in that vein. It could be a piano song or a guitar song. It\u2019s lyrically gorgeous and so much fun to sing. It reminded me a lot of the beautiful California evenings when the Santa Ana winds would come in, you\u2019re in love and everything is palpable.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-19655\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-09-Rivehouse.jpg\" alt=\"Tina &amp; Walt Wilkins\" width=\"660\" height=\"455\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-09-Rivehouse.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-09-Rivehouse-300x207.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<p><strong>How do you remain hopeful in this strange and unique time?<\/strong><br \/>\nTina is generally more hopeful than I am\u2014and she is now. We can outlast the virus\u2014humans solve these things. But the division\u2014this amount of vitriol everywhere\u2014it appears to remain beyond our grasp to solve. You do as my personal teacher the great artist Bill Worrell says: \u201cKeep creating, keep risking.\u201d<\/p>\n<p><strong>Who originally inspired you to write songs?<\/strong><br \/>\nMy dad\u2019s record collection was quite influential, and the fact that everyone in my family reads books. There were books everywhere. His Glen Campbell records got me when I was about seven or eight years old. The songs were amazing with stellar production\u2014and man could he sing. His team (or he himself) found great songs from every genre\u2014cool writers of the era, including those timeless, sparkling Jimmy Webb songs.<\/p>\n<p><strong>Is there a songwriting tip you\u2019d like to offer?<\/strong><br \/>\nI\u2019ve done a lot of co-writing. In Nashville, the culture is co-writing. So I co-wrote all the time for about 10 years. I had not done much before I got there, except with friends. When I left, I didn\u2019t want to do that anymore. But I\u2019ve found a couple of writers down here in Texas. I don\u2019t write as much anymore. It\u2019s a different set of muscles to write songs by myself, but I like it. I love writing songs when I can. If it was easy to write good songs, everyone would do it. (<em>Laughs<\/em>) You\u2019ve got to study it and have something to say. I just say \u201cwork at it.\u201d<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-19654\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-10-Gruene.jpg\" alt=\"Tina &amp; Walt Wilkins\" width=\"660\" height=\"495\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-10-Gruene.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-10-Gruene-300x225.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<p><strong>Tell us about another one of your songs.<\/strong><br \/>\nThere have been a dozen or so songs cut by major labels, but none of them have ever been a hit. I\u2019ve never really had a big hit. I did help Pat Green finish a song \u201cCarry On\u201d about 20 years ago that went to #30 on the Country charts. Pat put my name in the song lyrics\u2014as an homage. (<em>Laughs<\/em>) He was trying to do something nice. It\u2019s kinda odd to have a songwriting credit on a song that mentions your name. But that happened because we each wrote verses and it was his verse. (<em>Laughs<\/em>) He had started a song. We were in Nashville. It was his first trip up there. We worked for a few hours on the song and it wasn\u2019t going anywhere. So we went and got some coffee and he said, \u201cI got this other thing\u201d and he played that chorus. I said, \u201cPat, that\u2019s just fantastic. That\u2019s a hit. It\u2019s a great chorus.\u201d We had only 15 minutes to work on it before I had to get him to the Nashville airport so he could fly home to Austin. He said, \u201cYou write a verse, I\u2019ll write a verse.\u201d He already had one written, then he wrote a verse from scratch and I wrote a verse from scratch. He wrote it down and that was it\u2014he flew home. We kept tweaking it on email or on the phone up until he recorded it. Three weeks later, it was on the radio in Texas. The production was amazing and he sang the hell out of it. Lloyd Maines produced it. That song changed Pat\u2019s life.<\/p>\n<p><strong>Have any of the covers of your songs surprised you?<\/strong><br \/>\nI\u2019ve been lucky. I\u2019ve had over 100 songs cut by people. Some things are surprising. I\u2019m grateful for all of them. But I have a song called \u201cTrains I Missed\u201d [co-written by Gilles Godard and Nicole Witt] recorded probably a dozen times by different people. It wasn\u2019t a country hit\u2014it was a bluegrass hit, the 2011 IBMA Song of the Year by Balsam Range. It changed their life. Their career took off after that. Their version is sublime\u2014it\u2019s beautiful. It\u2019s been recorded by a lot of people. I love their version. It was surprising because it is bluegrass, and I\u2019m not a bluegrass guy. I don\u2019t think of my song that way. But the arrangement and their harmonies\u2014everything about it was just beautiful. When I heard their version, it really knocked me out.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-19653\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-11-Mystiqueros-Gruene.png\" alt=\"Tina &amp; Walt Wilkins\" width=\"660\" height=\"435\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-11-Mystiqueros-Gruene.png 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-11-Mystiqueros-Gruene-300x198.png 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<p><strong>Any other songs surprised you?<\/strong><br \/>\nI wrote a song \u201cLivin\u2019 Part of Life\u201d with Liz Rose and Eric Church\u2014it\u2019s the last song on his first record. It\u2019s such a pop song. He and his producer Jay Joyce didn\u2019t want to produce it like a country song. They cut it like <em>The Basement Tapes<\/em>[Bob Dylan]\u2014with a tuba and banjo. I like Eric Church a lot. His version is just hilarious, robust and lively\u2014it\u2019s just great. But as soon as we heard that version, Liz and I said, \u201cAh, we\u2019re not going to have a hit.\u201d (<em>Laughs<\/em>) You\u2019ve got to hear it. It\u2019s really fun. I like that song a lot. Liz and I wrote a lot of songs together. I love Liz.<\/p>\n<p><strong>Which Top 5 Musicians\u00a0inspired you to become a musician?<\/strong><br \/>\nWW: Larry Seaman\u2014next door neighbor, five years older, who played guitar and went on to make some of Austin\u2019s most engaging and enduring pop music. He still does. In Austin, it seemed real possible in the 70s to become a writer, a player: Michael Murphey, Steve Fromholz, Willis Alan Ramsey, Jerry Jeff Walker\u2014all these folks were playing around where I grew up.<br \/>\nTW: Linda Ronstadt, James Taylor, Bono, Bette Midler and Lena Horne.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-19652\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-12.jpg\" alt=\"Tina &amp; Walt Wilkins\" width=\"660\" height=\"924\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-12.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-12-214x300.jpg 214w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-12-300x420.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<p><strong>What are your Top 5 favorite albums of all time?<\/strong><br \/>\nWW: We both were heavily influenced by Linda Ronstadt &amp; Emmylou Harris records. I do have a Top 5, Top 10, Top 100\u2014too many to even begin the list. But Jackson Browne\u2019s <em>Late for the Sky<\/em> may be #1. There\u2019s no way I could have understood much of what he was singing about, but it sure got inside me.<br \/>\nTW: <em>Wrecking Ball<\/em> by Emmylou Harris, with Daniel Lanois.<\/p>\n<p><strong>What is it about Billy &amp; Dodee Crockett that makes Blue Rock so special?<\/strong><br \/>\nTW: They are spectacular humans. They are pretty magical. Perhaps, they may be old souls.<\/p>\n<p>WW: They created that Blue Rock space to help artists create. The vibe is warm and heady. It\u2019s a great place to play and a wonderful place to be in the studio or just sit and write. I wrote a song there with Lori McKenna. We got up in that tower and wrote a song. Tina and I made one duet record [<em>Be Mine<\/em>] and \u201cA Soft Place\u201d is on that album.<\/p>\n<p><strong>What is the best advice someone has given you?<\/strong><br \/>\nWW: In 1983, I had an opportunity to visit with Lionel Richie\u2014long story. He was so cool. When it was time to say goodbye, he told me and my bandmate Frank Patterson, \u201cRemember there\u2019s the music business, then there\u2019s the business of music.\u201d Which to me meant: make sure you\u2019re good\u2014doing good work, then worry about the business and anything else.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-19651\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-13.png\" alt=\"Tina &amp; Walt Wilkins\" width=\"660\" height=\"434\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-13.png 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-13-300x197.png 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<p>TW: My dad told me, \u201cDo what you love.\u201d<br \/>\n<strong>Where can new fans get more info and stay updated?<\/strong><\/p>\n<p><a href=\"http:\/\/www.waltwilkins.com\/\">www.WaltWilkins.com<\/a><br \/>\n<a href=\"http:\/\/www.tinamitchellwilkins.com\/\">www.TinaMitchellWilkins.com<\/a><\/p>\n<p>Also, our Facebook pages.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-19650\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-05.jpg\" alt=\"Tina &amp; Walt Wilkins\" width=\"400\" height=\"500\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-05.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-05-240x300.jpg 240w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2020\/07\/Tina-Walt-Wilkins-05-300x375.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Video Feature &amp; Web-Exclusive Interview Artist: \u00a0WALT WILKINS Video: \u00a0\u201cPoetry\u201d \u2013 Concerts from Blue Rock LIVE TINA &amp; WALT WILKINS FEATURED AT BLUE ROCK ALIVE! VIRTUAL SUMMER CONCERT SERIES Tina &amp; Walt Wilkins will be the featured artist this Thursday (July 23) at Blue Rock aLIVE!\u2014a unique virtual summer concert series\u2014featuring iconic Austin-based artists every [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":19662,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7725],"tags":[11674,11675,3729,11676,8271,11644,11645,11385,3592,5762,6631,11677,1647,11678,9490,2737,2740,11679,11680,11681,2709,8432,11682,11683,1625,1624,2736,11684,3549,3162,6171,718,11685,11686,11687,6069,3228,11688,11689,1572,11690,7566,3010,2861,8440,7978,11691,11692,11693,11694,2504,11695,11696,11697,11698,11700,11699,11701,11702,11703,11704,11705,11706,3595],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/19649"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=19649"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/19649\/revisions"}],"predecessor-version":[{"id":19663,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/19649\/revisions\/19663"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media\/19662"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=19649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=19649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=19649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}